Tag Archives: Dwight Shepler

D-Day Plus Seven

Here we see what Normandy looked like a week after Overlord in combat artist and Combat Gallery Sunday alum Dwight Shepler‘s 1944 watercolor, “D-Day Plus Seven, Omaha Beach Head, Landing scene with the Landing Ship Tanks on the beach discharging their cargo.

Courtesy of the U.S. Navy Art Collection, Washington, D.C. Accession #: 88-199-EY

Official caption by the artist:

On Omaha beachhead the wreckage of assault has been thrust aside and reinforcements pour from LSTs which line up to spew forth their mobile cargo. It was not an uncommon sight to see thirty LSTs “dry out” and discharge their load on one ebb tide, and float away on the flood. The tide was 20 foot. With the sight repeated on Utah beach and the British beaches, the lift carried by various amphibious craft was enormous. The great offensive that broke out at St. Lo, swept through Avranches to ship off Brittany and swing for Paris, was mounted with men and material that came in over the beach.

As a footnote, classicly-trained Shepler learned his trade at Williams College and worked at the Boston Museum School of Fine Art prior to the war, then enlisted as an officer in the Navy Reserve in 1942 at age 37 to lend his brush to Uncle Sam. He took part not only in Normandy but in the landings at Ormoc Bay and Lingayen Gulf and operations at Corregidor and Bataan. In all, he produced more than 300 works for the military before returning to civilian life where he went back into teaching art and producing landscapes, sports scenes, and portraits. He passed in 1974.

His best-known work is perhaps The Battle for Fox Green Beach”, showing Warship Weds alum, Gleaves-class destroyer USS Emmons (DD-457) bombarding in support of the Omaha Beach landings.

“The Battle for Fox Green Beach,” watercolor by Dwight Shepler, showing the Gleaves class destroyer USS Emmons (DD 457) foreground and her sister ship, the USS Doyle, to the right, within a few hundred yards of the landing beach, mixing it up with German shore batteries on D-Day

 

Combat Gallery Sunday: The Martial Art of Dwight Shepler

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of Dwight Shepler

Dwight C. Shepler was born in Everett, Massachusetts, in 1905 and studied art at Williams College then became a member of the American Artists’ Group and the American Artists Professional League. When the war came, the 36-year-old bespectacled Shepler volunteered for the Navy and, in recognition of his skills and education, was assigned to the sea service’s Combat Art Section as an officer-artist.

As noted by the Navy, “he first traveled with a destroyer on Pacific convoy duty. From the mud of Guadalcanal, through the years of the Allied build-up in England, to the memorable D-Day on the French coast, he painted and recorded the Navy’s warfare.”

Artwork: “Gunners of the Armed Guard” Artist: Dwight C. Shepler #80 NARA

Artwork: “Liberator Fueling” Artist: Dwight C. Shepler #119 NARA

Field Day at Scapa Flow, a Northern British Base NARA DN-SC-83-05415

“Four Sisters of Londonderry” showing a four-pack of brand new U.S. Navy Benson-class destroyer destroyers including USS Madison (DD-425) USS Lansdale (DD-426) and USS Hilary P. Jones (DD-427) Artist: Dwight C. Shepler #97 – The U.S. National Archives (1983-01-01 & 1983-01-01)

Scapa Anchorage, in the collection of the National Archives, shows Shepler’s talents as a landscape artist. You almost don’t notice the Royal Navy battleships and cruiser force

The same can be said with this work, entitled St. Mawes Rendezvous, NARA DN-SC-83-05410

But then, there is war…

He observed the landings at Normandy in the ETO and Ormoc Bay and Lingayen Gulf and operations at Corregidor and Bataan in the PTO.

