Tag Archives: France

Warship Wednesday, March 19, 2025: Bucoup Malchanceuse

Here at LSOZI, we take off every Wednesday for a look at the old steam/diesel navies of the 1833-1954 period and will profile a different ship each week. These ships have a life, a tale all their own, which sometimes takes them to the strangest places.- Christopher Eger

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Warship Wednesday, March 19, 2025: Bucoup Malchanceuse

Naval History and Heritage Command, NH 64442

Above, we see the unique cuirasse d’escadre Bouvet of the French Marine Nationale sitting quietly at anchor, likely in the Mediterranean in the 1900s. More a floating castle than a man-o-war, this tumblehome-hulled battlewagon would find herself very unlucky in the Dardanelles some 110 years ago this week.

The “Sample Fleet”

While France and Britain were at peace since 1815, there was still enough lingering animosity between the two traditional enemies that, when the Royal Navy began work on a series of eight new 1st rate warships that would become the Royal Sovereign-class battleship in 1888– vessels that hit 14,000 tons, carried four 13.5-inch guns, and were clad in as much as 18 inches of armor but could still make 17 knots or better– the French knew they needed a response.

This led the French naval ministry to order four, and later a fifth, new and experimental battleship around a series of mandatory specs: 14,000 tons or less, a “diamond” gun arrangement with turreted 12-inch guns fore and aft and 10.8-inch guns amidships, an armor plate topping out at 18 inches, and a speed of at least 17 knots. Dubbed the “flotte d’échantillons” (sample fleet), the idea would be that the ministry would pick and choose what worked best from these one-off prototypes and come up with the best design moving forward.

The first four ships were all designed by four different esteemed French naval architects and built at four different domestic yards at roughly the same time to cut down on the suspense:

  • Charles Martel, designed by Charles Ernest Huin, built at Arsenal de Brest 1891-1896
  • Jauréguiberry, designed by Amable Lagane, built by F et C de la Méditerranée, La Seyne-sur-Mer 1891-96
  • Carnot, designed by Victor Saglio, built at Arsenal de Toulon 1891-1896
  • Masséna, designed by Louis de Bussy, built at A et C de la Loire, Saint-Nazaire 1891-1897

French pre-dreadnought battleship Masséna, alongside one of her sisters

Before any of the above Echantillons had entered service, Charles Ernest Huin received the singular honor of drafting a fifth design that would begin construction at Arsenal de Lorient in January 1893. Regarded as a bit of a genius by the French, the 57-year-old Huin had graduated from the École Polytechnique during the Crimean War, sat on the Gavres Commission on artillery development, and became general director of the Gironde Shipyards in Lorient in 1881 where he designed the early battleships Hoche, Brennus, and Marceau before his Charles Martel design, picked as first of the Echantillons to be laid down, drew interest.

Hoche, seen operating in relatively flat waters along France’s Atlantic coast in 1890, was one of Huin’s babies

Huin’s swansong is our subject.

Meet Bouvet

Although a continuation of the sample fleet concept, our Bouvet would be a testbed for several new technologies. Whereas the other four Echantillons used Lagreafel d’Allest boilers, Bouvet would carry 32 (!) more modern Indret-Bellville boilers arranged on three engines driving three shafts (three of the four sample ships were twin shafters). She went a bit heavier than the preceding battleships, but with 15,000 shp available, she was designed to make 18 knots in theory and could steam 4,000nm on 10 knots with 980 tons of good coal in her bunkers.

While she carried a similar armor plan, Bouvet’s was improved Harvey nickel steel face-hardened armor with a higher tensile strength against incoming projectiles than that used on previous French ships. Further, while she had roughly the same hull type, it was not cut down to the main deck at the stem, and she carried a downsized superstructure with a pair of smaller military masts compared to the previous Echantillons, all of which suffered from dramatic stability issues in any sort of seas.

Her drawings on paper seem elegant.

She also had more modern guns, albeit of the same caliber as the four prior sample ships. Rather than two single Canon de 305 mm/45 (12″) Model 1887s as on Charles Martel, she had updated 305 mm/40 (12″) Model 1893s as her main armament. Capable of firing 770-pound AP shells to 13,000 yards at about one round per minute, these guns would later be mounted in two twin-gun turrets on the follow on the Gaulois, Iena, Suffren, Republique, and Liberte battleship classes.

