Tag Archives: Crimean War

Kilted Kenny

Gibb, Robert; Comrades, the 42nd Highlanders; The Black Watch Castle & Museum; http://www.artuk.org/artworks/comrades-the-42nd-highlanders-128430

The British Army has long included Highland regiments, hardy units recruited in Scotland– that in some cases were established long before the British Army was. Kilt-wearing regiments included such storied outfits as the 42nd Foot/Royal Highlanders/Black Watch, Cameron Highlanders, Gordon Highlanders, the Seaforth Highlanders, and the Argyll & Sutherland Highlanders.

Many of these regiments still issued the knee-length pleated uniform kilt for field dress as late as 1942 and Highlanders sent to France with the BEF went to the Continent in 1939 wearing their traditional uniforms.

Today the pipers of the Scots Guards and the Jocks of the Royal Regiment of Scotland as a whole still wear the Type 1A Military Kilt on  occasion (although the latter includes several lowland regiments that have been amalgamated) and to keep you straight on how to do that properly, check out the hilarious instruction from CSgt Benson, Master Tailor of 2 Scots, below:

Combat Gallery Sunday: The Martial Art of Robert Gibb

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of Robert Gibb

Robert Gibb was as Scottish as they came, born in Laurieston, near Falkirk 28 October 1845, and educated in Edinburgh. He studied at the Royal Scottish Academy and exhibited his first of more than 140 works there in 1867. It should come as no surprise that he was one of the great chroniclers of Highlanders in the field.

His first stab at the military genre came with Comrades in 1878, depicting men of the 42nd Highlanders (The Black Watch) in the Crimea.

The original version of this work was painted by Gibb in 1878 and is currently unlocated. The painting became iconic. While reading a life of Napoleon, the artist made a sketch of the retreat from Moscow. The dominant group of three figures in the foreground was then isolated and adapted to form an independent composition depicting a young soldier whispering his dying message to a comrade who seeks to comfort him in the snowy wastes of the Crimean winter. Photo credit: The Black Watch Castle & Museum

The Thin Red Line, oil on canvas, by Robert Gibb, 1881, showing the stand of a handful of the 93rd (Sutherland Highlanders) Regiment of Foot at the Battle of Balaclava stopping 2,500 massed Russian cavalry. Currently on display at the National War Museum of Scotland, the venue notes “The Thin Red Line is one of the best known of all Scottish historical paintings and is the classic representation of Highland military heroism as an icon of Scotland.”

Saving the Colours; the Guards at Inkerman (1895 – Naval and Military Club, London)

Alma: Forward the 42nd. This 1888 oil on canvas by Scottish artist, Robert Gibb (1845–1932), depicts the Battle of Alma, in Sebastopol, Crimea on the 20th September 1854. Black Watch, in full review order, are advancing towards enemy guns on heights above, with Field Marshal Sir Colin Campbell (later Lord Clyde) shown giving the historic order from which the painting is titled. In left foreground are two Russians, and in distance stretch of sea with fleet in action. The painting was gifted to Glasgow Museums collection by Lord Woolavington in 1923. Kelvingrove Art Gallery and Museum

Besides the Crimea, he also portrayed the Scots at Waterloo.

Closing the Gates at Hougoumont, 1815. Men of the Coldstream Guards and the Scots Guards are shown forcing shut the gates of the chateau of Hougoumont against French attack, with Lieutenant-Colonel James MacDonell forcing back the gate to the left. The moment of crisis shown in the painting came when around 30 French soldiers forced the north gate and entered into the chateau grounds. Before others could follow, the gates were forced shut again, and the French soldiers still inside were killed. Wellington himself had said the success of the battle turned upon the closing of the gates at the chateau. Photo credit: National Museums Scotland

Late in his life, he also painted the Highlanders in the Great War.

He produced Backs to the Wall at age 84. In this painting, the artist shows a line of khaki-clad Scottish troops standing defiantly at the critical moment, bayonets fixed– with the specters of fallen comrades behind them.

The work was inspired by Field Marshal Sir Douglas Haig’s famous Special Order of the Day at the time of the Great German Offensive of April 1918.