Opening the Attack Painting, Watercolor on Paper; by Dwight C. Shepler; 1944 D-Day D Day Arkansas French cruisers George Leygues and Montcalm. NHHC 88-199-ew

“The Battle for Fox Green Beach,” watercolor by Dwight Shepler, showing the Gleaves class destroyer USS Emmons(DD 457) foreground and her sistership, the USS Doyle, to the right, within a few hundred yards of the landing beach, mixing it up with German shore batteries on D-Day

Heavy propellers of a Rhine Ferry are swung aloft as Seabees complete the assembly of the pontoons which make up the strange craft at the invasion port somewhere in England. Drawn by Navy Combat Artist Lieutenant Dwight C. Shepler, USNR. Artwork received 12 June 1944. NHHC 80-G-45675

Task Force of Two Navies” Watercolor by Dwight Shepler, USNR, 1943, depicting U.S. and British warships in the Pentland Firth during an operation toward the Norwegian coast, coincident with the Sicily invasion, July 1943. Alabama (BB 60) is in the lead, followed by HMS Illustrious and HMS King George V. Three British carrier-based fighters (two “Seafires” and a “Martlet”) are overhead. Official USN photo # KN-20381, courtesy of the U.S. Navy Art Collection, Washington, DC, now in the collections of the National Archives.

“First Reconnaissance – Manila Harbor. Painting, Watercolor on Paper; by Dwight Shepler; 1945; Framed Dimensions 31H X 39W. Two PT’s prowled inside the breakwater entrance of Manila Harbor on February 23, 1945, first U.S. Naval vessels to enter in three years. Treading the mine-strewn waters of Manila Bay, PT’s 358 and 374 probed into the shoal harbor waters where countless enemy vessels sat on the bottom in mute testament of the severity of the fast carrier strikes of the fall of 1944. Manila smoked and exploded from the final fighting in Intramuros and the dock area.” (NHHC: 88-199-FY)

Minesweeper Before Corregidor Cleaning a pathway through the mines off Bataan peninsula, these hardy little minesweepers can work under severe Japanese coastal bombardment. Despite Army air cover overhead, the enemy shore guns sank the motor minesweeper YMS-48 and damaged the destroyers, Fletcher and Hopewell. On the following day, a naval task group landed Army troops on the peninsula and a short time thereafter resistance ceased on Corregidor and Bataan.Painting, Watercolor on Paper; by Dwight C. Shepler; 1945; Framed Dimensions 30H X 39W Accession #: 88-199-GK

Preparations For Getting Underway DN-SC-83-05402

He also did a number of historic scenes for the branch.

Watercolor painting by Dwight Shepler of the USS South Dakota in action with Japanese planes during the Battle of Santa Cruz which took place October 11-26, 1942.

This image was used in a number of adverts during the War.

The Spider and the Fly — USS Hornet CIC at Midway. During World War II, battles were won by the side that was first to spot enemy airplanes, ships, or submarines. To give the Allies an edge, British and American scientists developed radar technology to “see” for hundreds of miles, even at night.Painting, Oil on Canvas; by Dwight Shepler; 1945; Framed Dimensions 28H X 40W Accession #: 88-199-GN

Japanese dive bomber swoops down in a kamikaze attack on USS Hornet (CVA 12) and is disintegrated by the ships anti-aircraft fire before it can hit the carrier. This is a copy of a watercolor painted by Lieutenant Dwight C. Shepler, USNR, Navy Combat Artist, from memory of an actual combat experience. Photographed released August 10, 1945. U.S. Navy Photograph, now in the collections of the National Archives. 80-G-700121

On 5 September 1813, the schooner Enterprise, commanded by Lieutenant William Burrows, captured the brig HMS Boxer off Portland, Maine in a twenty-minute action that saw both commanding officers die in battle. Enterprise’s second in command, Lieutenant Edward R. McCall then took Boxer to Portland, Maine. USS Enterprise versus HMS Boxer in action off the coast of Maine. Artist, Dwight Shepler. Enterprise was commanded by Lt William Burrows. Unfortunately, NHHC Photograph Collection, NH 47013-KN

For his service as a Combat Artist, the Navy awarded Shepler the Bronze Star. He left the branch in 1946 as a full Commander, USNR, having produced more than 300 paintings and drawings.

