“Pre-Surrender Nocturne Tokyo Bay.”
Painting, Watercolor on Paper; by Standish Backus; 1945. Depicting the old forts at Futtsu Saki, a narrow point of land jutting into the eastern side of Uraga Strait at the entrance to Tokyo Bay, a burnt-out Japanese destroyer, and the eeriness of the moonlight:
The artist’s notes:
The forts at Futtsu Saki had to be approached and demobilized early on the morning of 30 August 1945. No landings from the sea had yet occurred and we did not know what sort of reception we would receive from the Japanese. From past experience, it was not expected to be healthy in all respects. Was there a division of troops in those forts waiting to mow us down as we hit the beach? Its very silence, the haunted quantity of the burnt-out Japanese destroyer, and the eeriness of the moonlight gave us all a foreboding.
The forts were, in fact, well-defended, by a full regiment but the artillery on hand was old. One of the first coastal defense forts in the country, the batteries used 15cm Krupp guns in steel cupolas and several emplaced Model 1890 Osaka-made (Armstrong-Whitworth designed) 28cm howitzers that the Japanese had at least twice dismounted and used as siege guns (at both Port Arthur and Tsingtao) back when they were still relevant.
It was a pucker factor for sure.
As related by Backus in his painting “The First Wave on Japan”
The first landing craft carrying Marines of 2/4 touched the south shore of Futtsu Saki at 0558; two minutes later, the first transport plane rolled to a stop on the runway at Atsugi, and the occupation of Japan was underway. In both areas, the Japanese had followed their instructions to the letter. On Futtsu Saki the coastal guns and mortars had been rendered useless, and only the bare minimum of maintenance personnel, 22 men, remained to make a peaceful turnover of the forts and batteries. By 0845, the battalion had accomplished its mission and was reembarking for the Yokosuka landing, now scheduled for 0930.