There is no other course open to us but to fight it out.  Every position must be held to the last man: there must be no retirement.  With our backs to the wall and believing in the justice of our cause each one of us must fight on to the end.  The safety of our homes and the Freedom of mankind alike depend upon the conduct of each one of us at this critical moment.

Backs to the Wall, 1918, painted 1929 oil on canvas. Gift from W. J. Webster, 1931 to the Angus Council Museums.

Gibb held the office of King’s painter and limner for Scotland for 25 years and was Keeper of the National Gallery of Scotland from 1895 until 1907.  The artist died at his home in Edinburgh in 1932, and he was given a full military funeral with an honor guard provided by the Black Watch.

Many of his works are on display across the UK and are available online.

Thank you for your work, sir.

Warship Wednesday Feb.8, 2017: Victoria’s very busy Vulture

Here at LSOZI, we are going to take off every Wednesday for a look at the old steam/diesel navies of the 1859-1946 time period and will profile a different ship each week. These ships have a life, a tale all their own, which sometimes takes them to the strangest places. – Christopher Eger

Warship Wednesday Feb.8, 2017: Victoria’s very busy Vulture

Via Royal Museums Greenwich collection

Via Royal Museums Greenwich collection

Here we see Her Majesty’s second-class paddlewheel steam frigate HMS Vulture, of Queen Victoria’s Royal Navy, landing dispatches at Danzig during the Crimean War.

A one-of-a-kind vessel, she was ordered 18 March 1841 from the Royal Navy dockyard in Pembroke Dock, Pembrokeshire, Wales for a cost of £46,718, of which half of that was the price of her engineering suite. While based on the Pembroke-built HMS Cyclops, that ship was a near-sister at best.

Her near-sister, HMS Cyclops, originally a Gorgon-class frigate equipped with a Seaward and Capel steam plant. She had roughly the same dimensions and layout as Vulture, though with a different plant.

Her near-sister, HMS Cyclops, originally a Gorgon-class frigate equipped with a Seaward and Capel steam plant. She had roughly the same dimensions and layout as Vulture, though with a different plant.

As befitting her time, Vulture‘s steam plant, meticulously described in The Practical Mechanic and Engineer’s Magazine of the day, was novel. Two paddle wheels, each 26.5-feet in diameter and arranged port and starboard about centerline, were driven by direct-action steam engines of some 476 horses designed by William Fairbairn and Co., London. Her steam plant consisted of four locomotive style boilers, “placed back to back, 26 feet 10 inches in total breadth, and 13 feet high.” She could carry 420tns coal, and make 9.5 knots with everything glowing.

A wooden-hulled ship with an auxiliary two-masted sailing rig, Vulture, the ninth such ship to carry the name for the Crown, weighed in at 1,960-tons full load. Armed with for 4×68-pdr shell guns, 5x56pdrs, and 2x24pdr carronades, she was placed in service 15 February 1845 under the command of Captain John Macdougall with a complement of 175 men and boys. At the time, she was considered a first-class frigate.

She soon would see action in the Far East as the largest ship in Major-General George D’Aguilar’s punitive expedition to Canton in 1847. The city was guarded by 13 ancient batteries and forts along the Canton river. For this, Vulture embarked 24 officers and 403 men of the 18th (Royal Irish) Regiment of Foot, and along with the smaller HMS Espiegle, East Indian steamer Pluto, the armed privateer Corsair and a pair of “lorchas”– small trawler style craft of shallow draft, took them on.

Operations in the Canton River 3. Forts and Batteries of the Bocca Tigris or First Pass of the Canton River; H.M. Steam Ship, Vulture Captain MacDougall passing the Batteries, with the 18th Royal Irish on board via Royal Museums Greenwich collection

Operations in the Canton River 3. Forts and Batteries of the Bocca Tigris or First Pass of the Canton River; H.M. Steam Ship, Vulture (tiny smoky dot in center) Captain MacDougall passing the Batteries, with the 18th Royal Irish on board via Royal Museums Greenwich collection

With her big 68-pdrs supplying naval gunfire support and her small boats leading the way for the other craft in the fleet– who could affect amphibious operations due to their shallower draft– the forts fell one by one in a four-day period with nearly 900 Chinese cannon captured without a loss among the British forces.

