Tag Archives: WAVES

What a Difference a Year Makes

Laid down at Newport News on the 1st anniversary of the attack on Pearl Harbor, 7 December 1942, CV-13 officially earned her name some 80 years ago today on 14 October 1943.

The future USS Franklin (CV-13) at launch was sponsored by the indomitable LCDR Mildred A. McAfee, USNR (Vassar 1920), then-director of the Women Accepted for Volunteer Emergency Service, better known as the WAVES, and she smashed the bottle in full uniform, as shown in the below photo of the event.

Lieutenant Commander Mildred H. McAfee, USNR, Director of the Women’s Reserve, christens USS Franklin (CV 13) at its launching at the Newport News Shipbuilding and Drydock Company. Released October 14, 1943. U.S. Navy photograph, now in the collections of the National Archives. 80-G-43444

And how about this great period Kodachrome of “Big Ben” floating out, with McAfee and eight of her fellow WAVES in the foreground.

PCU USS Franklin (CV-13). The ship floated out of her building dock immediately after christening, at the Newport News Shipbuilding and Drydock Company shipyard, Newport News, Virginia, on 14 October 1943. 80-G-K-14015

The third USS Franklin was rushed to completion and commissioned just over three months later on 31 January 1944. Following a shakedown cruise, she crossed through the Panama Canal and reported for duty with TG 58.2 on 16 June 1944.

Quickly involved in the war, she supported the invasion of Saipan and of Peleliu, her planes raided Formosa and Okinawa, and by October she was taking part in the liberation of the Philippines which included the pivotal Battle of Leyte Gulf. In those not quite five months, her air group, CVG-12, logged 338 enemy planes damaged and/or destroyed, 409,500 tons of enemy shipping sunk and/or damaged, and 3,971 combat sorties flown.

It was on 30 October, just over a year past her launching, that Franklin encountered the Divine Wind off Samar Island.

As detailed by DANFS:

At 1405, VF-13 launched 12 Hellcats in response to an urgent request from a nearby fleet tanker that reported she was under attack by Japanese planes. Franklin’s crew went to general quarters and “no sooner had the fighters left the deck than Franklin was subjected to a bombing attack.” At the exact moment of the attack, the destroyer Bagley (DD-386) had been alongside Franklin taking on fuel, but quickly cast off. Six enemy planes identified as a mixture of Zekes and Yokosuka D4Y Suisei carrier bombers (Judys), came in at high speed “targeting the formation at about 3,000 feet.”

One of the planes, a Judy, “dove over Franklin,” just missing her starboard side, amidships. A Zeke, observed to still be carrying bombs then intentionally crashed into the carrier’s flight deck inboard of the No. 5 and No. 7, 5-inch mounts. A terrific explosion followed which caused a ferocious fire to sweep the nearby planes on the flight and hanger deck. A third low-flying plane attempted to bomb Franklin, but narrowly missed the carrier’s starboard side. The Japanese pilot then crashed his plane into the after portion of the Belleau Wood (CVL-24).

Two other Japanese planes crashed into the water as a result of errant suicide dives and a third one was shot down by Franklin’s gunners just as it was attempting to crash into Enterprise. Approximately 20 minutes after the attack on Franklin began additional fires broke out on the hanger deck and swept the second and third decks between frames 110 and 150. “All hands turned to,” and at about 1530 the flight deck fire was finally extinguished with the hanger deck fire lingering on until 1625. By 1800, all fires on board the carrier had been arrested with the exception of some that were still smoldering below decks. In total, casualties included 56 killed and 60 wounded.

USS Franklin (CV-13), at right, and USS Belleau Wood (CVL-24) Afire after being hit by Japanese Kamikaze suicide planes, while operating off the Philippines on 30 October 1944. Photographed from USS Brush (DD-745. Note flak bursts over the ships. 80-G-326798

The damage was considerable and she made for Puget Sound Naval Yard via Ulithi and Pearl Harbor for repairs, knocking her out of the war for four months.

USS Franklin (CV 13), damage to flight deck following Japanese kamikaze attack on 30 October 1944. 80-G-270814

USS Franklin (CV 13), damage to V-2 spaces following Japanese kamikaze attack on 30 October 1944. 80-G-270811

Heading back West in March 1945 with Carrier Air Group 5 embarked, Franklin would suffer through her much more extensive and well-known brush with the kamikaze shortly after.

As for the good LCDR McAfee, she would leave the Navy in 1946 as a full captain, the WAVES growing to some 80,000 in number. She went on to return to the presidency of Wellesley College, sit on the board of a number of different corporations, and passed the bar in 1994, far outliving “Big Ben” which, laid up post-war, was quietly disposed of in 1966.

They also served, and not just getting coffee

On this day, 77 years ago– just seven months after Pearl Harbor, President Franklin D. Roosevelt signed the proposal to establish the Women Accepted for Volunteer Emergency Service (WAVES) as part of the USNR into effect as Public Law 689. In all, before the service was demobilized after the conflict, over 86,000 female volunteers (including over 8,000 who served in commissioned roles) were accepted into the Navy for the duration of the war.

