Combat Gallery Sunday: The Martial Art of Watanabe Nobukazu
Much as once a week I like to take time off to cover warships (Wednesdays), on Sunday, I like to cover military art and the painters, illustrators, sculptors, and the like that produced them.
Combat Gallery Sunday: The Martial Art of Watanabe Nobukazu
Japanese woodblock printing (moku hanga) goes back to the 1700s and had evolved into high art by the 19th century. One of the more noted artists who operated in this media was Watanabe Nobukazu. Born in Tokyo in 1872 as Shimada Jiro, he studied duteously under master Yōshū Chikanobu in the Utagawa school before taking his new name.
His art ranged from traditional pre-Edo period Imperial Japanese Ukiyo-e imagery, to that of the more modern era the country was rapidly moving into. The process for this art form is among the most complex and demanding.

Nasu no Yoichi, Samurai of Genji side, tries to shoot down the fan placed atop the mast of his enemy Taira’s ship at the battle of Yashima in 1185 via SCRC Virtual Museum at Southern Illinois University’s Morris Library
He later evolved his form to encompass a series of exquisite triptychs prints centering on the Sino-Japanese war of 1894. His use of vivid colors, glazes, and multiple transparencies gave his work a very characteristic depth of field.
And the Russo-Japanese war of 1904-05:

Picture of Our Valorous Military Repulsing the Russian Cossack Cavalry on the Bank of the Yalu River by Watanabe Nobukazu, March 1904
As with many woodblock artists of his day, his art fell out of favor in the 1920s, a victim of increasing modernization in Japan. He died in 1944, largely forgotten in his own country. However, his body of work is seen as among the best of its genre.
MIT has an amazing gallery of woodblock prints by the artist and others in the same period from the Sharf Collection of the Museum of Fine Arts, Boston available here while another inspiring gallery is maintained by the Lavenberg and at Ukiyo-e.org .
Thank you for your work, sir.
Dear Sir,
Thank you so much for your piece on Watanabe Nobukazu. It was presented beautifully; with excellent information, a brilliant selection of his many works and, most appreciated by me, with the honor and respect due an artist of his caliber and commitment.
There are so few people who take the time to appreciate what went into creating, not just the art, but the artist in most disciplines of the 19th century and earlier. Thank you for not only appreciating his work but for sharing it.
Kindest regards,
Melanie Hellem-Loudon
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