Bouvet, bow shot, showing off her forward 12-inch gun

Note all the light guns in her superstructure

The secondary battery was a pair of 274 mm/45 (10.8″) Model 1887/1893s in amidship single gun turrets, an experimental model only carried on Bouvet and the sample ship Massena. Her sloping tumblehome hull form was largely to allow these “wing” guns a wider field of fire.

Battleship Bouvet beam turrets.

The tertiary armament was downright wild, with eight single 5.5″/45 M1891s, another eight 3.9″/45 M1891s, a dozen single 47mm/40 M1885 3-pounders, five single 37mm/20 M1885 1-pounders, and a pair of Hotchkiss 37mm 5-barreled Gatling-style guns. This was deemed more than enough to tackle incoming waves of enemy torpedo boats.

Bouvet, Janes 1914

Speaking of torpedoes, she maintained four separate 17.7-inch torpedo stations, two amidships above water with single tubes on trainable turnstiles, and another two submerged forward with fixed tubes that simply fired 90 degrees outward from the beam. Each station had its own magazine, and Bouvet could carry a dozen M1892 Whitehead-type fish, which had a 1,100-yard range and carried 220 pounds of guncotton.

Modern, she carried four dynamos that allowed for force ventilation belowdecks, electrical lighting, and six high-output searchlights. Heady stuff for 1892.

The Salad Days

Bouvet was ordered 8 April 1892 from Lorient Arsenal at a cost of £1.2 million, or 21 million French francs. Laid down to a completed design by Huin on 16 January 1893, she was launched 27 April 1896, her hull decorated with trees.

Named for the trio of famed 18th/19th century French navigator/admirals Bouvet, our battleship was at least the third to carry the name under the Tricolor, preceded by a steam aviso famously sunk off Haiti in 1871 in a storm just after she fought the German gunboat SMS Meteor off Havana (see: Warship Wednesday, Nov. 4, 2020: A German and a Frenchman walk into a Cuban bar…).

Bouvet fitting out

Bouvet was completed and was commissioned in June 1898, amid the spectacular naval developments of the Spanish-American War.

Bouvet circa 1900, Symond & Co photograph, IWM Q 22256

She joined the Mediterranean squadron and visited the Italian sovereigns in 1900, before becoming flagship of the entire French fleet for a couple of years. She then participated in several diplomatic voyages to Spain, Italy, Greece, the exotic Ottoman ports, and other spots in the region before taking part in numerous maneuvers and exercises in the Med.

For a time, she was a favorite subject of naval postcards.

Notably, she participated in the large French naval review at Cherbourg in July 1900, suffered a minor collision with the battleship Gaulois in 1903, and assisted in the international response to the 1906 eruption of Mount Vesuvius in Italy.

It was a quiet life.

By 1907, she was given an overhaul that included deleting her above-deck torpedo tubes and other minor efforts to help trim her top-heavy design. By the summer of 1908, with better battleships taking their place in the fleet’s 1st and 2nd Battleship Divisions, Bouvet was downgraded an assignment in the 3rd.

In and out of ordinary, her roles increasingly took on a more auxiliary tasking outside of the spotlight, no longer the proud flagship of her early career.

Battleship Bouvet in Toulon harbour 1912, BNF image

By 1913, the French Navy had a surplus of steel-sheathed, steel-hulled battlewagons, each class generally better than the last in an evolutionary sense, and all more advanced than Bouvet. Going past the Echantillons, they had three 11,000 ton Charlemagnes, the one-off 9,000-ton Henri IV, the 12,725-ton Suffren, two 15,000-ton Republiques, three 14,000-ton Democraties, six 18,000-ton “semi-dreadnought” Dantons, four modern 23,000-ton Courbets mounting a full dozen 12″/50 guns, three brand-new 24,000-ton Bretagnes with ten 13.5″/45s, and a class of five 25,000-ton Normandie class dreadnoughts under construction. With all that– including 13 legit dreadnoughts and six semi-dreadnoughts for the battle line and 10 still functional pre-dreadnoughts for expeditionary use– the need to keep the cranky and grossly obsolete Echantillons on the Navy List any longer was fading.

The four earlier sample ships were soon withdrawn. Charles Martel was placed in reserve in 1912 before being decommissioned outright in early 1914, permanently disarmed to become a floating barracks hulk at Brest. Carnot was placed in reserve in January 1913 and, disarmed, was used as an accommodation ship at Toulon. Massena, suffering an explosion in 1913, was withdrawn from service and hulked, pending scrapping.