A number of rates, besides Yeomen, were open to the WAVES

While many simply chalk up the WAVES to performing medical, cleaning, clerical and sundry tasks (there were some assigned as florists), it should be noted that a ton of stateside Crypto work was performed by these intrepid sailors (Via Station Hypo: Many after Boot Camp were sent to radio schools at Miami University, Oxford, Ohio then to Chatham Massachusetts for duty as German naval intercept operators or to Bainbridge Island, Washington, for additional training in Japanese Kata Kana code with follow on assignment as Japanese naval intercept operators. A further 100 worked at Naval Radio Station Skaggs Island, California where they copied Japanese weather broadcast schedules.)

Meanwhile, the Bureau of Aeronautics used some 23,000 WAVES around the country as mechanics, weather forecasters, ATC, gunnery instruction, navigation training, rigging parachutes, and in various other utility roles, keeping naval air stations running like clockwork.

WAVE At War, Ships At Night.NHC Accession #: 45-127-N “WAVES were not eligible for combat duty. Their assignments remained stateside or in the territories of Hawaii and Alaska. But recruiting posters often depicted the contributions of WAVES to combat victories. Here, Falter superimposes a female enlistee over a battle scene, as though she stands for all the WAVES-parachute riggers, machinists’ mates, gunners’ mates, and others who will make this victory possible. This type of image not only brought in new recruits, but it boosted morale among the WAVES, reminding them that their work was directly impacting the war effort and strengthening the might of Navy forces.”

The below rare color photo, shows WAVES aircraft mechanics at Naval Air Station, Oakland, California, working on the port outboard engine (a Pratt & Whitney R-2000) of a Naval Air Transport Service R5D, circa mid-1945. They are (left to right): Seaman 1st Class Gene Reinhold, Seaman 1st Class Lorraine Taylor and Seaman 1st Class Mary Harrison:

Official U.S. Navy Photograph, now in the collections of the National Archives. 80-G-K-5663

Slowly demobilized throughout 1946, the stand-down was brief as the Women’s Armed Services Integration Act (Public Law 625) was signed into law in 1948, allowing women to serve in the regular Army or Navy on a permanent basis.

Combat Gallery Sunday : The Martial Art of John Falter

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, and the like that produced them.

Combat Gallery Sunday : The Martial Art of John Falter

John Philip Falter was born during in 1910 Plattsmouth, Nebraska. In high school, the enterprising young man created his own comic strip which helped gain him a spot at the Kansas City Art Institute in 1928, then the Art Students League of New York City (briefly, like a month type of briefly) and the Grand Central School of Art.

Gaining work producing pulp covers, his first steady work came when he was paid to create three illustrations a week for Liberty Magazine in 1933 and was soon getting on in advertising slicks for everyone from Vultee to Pall Mall.

Adventures of the Blackgang

Adventures of the Blackgang

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When WWII came to the States, the 32 year old illustrator signed up for the Navy and was soon put to work making recruiting posters and other illustrations for use by the sea service, soon garnering the rank of a full lieutenant in the Reserve.

 

John Falter's Hit Hard! Hit Fast! Hit Often! of 1944 pictures a view from the bridge of a carrier. The poster's hero is Admiral 'Bull' Halsey, Commander of the U.S. Third Fleet, shown leaning forward to take on the enemy wearing his navy flight jacket and holding high powered binoculars.

John Falter’s Hit Hard! Hit Fast! Hit Often! of 1944 pictures a view from the bridge of a carrier. The poster’s hero is Admiral ‘Bull’ Halsey, Commander of the U.S. Third Fleet, shown leaning forward to take on the enemy wearing his navy flight jacket and holding high powered binoculars.

The man we look up to, Vultee Aircraft, 1943, John Falter

The man we look up to, Vultee Aircraft, 1943, John Falter

Note how Falter signed these Navy posters as "Lt, USNR"

Note how Falter signed these Navy posters as “USNR”

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One print produced by Falter, A Strange sort of Prayer, is a haunting depiction of a Marine on a far off beach saying a blessing over the destroyed pillbox of a Japanese machine gun nest, “You see, God, I’d like to get home too.”

A Strange sort of Prayer (John Falter, 1945 Navy Poster, industrial incentive division)

A Strange sort of Prayer (John Falter, 1945 Navy Poster, industrial incentive division)

It was not his only religious-themed military work during the war.