The keep of the French Folly Fort blown up by the Royal Sappers and Miners on 5 April 1847.Via Royal Museums Greenwich collection

The keep of the French Folly Fort blown up by the Royal Sappers and Miners on 5 April 1847.Via Royal Museums Greenwich collection

Operations in Canton River. 11. The Return to Hong Kong. The Vulture passing the Battery upon Tygris Island, Lorcha in tow via Royal Museums Greenwich collection

Operations in Canton River. 11. The Return to Hong Kong. The Vulture passing the Battery upon Tygris Island, Lorcha in tow via Royal Museums Greenwich collection

Grounded at Hong Kong 9 Oct 1847 as a result of a typhoon (the severest reported in 10 years) she returned to the Home Isles and was placed in ordinary.

Recommissioned after refit as a second-class frigate, Vulture sailed for Devonport for Pendennis Castle, Falmouth with replacement troops in April 1851. Her armament was changed out for six guns, all 8-inchers with 98-pounder smoothbore shell guns on bow and stern pivots and four lighter 68-pounders on broadside trucks.

She would soon need them.

On 25 November 1852, she was placed under the helm of Capt. Frederick Henry Hastings Glasse, and operated out of Devonport until the Crimean War sent her abroad looking for trouble. She was one of seven other paddle steamers assigned to Rear-Admiral Plumridge, dispatched to harass the Russians in the Baltic Sea’s Gulf of Bothnia in May 1854.

After destroying vessels and storehouses, etc., at Brahestad and Uleaborg, and capturing several gunboats, Vulture and the 16-gun frigate HMS Odin was sent to capture the Russian dockyard at Gamlakarleby (Kokkola) 7 June 1854 and, after landing a 180-man force, was rebuffed with the loss of 17 Sailors and Royal Marines and one of her paddle-box whaleboats captured. Apparently, the locals did not agree to terms.

Seamen From HMS Vulture Under Attack at Halkokari June 7 1854 - Vladimir Swertschkoff Lithograph

Seamen From HMS Vulture Under Attack at Halkokari June 7 1854 – Vladimir Swertschkoff Lithograph

By August, Vulture had rejoined the main British fleet first to capture the Russian Bomarsund fortress on Åhland Islands, where she landed French troops, then for the impressive but ultimately pyrrhic attempt to capture the Russian positions at Sveaborg outside Helsinki.

English sailors & French soldiers. A Dance on board HMS Vulture Augt 7 (caricature), via Royal Museums Greenwich collection

English sailors & French soldiers. A Dance on board HMS Vulture August 7 (caricature), via Royal Museums Greenwich collection

'Landing of the French troops near Bomarsund in the Aland Islands, August 8th 1854. Sketched from on board HMS Vulture'. Tinted lithograph, 1854, by L Huard after Edwin Thomas Dolby (fl 1849-1870), reproduced as plate nine in 'Dolby's Sketches on the Baltic' published by Paul and Dominic Colnaghi, 1854. Via National Army Museum http://www.nam.ac.uk/online-collection/detail.php?acc=1976-07-55-1

‘Landing of the French troops near Bomarsund in the Aland Islands, August 8th, 1854. Sketched from on board HMS Vulture’. Tinted lithograph, 1854, by L Huard after Edwin Thomas Dolby (fl 1849-1870), reproduced as plate nine in ‘Dolby’s Sketches on the Baltic’ published by Paul and Dominic Colnaghi, 1854. Via National Army Museum

The Bombardment of Sveaborg, 9 August 1855, by John Wilson Carmichael (1799–1868), National Maritime Museum, via ArtUK. The steamship in the center of the painting is Vulture. National Maritime Museum; http://www.artuk.org/artworks/the-bombardment-of-sveaborg-9-august-1855-173178

The Bombardment of Sveaborg, 9 August 1855, by John Wilson Carmichael (1799–1868), The steamship in the center of the painting is Vulture. National Maritime Museum; http://www.artuk.org/artworks/the-bombardment-of-sveaborg-9-august-1855-173178

Known today in Finland as the Battle of Suomenlinna, 77 British ships hammered the Russians for three days without the obsolete Russian artillery able to respond. However, with the Tsar having over 15,000 regulars ashore and the Brits not having a superior land force to match, the battle stalemated after Victoria’s fleet flattened the old coastal batteries.

lebreton_the-bombardment-of-sveaborg
The war ended without much more action by the RN in the Baltic, which was always a sideshow to the efforts in the Crimea regardless. During the war, Vulture was credited with capturing the Russian brig Patrioten, and merchant vessel Victor, for which her crew was awarded prize money per the London Gazette of 21 Jul 1857.