Jaureguiberry and Bouvet were transferred to the Division de complément (Supplementary Division) and assigned to fire control development and gunnery training, respectively, surely the last stop before being laid up. These two ships were reportedly left in poor condition, with maintenance funds diverted to newer and more capable battleforce elements. After all, why waste money on ships earmarked for disposal?

War!

The Great War saved Bouvet and fellow sample battleship Jaureguiberry from the scrappers. Ordered to arm up and make ready for combat– with German and Austrian ally Italy thought ready to enter the conflict at any moment and German RADM Souchon’s Mediterranean Squadron at large– the two dated but still useful warships were soon escorting troopships in the Med. These included both French colonial troops heading to the Metropolitan Republic and British/Indian troops likewise headed to the Western Front.

Bouvet, May 1914, BNF

Once Souchon’s squadron, the battlecruiser SMS Goeben and the cruiser Breslau, had fled to the Dardanelles under the protection of Ottoman guns, and Italy gave assurances they had no immediate intention of honoring their pact with Berlin and Vienna, Bouvet soon shifted to Greek waters to join the force gathering there should the German ships attempt to break back out into the Med.

This force soon made the logical transition to supporting the doomed Franco-British Gallipoli campaign in 1915 once the Turks found themselves in the war. By late February 1915, a force of 16 British battleships under VADM John de Robeck and four French ones (Suffren, Bouvet, Charlemagne, and Gaulors) under RADM Emile Guepratte, augmented by a host of cruisers (including a random Russian) and destroyers, began to try to force the straits.

Among the 230 artillery pieces that supported the Dardanelles, defenses were at least 10 aging Krupp 24 cm (9.4-inch) K L/35 fortress guns from a batch of 30 pieces shipped to the country in 1889. They could heave a 474-pound shell via bagged charges out to a range of 8.1 miles.

Ottoman 24 cm artillery at the Rumeli Medjidieh battery Bouvet. That shell hoist would dramatically fail on 18 March 1915

Relatively obsolete by the Great War, they could still be deadly should an enemy ship obligingly get close enough to find out. Four of these were installed in the masonry fort at Rumeli Mecidiye Tabyası (Fort No. 13) on the European shore of the peninsula, backing up a pair of larger but less capable 28cm L/22s.

Ottoman 24 cm artillery at the Rumeli Medjidieh battery, 1915. Shown are the battery commander, Captain Mehmet Hilmi (Şanlıtop) Bey, and 2LT Fahri Bey.

Beyond the guns, the Turks had sown almost 400 mines in 10 fields, most laid by the humble little Ottoman minelayer Nusret.

Turkish Minelayer Nusrat

On the morning of 18 March 1915, a three-part attack was launched to reduce the Ottoman’s central forts, with the four most powerful British battlewagons (HMS Queen Elizabeth, Lord Nelson, Agamemnon, and Inflexible) kicking off the assault with a heavy two-hour bombardment from 8 miles out, followed by a second prong– the four French ships– boldly sailing to within just 5,000 yards to destroy the fortifications at point blank range, relying on their heavy armor to shrug off any remaining Turkish guns. Meanwhile, the 12 remaining British battleships would line up in a third division in three groups to provide covering fire and then follow the French in.

The problem with that plan was that the first bombardment was nowhere near as effective as the British thought it would be, and Nusret had crept in to sow an 11th minefield that the British and French didn’t know about.

The day would prove very bad for the Allied forces.

Inflexible, Queen Elizabeth, and Agamemnon in the British first line, along with Irresistible and Ocean in the second line, started taking hits, most from the little Rumeli Mecidiye battery but also other guns at Dardanos and Sogandare.

The French, drawn point blank with the forts, got the worst of it, with Suffren, flagship of RADM Guepratte, receiving 14 hits in 14 minutes and set ablaze, effectively out of the fight. Gaulois was hit twice, with one lucky shell plunging and penetrating her hull under the waterline, forcing her to retreat and beach on Tavsan in the Rabbit Islands to keep from sinking, the wounded Charlemagne at her side.

Bouvet received at least eight hits from Rumeli Medjidieh’s 9.4-inch guns, riddling her masts and funnels and putting her forward turret out of action. Not grievously injured, she answered the signal to withdraw and promptly stumbled into one of Nusret’s mines at 13:58 just under her starboard 10.8-inch mount.