By His Deeds...Measure Yours was published in LIFE and the Cornet

By His Deeds…Measure Yours was published in LIFE and the Cornet

No More Mr. Nice Guy

No More Mr. Nice Guy

He is best know for his recruiting posters and pamphlet illustrations for the U.S. Naval Reserve (Women’s Reserve), better known under the acronym WAVES for Women Accepted for Volunteer Emergency Service, established in the tale end of 1942.

john falter waves ranks NH-72089-WAVE-recruiting-poster-WWII-payscale-700wide

WAVE At War, Ships At Night .NHC Accession #: 45-127-N "WAVES were not eligible for combat duty. Their assignments remained stateside or in the territories of Hawaii and Alaska. But recruiting posters often depicted the contributions of WAVES to combat victories. Here, Falter superimposes a female enlistee over a battle scene, as though she stands for all the WAVES-parachute riggers, machinists' mates, gunners' mates, and others who will make this victory possible. This type of image not only brought in new recruits, but it boosted morale among the WAVES, reminding them that their work was directly impacting the war effort and strengthening the might of Navy forces."

WAVE At War, Ships At Night .NHC Accession #: 45-127-N “WAVES were not eligible for combat duty. Their assignments remained stateside or in the territories of Hawaii and Alaska. But recruiting posters often depicted the contributions of WAVES to combat victories. Here, Falter superimposes a female enlistee over a battle scene, as though she stands for all the WAVES-parachute riggers, machinists’ mates, gunners’ mates, and others who will make this victory possible. This type of image not only brought in new recruits, but it boosted morale among the WAVES, reminding them that their work was directly impacting the war effort and strengthening the might of Navy forces.”

WAVE With a Silhouette Of a Machine Gun. NHC Accession #: 45-127-O. At Treasure Island in San Francisco, WAVES served as gunnery instructors, teaching sailors how to shoot anti-aircraft guns. Women received this specialized training at the Naval Training Station, Great Lakes, Illinois.

WAVE With a Silhouette Of a 40mm Bofors Gun. NHC Accession #: 45-127-O. At Treasure Island in San Francisco, WAVES served as gunnery instructors, teaching sailors how to shoot anti-aircraft guns. Women received this specialized training at the Naval Training Station, Great Lakes, Illinois.

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Note the control tower operator “T” rate on the WAVE PO3. By the end of the War, it was common at the myriad of stateside bases that had sprung up since 1942 for WAVES to be running most of the show.

WAVE Parachute Rigger, NHC Accession #: 45-127-I. Falter used an official Navy photograph as the source for this painting. The photograph appears in a recruiting pamphlet printed in February 1944, the same month the Navy printed 40,000 posters and 45,000 window cards of Falter's painting.

WAVE Parachute Rigger, NHC Accession #: 45-127-I. Falter used an official Navy photograph as the source for this painting. The photograph appears in a recruiting pamphlet printed in February 1944, the same month the Navy printed 40,000 posters and 45,000 window cards of this painting alone, shown below.

john falter waves2

john falterOn_the_same_team,_Enlist_in_the_WAVES,_U.S._Navy_poster,_1943 john falter waves

During the War, he also started producing covers for the Saturday Evening Post, which he continued to do for decades after the end of hostilities, making a total of 129 covers by the late 1960s. Many of these today look like storyboards from Mad Men.

Golf – 1950s style – by John Falter

Golf – 1950s style – by John Falter

Frosty in the Freezer by John Falter

Frosty in the Freezer by John Falter

First weekend at the cottage, home life in America 1954

First weekend at the cottage, home life in America 1954

Snowy Ambush by John Falter

Snowy Ambush by John Falter

FalterPostCoverChristmasMorningBajaIn 1974 he was commissioned to do a series of six paintings for the American Bicentennial of 1976 by the 3M Company entitled “From Sea to Shining Sea.”

falter-john4_3m74 falter-john2_3m74Besides this, he produced 200 paintings in the field of Western art, dozens of book covers from everything from Mark Twain to The Scarlet Pimpernel. His work also appeared in Esquire, Good Housekeeping, Cosmopolitan, McCall’s, Life, and Look.

imag008In all, Falter is believed to have produced more than 5,000 works by the time of his death in 1982 at 72.

The Naval History and Heritage Command has some 60~ or so images on line in their database from Mr. Falter, some in very high res while the Museum of Nebraska Art and Nebraska Historical Foundation has his papers and several other images to include a series of portraits he did in the 1960s and 70s of famous jazz musicians.

And of course, the Saturday Evening Post has about 80 of his covers online.

Thank you for your work, sir.

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Those holsters, tho

Thowback Thursday from July 1943

WAVES used .38 Military & Police Victory Models

Safety Nazi finds your lack of eye and ear pro disturbing.

Original title and caption: “Weapons for WAVES, Norfolk, VA– This group of gun-totin’ gals is plenty dead-eyed, as you will see. They are WAVES stationed at this Naval Base who carry important, confidential messages between various section units. On the outdoor range ready to let loose at a target are WAVE Ensigns Louise Hunn, Plainfield, N.H.; Pamela Birmingham, Rye, N.Y.; Sussie Nelm Hill, Atlanta, G.A.; Louise Shiriver, Baltimore, M.D.; and Priscilla Harrington, Malden, Mass.”

The WAVES used .38 Smith and Wesson Military & Police Victory Models.