Tag Archives: Alphonse de Neuville

Last Sleep of the Brave

Lieutenants Nevill Josiah Aylmer Coghill (aged 26) and Teignmouth Melvill (aged 36) of the 1st Battalion, 24th (2nd Warwickshire) Regiment of Foot, were killed attempting to defend their unit’s Queen’s Colour in the aftermath of the British defeat at Isandlwana on 22 January 1879. They were caught by the Zulus as they attempted to carry the color to safety across the Buffalo River. Their bodies were found on the banks sometime later by follow-on British forces– reports range from 10 days to a fortnight– and the flag retrieved from the river.

“Last Sleep of the Brave,” Isandlwana, Zulu War, 1879. Oleograph after Alphonse de Neuville, 1881. This no-doubt much-romanticized work depicts a patrol from the 17th (Duke of Cambridge’s Own) Lancers discovering the bodies of Melvill and Coghill on the banks of the Buffalo River. The depiction of the 17th Lancers as being the unit to recover their remains is incorrect as when the bodies were retrieved the lancers had yet to leave England for South Africa. NAM Accession Number NAM. 1956-02-284-1

The two officers were buried at and interred at Fugitive’s Drift, below Itchiane Hill.

Melvill’s son, Charles, who was four years old at the time of his father’s desk, went on to become a major general in the British Army, leading NZ troops in the Great War. Coghill’s brother, the respected painter Sir Egerton Coghill, named his second son Nevill in honor of his lost brother.

As noted by the National Army Museum, “although 23 Victoria Crosses were won during the Zulu War (1879), Coghill and his fellow officer had to wait until January 1907 to receive their posthumous awards.”

Hard to give VCs in a crushing defeat, but it should be noted that their posthumous awards were some of the first for the VC. Their Crosses are displayed at the Regimental Museum of The Royal Welsh in Brecon, Powys, Wales.

Cpl Andy Reid / © MoD Crown Copyright 2019

The medals, and others related to the much more touted stand at Rorke’s Drift, were reviewed by King Goodwill Zwelithini of the Zulu Nation in 2019 on the 140th anniversary of the Anglo-Zulu War.

Of that meeting, Colonel (Retired) Tim Van-Rees, of the Friends of The Regimental Museum of The Royal Welsh, said: “it’s an absolute privilege to welcome him here.”

“Zulu King reveals the display of VCs held temporarily at The Regimental Museum of The Royal Welsh. A selection of original Victoria Cross medals dating back to the 19 Century have been put on public display for the first time. The eight original 1879 Anglo-Zulu War VCs belong to The Regimental Museum of The Royal Welsh, based in Brecon. The eight original VCs on display are those that were awarded to Lieutenants Teignmouth Melvill, Nevill Coghill and Gonville Bromhead, Corporal William Allen and Privates Frederick Hitch, Henry Hook, Robert Jones, and John Williams.” Cpl Andy Reid / © MoD Crown Copyright 2019

Combat Gallery Sunday : The Martial Art of Alphonse de Neuville

Much as once a week I like to take time off to cover warships (Wednesdays), on Sunday, I like to cover military art and the painters, illustrators, sculptors, and the like that produced them.

Combat Gallery Sunday : The Martial Art of Alphonse de Neuville

Alphonse-Marie-Adolphe de Neuville was born in 1835 at Saint-Omer, Pas-de-Calais and, growing up on the coast, entered naval school at age 21. However, he always had an eye for the pencil and the brush and by 1860 was completing military-themed paintings and sketches that soon became widely received.

He illustrated several books including one that was very far-reaching for its time.

Although submersible were more fiction than fact at the time, de Neuville was able to combine his nautical background with his art to craft haunting illustrations of life under the ocean in a modern attack submarine in 1870 for the Hetzel editions of Jules Verne’s Twenty Thousand Leagues Under the Sea. The 111 drawings in that work (!) by de Neuville even today harken to adventure, naval warfare, and sci-fi from the true steampunk era.

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Nautilus engines

Nautilus engines

20000

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In 1871, France was defeated (handily) by the Prussians and that lost war provided de Neuville steady work in immortalizing the lost armies and battles of that conflict.

Neuville_Alphonse_Marie_de-ZZZ-An_Episode_from_the_Franco-Russian_War_(The_Garret_in_Champigny_in_November_1870)

Le cimetière de Saint-Privat, le 18 août 1870.

Le cimetière de Saint-Privat, le 18 août 1870.

Défense de la porte de Longboyau, 21 octobre 1870

Défense de la porte de Longboyau, 21 octobre 1870

"Uhlan et cuirassier de la brigade Von Bredow, morts, " Showing a Dead Prussian Uhlan and Cuirassier, Franco-Prussian war. On exhibit at the Musée des Invalides, Paris.

“Uhlan et cuirassier de la brigade Von Bredow, morts, ” Showing a Dead Prussian Uhlan and Cuirassier, Franco-Prussian war. “Von Bredow’s Death Ride” in which some 800~ Prussian horsemen charged the French lines with surprising results was one of the last effective use of Napoleonic-style cavalry in modern warfare. On exhibit at the Musée des Invalides, Paris.

Bataille de Champigny (1870)

Bataille de Champigny (1870). Note the dead Prussian officer in the foreground, sword in hand

Alphonse de Neuville - The Attack at Dawn

Alphonse de Neuville – The Attack at Dawn

Alphonse de Neuville - In the Trenches

Alphonse de Neuville – In the Trenches. Note the broken rifle. The desperation. You feel the cold of that 1870 winter.

Perhaps his most famous painting of this war was Les dernières cartouches (The Last Cartridges) which immortalize the stand by a group of French Marines of the Blue Division at Bazeilles on 31 August and 1 September 1870 during the Battle of Sedan.

“The Last Cartridges” by Alphonse-Marie-Adolphe de Neuville note zouave and shattered rifle

“The Last Cartridges” by Alphonse-Marie-Adolphe de Neuville note the Tunisian Zouave and shattered rifle

That imagery became famous in France and has been both widely imitated and reproduced in the past century and change.

Tableau-Dernie_re-cartouche-reproduction

One of the few Georges Méliès films (he made more than 500) that remains in existence is based on the painting and was created in 1897.

Alphonse de Neuville also did an extensive study of the French army uniforms of the era, which serve as a reference and a window into that era to this day.

Sergent of the 9th

Sergent of the 9th

Dragoons, mounted

Dragoons, mounted

Sapper

Sapper

French Cuirassiers

French Cuirassiers

Dragons - Alphonse de Neuville

Dragons – Alphonse de Neuville

A French Military Engineer by Alphonse Marie Adolphe de Neuville

A French Combat Engineer by Alphonse Marie Adolphe de Neuville. Note the detail on the Chassepot 1866 Needle rifle and how the officer in charge of the detail has his eyes glued on the engineer standing sentry with a cigarette in his hand and not on the work party. In the below sketch, that background detail is different

A French Military Engineer by Alphonse Marie Adolphe de Neuville pencil

A French Military Engineer by Alphonse Marie Adolphe de Neuville in pencil– and with the officer minding the work and not the smoker

Our artist also tried his hands at other conflicts of the era.

Alphonse de Neuville - The defence of Rorke's Drift 1879

Alphonse de Neuville – The defence of Rorke’s Drift 1879

Neuville died in Paris on May 18, 1885 at the untimely age of 49. His work is widely exhibited.

The artist

The artist

Thank you for your work, sir.