Never having an abundance of stability, she quickly started to roll and, with water pouring down her funnels, turned turtle and sank in less than a minute, taking a stunning 660 of her 710 crew down with her.

Bouvet sinking after being mined 18 March 1915. Note how close to shore she is. Photo via the Surgeon Parkes collection. IWM SP 682A

A handful of waterlogged and shocked survivors were plucked from the water by the battle-damaged Agamemnon.

Survivors from the French battleship Bouvet coming on board the battleship HMS Agamemnon on 18 March 1915 during the Anglo-French naval attempt to force the Dardanelles. The Bouvet struck a Turkish mine and sank with the loss of over 600 of her crew. IWM HU 103301

With Roebuck ordering his ships to withdraw from the failed effort to reduce the forts, Irresistible and Ocean likewise struck Turkish mines and quickly sank within sight of Bouvet’s watery grave. Irresistible sank with the loss of only 12 of her 780 crew and had her survivors rescued by Ocean then, following the holing by that ship, she slowly sank and the combined crews were taken off by the destroyers HMS Jed, Colne, and Chelmer which were able to come alongside. Of note, the British battleships, while similarly dated, were not tumblehome designs, and Ocean only lost a single crewman in the battle.

Epilogue

Both at the time of the sinking and in modern Turkey, the loss of Bouvet was widely celebrated and remembered.

Le Bouvet aux Dardanelles

Illustrated First World War, Sinking of Bouvet

German wartime postcard depicting the sinking of Bouvet

Sinking of Bouvet

“Bouvet’nin Çanakkale’de Batışı (The Sinking of Battleship Bouvet at the Dardanelles)” by Turkish maritime artist Diyarbakırlı Tahsin Bey

“Bouvet’nin Çanakkale’de Batışı (The Sinking of Battleship Bouvet at the Dardanelles)” by Turkish maritime artist Diyarbakırlı Tahsin Bey

Charles Huin didn’t live long enough to see his penultimate battleship fail so spectacularly. Retiring from the French navy in 1902 after almost 50 years of service as a Commandeur de la Légion d’Honneur, he was struck by a car and killed on a Paris street at age 76 in December 1912 while on his way to collect his pension from the Ministry.

Charles Ernest Huin

RADM Guepratte, who commanded the French force on the fateful day that Bouvet was lost, was relegated to a desk job at Bizerte for the rest of the war and then retired. He passed in November 1939, gratefully missing out on the twin humiliations of Mers-el-Kebir in July 1940 and Toulon in November 1942. Post-war, historians rehabilitated his record and came to the conclusion he got a bad rap, and he is generally seen as a naval hero of sorts today in France, with a destroyer (D632) and frigate (F714) named after him. After all, he was ordered by Roebuck and Carden to take his four obsolete battleships right down the Turks’ throat and by all means should have lost all four.

The French Navy went on to recycle the Bouvet name twice- for a Free French auxiliary in WWII and a Cold War era Surcouf-class destroyer (D624) in operation between 1952 and 1981.

For years, it was believed that Bouvet sank only due to the 9.4-inch coastal artillery hits.

The Ottoman battery commander who landed the hits on Bouvet and several of the other ships, Capt. Mehmet Hilmi Şanlıtop, despite winning a series of decorations, including the Iron Cross, was cashiered post-war in the aftermath of the end of the empire. Welcomed into the ranks of the newly formed Turkish Army in 1920, he eventually retired as a colonel of artillery. He wrote a book about his service and passed in 1946. A statue of him stands near the location of the battery today, which is now a museum.

The Rumeli Medjidieh site, disarmed in 1919, today contains a single 9.4-inch Krupp fortress gun, albeit one moved from another fort. The site has bronze statues of Capt. Şanlıtop and his XO, along with Corporal Seyit Ali Cabuk, who famously hand-carried three 474-pound shells up to one of the 9.4s from the magazine to the breech after the shell hoist failed during the latter stages of the Allied attempt to force the Dardanelles on 18 March 1915, the rounds credited with hitting Ocean.

The story of Bouvet’s ultimate loss by mine strike caught up to the public.

The Ottoman minelayer Nusret, retired from naval service in 1955, was sold to commercial concerns and, derelict, sank in 1989.

Raised in 2002, she has been reconstructed on land at the Tarsus Çanakkale Park.