U.S. Navy artists, (left to right), Lieutenant William F. Draper, Lieutenant Dwight C. Shepler, and Lieutenant Mitchell Jamieson, conferring with Lieutenant Commander Parsons in the Navy Office of Public Relations, Washington, D.C., November 20, 1944. NHHC 80-G-47096

After the war, he continued his career as a pioneer watercolorist of the high ski country and later served as president of the Guild of Boston Artists.

Dwight Shepler, Mount Lafayette, and Cannon Mountain, N. H., n.d., watercolor, Smithsonian American Art Museum, Gift of the Ford Motor Company, 1966.36.179

He died at age 69 in Weston, Mass. His works are on wide display from the Smithsonian to the Truman Library and various points in between. His oral history is in the National Archives.

Thank you for your work, sir.

Nice fjord you have there

SOGNEFJORDEN, Norway (Oct. 2, 2016) Standing NATO Maritime Group One (SNMG1) ships ESPS Almirante Juan de Borbón (flagship), NRP Alvares Cabral, and FGS Ludwigshafen am Rhein sail through the Sognefjord in Norway.

NATO photo by Petty Officer Luis Sanchez Oller, ESP-N/Released

NATO photo by Petty Officer Luis Sanchez Oller, ESP-N/Released

The Spanish Navy’s Almirante Juan de Borbón (F102) is the second ship of the new F-100 class of air defense frigates and is well-equipped with a SPY-1D phased array “mini-Aegis” radar suite, 48 VLS launch cells and a 5-inch gun in a compact 5,800-ton package (how come we couldn’t have ordered 48 of these for the LCS design!?).

The Portugese Navy’s 3,200-ton NRP Alvares Cabral (F331) is a Vasco da Gama-class fast frigate of the popular German MEKO 200 type and is more modestly equipped for ASW and ASuW action with a suite of guns, torpedoes and Harpoons.

As for the German Navy’s FGS Ludwigshafen am Rhein (F 264) she is a handy K130 Braunschweig-class ocean going corvette of some 1,800-tons. Armed with a 76mm gun and RBS-15 antiship missiles, she is a modern day fast attack craft and would surely prove her worth in combat among a craggy coastal littoral such as the Norwegian coast.

As noted by NATO: SNMG1 is one of four multinational, high readiness groups composed of vessels from various allied countries. These vessels are permanently available to NATO to perform different tasks ranging from participation in exercises to operational missions. These groups provide NATO with a continuous maritime capability and help to establish Alliance presence, demonstrate solidarity, conduct routine diplomatic visits and enhance interoperability among Allied naval forces. They also serve as a consistently ready maritime force of the NATO Very High Readiness Joint Task Force (VJTF).

Of course, it reminds me of this painting of a very different time, but the same coast.

"Taks Force of Two Navies" Watercolor by Dwight Shepler, USNR, 1943, depicting U.S. and British warships in the Pentlant Firth during an operation toward the Norwegian coast, coincident with the Sicily invasion, July 1943. Alabama (BB 60) is in the lead, followed by HMS Illustrious and HMS King George V. Three British carrier-based fighters (two "Seafires" and a "Martlet") are overhead. Official USN photo # KN-20381, courtesy of the U.S. Navy Art Collection, Washington, DC, now in the collections of the National Archives.

“Task Force of Two Navies” Watercolor by Dwight Shepler, USNR, 1943, depicting U.S. and British warships in the Pentlant Firth during an operation toward the Norwegian coast, coincident with the Sicily invasion, July 1943. USS Alabama (BB 60) is in the lead, followed by HMS Illustrious and HMS King George V. Three British carrier-based fighters (two “Seafires” and a “Martlet”) are overhead.