Present at the Fleet Review at Spithead in April 1856 under Captain Glasse, by 3 June 1856, Vulture picked up her fourth skipper, Capt. Frederick Archibald Campbell, and was reassigned to the Med– then shortly decommissioned.

In 1858, Vulture, under Captain C. Packer, was again on the move, helping to ship the 71st (Lord Macleod’s) Highlanders to Bombay.

In the end, she was laid up for a final time in 1860 then sold in 1866 to Castle & Son, Charlton, to be broken up.

Her near-sister, HMS Cyclops, served in the Syrian Campaign of 1840, fought in the Kaffir War, then served in the Black Sea during the Crimean War before helping to survey the Atlantic telegraph cable from Ireland to Newfoundland and London to India. She paid off in 1860.

Little is left of Vulture, though a screw gunboat carried her name in the late 19th century as did a Clydebank three funnel 30-knot destroyer in the Great War. The Navy List has not held the name “Vulture” on an active ship since 1919 though a gunnery range at Treligga, west of Delabole, Cornwall, carried the designation HMS Vulture II through WWII.

Oh, remember that whaleboat lost in Finland in 1854? Well, they still have it, under glass, along with the carefully maintained graves of nine Royal Marines and a stark memorial to what the Finns call the “Skirmish of Halkokari.”

Only one other paddle-box boat, from HM 2nd class paddle frigate Firebrand, is in existence. The RN still has it at the Royal Dockyards, Portsmouth.

Halkokari skirmish memorial

englantilainen_barkassi
Specs:
Displacement: 1,960 tons FL
Length: 190 ft. (gun deck) 163.6 ft. (keel)
Beam: 37.5 feet.
Draft: 23 feet
Propulsion: Two Fairburn 2-cyl vertical direct-acting 476-hp engines, four tubular boilers, two paddlewheels, 420-tons coal, max speed 9.5knts
Complement: 175
Armament: 4×68-pdr shell guns, 5x56pdrs, and 2x24pdr carronades (as built) 6×8-inch Paixhans style ML shell guns, two 98-pdr, four 68-pdr(1851)

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Not your average catch of the day

crate-of-british-enfields-were-dragged-off-newfoundland-in-2011

The archaeology department at Memorial University in St. John’s Newfoundland has been working since 2011 to save a crate of 20 Pattern 1853 Enfield rifled muskets that were delivered to Canada via fishing trawler after an extended period on the bottom of the Atlantic.

The rifles, still in the crate they have been in since around the 1850s-60s, are housed in a large container filled with a chemical solution that includes a bulking agent and corrosion inhibitor designed to stabilize the relics.

“This soaking process will take many years and is done to prevent the wood from collapsing, cracking, or warping once dry and also to prevent any remaining iron from staining the wood surface,” Memorial’s Archaeological Conservator, Donna Teasdale, told me.

And they are now starting to find inspector’s marks on very well preserved brass and walnut.

img_1758

More in my column at Guns.com

Battlefield intel, circa 1854

From the Internationales Maritimes Museum Hamburg

French marine painter Jean-Baptiste Henri Durand-Brager russian fleet batumi batoum crimean war
Russian fleet at the port of Batumi in today’s Georgia was made from a work of French marine painter Jean-Baptiste Henri Durand-Brager (1814-1879) during the Crimean War. It is one of the 24 beautiful views published under the title “A Voyage in the Black Sea, the Bosphorus, the Sea of Marmara and the Dardanelles”. The painter had been commissioned by the western allies in an expedition to make sketches and plans of the positions of the Russian Empire. From today’s perspective, it is a strange combination of art and military strategy