Nusrat Tarsus Çanakkale Park wiki commons

Meminisse est ad Vivificandum – To Remember is to Keep Alive

***

Ships are more than steel
and wood
And heart of burning coal,
For those who sail upon
them know
That some ships have a
soul.

***

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Warwickshire Cuckoos

Some 85 years ago this week, the regulars of 2 Battalion, the Royal Warwickshire Regiment, part of the 2nd Infantry Division, British Expeditionary Force, drill in their snow-covered trench near Rumegies, Northern France on 22 January 1940 during the eight-month “Phoney War” or “Sitzkrieg” period between the fall of Poland and the invasion of France.

Note the Great War-era “tin plate” Mk. I Brodie helmets and Short, Magazine Lee-Enfield Rifle No.1 Mk IIIs, items very familiar to the trench life in France.

Photo by Leslie Buxton Davies and Stanley Hedley Kessell, War Office official photographers, IWM F 2212.

And seen the same day in platoon formation in the snow, complete with Bren guns, gas mask chest bags, and at least a few men wearing sleeveless leather jerkins, another Great War throwback:

Drink in that Pattern 37 kit. Men of the 2nd Battalion Royal Warwickshire Regiment on parade in the snow at Rumegies, 22 January 1940. Photo by Leslie Buxton Davies and Stanley Hedley Kessell, War Office official photographers, F 2207.

And how about this gem, taken the same place and date:

2nd Battalion, the Warwickshire Regiment sniper in a tree taking aim with his rifle. 22nd January 1940.

The above lads saw much action in May 1940, with several of their men massacred at Wormhoudt after being captured by the Waffen SS, but managed to evacuate at Dunkirk, sans anything that couldn’t be carried while swimming. Dedicated to the defense of England until the time was right, they came back to France with lots of friends in June 1944 and fought across Belgium and Holland to Germany.

Raised in 1673 as an ad-hoc force and made official in 1685 as the 6th Regiment of Foot, the Warwickshires were reliable campaigners and earned no less than 15 honors ranging from Namur to Niagara and Corunna to Khartoum before picking up another ~70 during the Great War, the latter so high due to the fact that they had raised 31 battalions for the fight against the Kaiser.

Recruiting poster, 5th Battalion, The Royal Warwickshire Regiment, c1905, via NAM

In WWII service, the Warwickshires still managed to raise 11 battalions and earned 16 honors (Defence of Escaut, Wormhoudt, Ypres-Comines Canal, Normandy Landing, Caen, Bourguébus Ridge, Mont Pincon, Falaise, Venraij, Rhineland, Lingen, Brinkum, Bremen, North-West Europe 1940 ’44–45, Burma 1945).

Post-war, they were amalgamated several times until the traditions of the unit were handed down to the Royal Regiment of Fusiliers in 1968, with their current RHQ in the Tower of London.

Today they field an active duty armored infantry battalion (1st) equipped with Warriors while a TA unit, (5th bn) is equipped as light infantry.

Overlord Hearts and Minds

Listen, Pierre…

Original Caption, June 6,1944: “French civilians give directions to American paratroopers who made successful landings, on Utah Beach, at St. Marcouf, France.”

Note the ready M1911A1 in the paratrooper’s shoulder holster along with a Mk. 2 pineapple grenade. Original Field Number: ETO-HQ-44-4810. Photographer: Werner. Signal Corps Photo 111-SC-189927-S, National Archives Identifier: 176887768

I’m not sure which unit the above Camel-smoking junior officer is from, but the same photo is identified in other records as “Capt. Kenneth L. Johnson and paratroopers of HHC S-2 Intelligence Section, 508th PIR, 82nd Airborne Division ‘All Americans,’ talking with two Francs-tireurs partisans in the village of Saint Marcouf, Normandy, France. D-Day, 6 June 1944.” The Frenchman certainly looks to have a slung rifle or shotgun over his shoulder, something the Captain would surely be interested in. 

The interaction was captured on film as well. 

Saint-Marcouf saw scattered sticks of both the 101st Airborne’s 502nd Parachute Infantry Regiment (PIR) as well as the 508th PIR landed in the area.

They were one of the first to make contact with the Germans as, at 0220, Naval Commander Normandy (Konteradmiral Walther Hennecke) reported paratroopers near Batterie Marcouf.

The fight for the city and its nearby battery was an all-paratrooper affair until the afternoon of 7 June when the 1st Battalion, 22nd Infantry Regiment (4th Infantry Division) arrived inland from Utah Beach.

Via 508thPIR.com: These men are from Hq & Hq Co. S- 2 Intelligence Section, 508th PIR of the 82nd US Airborne in Ravenoville. The group consists of: Capt. Kenneth L. Johnson, Capt. Robert Abraham (Company CO), SSgt Worster M. Morgan, Pfc Luther M. Tillery, Pfc Joel R. Lander, Pvt John G. McCall, Pfc James R. Kumler, and T / 5 Donald J. MacLeod. The photo was taken by T/4 Reuben Wiener, a combat photographer attached to the 508th

It certainly looks like later pictures of Johnson. 
 
His jacket: 
 
Brigadier General (later Major General) K. L. Johnson enlisted in the Minnesota National Guard in 1940 and was called to active duty with the 135th Infantry, 34th Division in February 1941. After serving at Camp Claiborne, Louisiana; Fort Barrancas, Florida; and Fort Dix, New Jersey, he entered OCS and was commissioned a Second Lieutenant, Infantry on 3 July 1942. 
 
General Johnson joined the 363rd Infantry, 91st Infantry Division at Camp White, Oregon, in November of 1942, volunteered for parachute training and was reassigned to the 508th Parachute Infantry Regiment at Fort Benning, Georgia. Subsequently, the organization was moved to Camp McCall, North Carolina, for advanced training.
 
In October of 1943, General Johnson proceeded to North Ireland as a member of the Advance Detachment of the 2nd Parachute Brigade. After a brief period of training, his regiment joined the 82nd Airborne Division and was moved to Nottingham, England, where it prepared for the invasion of France. General Johnson made combat parachute jumps in Normandy and Holland, and fought with the 82nd Airborne Division throughout the European Campaign, including the Battle of the Bulge.
 
Following World War II, he returned to the U.S. briefly and was reassigned to Europe to join the U.S. Constabulary in July of 1946. After serving in the 68th Constabulary Squadron and the 2d Armored Cavalry Regiment, he returned to the U.S. in 1949 to attend the Advanced Course at The Infantry School. Subsequently, he served as an instructor and group chief in the Airborne Department of The Infantry School.
 
Following graduation from the Regular Course at the Command and General Staff College in 1953, he joined the 40th Infantry Division in Korea where he served as G-3. Later, he was assigned as Plans Officer, I Corps (Group) until he returned to the U.S. in November 1954 for assignment to the Officers Assignment Division, Department of the Army. 
 
After four years on the Department of the Army Staff, General Johnson was selected to attend the Army War College, graduating with the class of 1959. His next assignment was to the Staff of the Commander in Chief Pacific where he served as a Joint Plans Officer and Executive Assistant to the Deputy Chief of Staff for Foreign Affairs and Logistics. In 1961, he joined the 25th Infantry Division where he commanded the 2nd Battle Group, 21st Infantry and 1st Battle Group, 5th Infantry, successively until the fall of 1963.
 
Returning to The Pentagon, he served briefly as Chief of Plans and Policy, Enlisted Personnel Directorate, Office of Personnel Operations and then for the next two years on the General Staff as Chief of the Special Review Division, Office of the Deputy Chief of Staff for Personnel. He was selected for promotion to Brigadier General in November 1965 and assigned to the 2d Infantry Division. He joined the Division as Assistant Division Commander (Maneuver) in April 1966. 
 
General Johnson has been awarded the Senior Parachutist Badge with two combat-stars; the Combat Infantryman Badge, the Silver Star, Legion of Merit, the Bronze Star w/ V for Valor and Oak Leaf Cluster, the Army Commendation Medal w/3 Oak Leaf Clusters and the Purple Heart.
 
Retired Army Maj. Gen. Kenneth L. Johnson died on August 21, 1990 at the age of 71 and is now buried in Arlington National Cemetery, Arlington, Arlington County, Virginia, USA.

Well-Holstered Hussars

The below image shows Maj. A. D’Arcy Marks and Capt. A. Brandon Conron of the Canadian 6th Armoured Regiment (1st Hussars) (6 CAR), posed in front of an M4A2 Sherman medium tank near Colomby-sur-Thaon, France, 28 June 1944 in the push out from Normandy.

Note the tracks on the front of the Sherman. Photo by Ken Bell, Library and Archives Canada

Marks has what appears to be a Browning Hi-Power (or M1911?) in a very interesting holster that appears to be a British Pattern 37 flap holster that has been partially cutaway. Conron, meanwhile, is well-outfitted with a revolver rig that includes not only spare rounds but also a cleaning rod in the holster.

As for the 1st Hussars, formed in 1856, they served overseas with distinction in the Great War, earning honors at Vimy Ridge. They returned to France in 1944, landing at Juno Beach where they were “the only unit of the Allied invasion forces known to reach its final objective on D-Day,” which certainly lived up to their motto of Hodie non cars, (Today not tomorrow).

Still part of the Canadian Forces Reserve, they are currently stationed at London, Ontario as part of the 31 Canadian Brigade Group.

Combat Gallery Sunday: Le porte-drapeau de l’Armée

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: Le porte-drapeau de l’Armée

Jean-Baptiste Édouard Detaille was born in Paris in 1848, notably while Charles-Louis Napoléon Bonaparte was President and before the aforementioned leader seized power and proclaimed himself Napoleon III, the sole emperor of the Second French Empire.

Detaille, using family connections that dated back to the original Napoleon, studied with noted military painter Jean-Louis-Ernest Meissonier in the 1860s and traveled abroad to North Africa and the Mediterranean in his late teens, which helped influence his later work.

Detalille himself had served during the Franco-Prussian war of 1870, as a young man, in the 8e Bataillon d’Infanterie Mobile, later attached to the staff of Gen, Auguste-Alexandre Ducrot, commander of the 2e Armee in defense of Paris. So you could say that the artist knew something of what he painted.

A mounted officer, 1877, via the Art Institute of Chicago

His two-volume/150 plate “L’Armee Francaise. Types et Uniformes,” published in 1885 (Paris, Boussod, Valson et Cie,) on Japanese paper, is an epic work of 19th Century uniforms. Many of these images come from that volume.

L’armée française – 1.er volume by Édouard Detaille vol 1 title page showing the old Napoleanic Army meeting the 1880s modern French infantry Credit line: (c) Royal Academy of Arts

Officier Indigene de Tirailleurs Algeriens

Sapeurs du Génie Tenue de Campagne

Grenadier de la Garde Impériale Rezonville, 1870

Hussards (Hussars)

French Carabiniers, 1806

French Ecole Spéciale Militaire, 1885

French Chasseur a Cheval

French cavalry

French campement de Zouaves, 1886

Etat-major d’un général de division

French hussards de l’Armée du Rhine, 1790s

Fantasia de Spahis

‘Officier de dragons.’; Édouard Detaille, Types et uniformes : l’armée française, https://www.royalacademy.org.uk/art-artists/work-of-art/O27687
Credit line: (c) Royal Academy of Arts

French Tirailleurs Indigènes Grande Tenue

The Defense of Champigny during the Battle of Villiers, 1870. In the Metropolitan Museum of Art in New York. MET DT259753

click to bigup

Le rêve (The Dream), above, by Edouard Detaille, painted in 1888, depicts French soldiers asleep in their camp with the first rays of dawn on the horizon. These young conscripts of the Third Republic are seen during summer maneuvers, probably Champagne, at the time it painted. They dream of the glory of the Grand Armee of Napoleon, then of taking revenge for the French defeat in the Franco-Prussian war of 1870. This was one of the most popular propaganda pieces of the interwar period between 1871-1914 in France and indirectly helped stir the pot on WWI. It is currently at the Musée d’Orsay, Paris.

After the Russo-French Rapprochement in 1891, he took to covering the uniforms of the Republic’s newfound allies.

Carabiniers à Cheval en Russie, 1893

The Cossacks of the Imperial Russian Guard

He was busy working on uniform images right up until his last days.

Test uniforms created in 1912 by Édouard Detaille for the French line infantry. From left to right : trumpet in parade uniform, private in service uniform and kepi, private 1st class in parade uniform, private in service uniform and leather helmet, officer in parade uniform, officer in service uniform and bonnet de police (side cap), private in field uniform and leather helmet, private in field uniform and kepi. Via Musée de l’Armée/Wiki.

The artist died in 1912 in Paris, aged 64, only months before The Guns of August forever removed all of the romantic notions of beautiful uniforms with red trousers and shiny cuirasses from warfare.

Thank you for your work, sir.

Warship Wednesday Mar. 15, 2017: Taxi from Devil’s Island

Here at LSOZI, we are going to take off every Wednesday for a look at the old steam/diesel navies of the 1859-1946 time period and will profile a different ship each week. These ships have a life, a tale all their own, which sometimes takes them to the strangest places. – Christopher Eger

Warship Wednesday Mar. 15, 2017: Taxi from Devil’s Island

Here we see a colorized postcard of the first protected cruiser in the French Navy, the one-off “croiseur cuirassé” Sfax as she appeared in the early 1890s. She never had a chance to fire her guns in anger, but for one brief period was the most famous ship in the world.

Ordered from the Arsenal de Brest in 1881, the ship was an answer to the powerful new steam cruisers being fielded by the British at the time. The French in the late 1870s were still building sail-rigged wooden hull warships that would have been at home in the Crimean War. For instance, the iron-beamed/oak planked Lapérouse-class cruisers, just 2240-tons, could make 15 knots and carried a battery of 5.5 in M1870M muzzleloading guns– but not a single sheet of armor.


Intended as a commerce raider, our 4,561-ton ship had an iron hull with steel frames in a cellular construction, but her half-dozen 6.4-inch M1881 model (black powder breechloaders) and ten smaller 5.5-inch guns gave Sfax a significant punch– especially when her prey was intended to be a merchantman. A dozen coal-fired boilers powered two horizontal steam expansion engines exhausted through twin stacks that drove twin screws while a bark rig provided extra endurance when the wind picked up. Most importantly, she had an armored belt some 60mm thick in four layers of steel.

To be clear, Sfax was an evolutionary step.

As noted by Eric Osborne in his excellent work on Cruisers and Battle Cruisers, “This vessel embodied features that had largely been discontinued in other navies such as a hull composed of iron rather than steel and a full sailing rig. Nevertheless, its protective deck provided adequate protection and its maximum speed of 16.7 knots allowed it to function effectively as a cruiser where the poor motive power of past French designs had ruled out this possibility.”

Completed June 1887, Sfax had a happy but short life, sailing on a European tour followed by a trip to French colonies overseas– her likely stomping grounds if she ever was to assume her wartime role as a modern privateer against an enemy of the Republic. She was the fastest cruiser in the fleet for about three years.

The follow-on one-off cruiser Tage (7,450-tons), completed in December 1890, was some 50 percent larger than Sfax and carried about the same armor and armament but was able to eek out 19 knots due to her 12,500 shp steam suite. The 5,900-ton experimental protected cruiser Amiral Cécille, completed the same year, made 21 knots but thinned her armor to do so. By 1894, the four-ship Amiral Charner-class cruisers weighed about the same as Sfax but could only make 17 knots– her speed– due to the fact they carried a more modern gun battery and 90mm of armor.

To modernize the rapidly marginalized Sfax, in 1895, her masts and sailing rig, never efficient, were removed and replaced by two smaller ones. Her 6.4-inch guns were upgraded to newer models and she was given more reliable torpedo tubes. Painted white as was the custom of the time for warships, she emerged rather different.


Now, let us speak briefly of one Captain Alfred Dreyfus, of the French Army.

This young career military man had graduated the École Polytechnique in 1880 and by 1889 a trained artillery officer, was assigned to a government arsenal. After graduation from the War College, he was being groomed for the General Staff.

Then, scapegoated largely due to being Jewish, Dreyfus was falsely convicted of passing military secrets to the Germans in December 1894– though evidence showing that one Maj. Ferdinand Walsin Esterhazy was the spy later surfaced. Branded a traitor, Dreyfus was stripped of his rank, publicly humiliated, and cast off to the infamous Devil’s Island prison in French Guyana.


However, his story did not end there, and the subsequent decade-long call for his vindication, now known to history as the Dreyfus Affair, was the People vs. OJ Simpson case of its day and drew international attention. People hung on every update and were polarized into pro-Dreyfus and anti-Dreyfus camps– there was no middle ground. And this was not just isolated to France. As noted by Robert K. Massie in his book Nicholas and Alexandria, a nurse by the name of Mrs. Eger was so engrossed in an argument over Dreyfus that she left one of the Tsar’s children in the bath so long the poor Grand Duchess took to flight through the Alexander Palace sans clothes. In London, the Illustrated News carried regular front updates.

In short, people really cared about Dreyfus.

Called for retrial after five years in a green hell, a fast ship from the French Navy– our very own Sfax— was dispatched to bring him home.

Sfax called on Cayenne, the colonial port in Guyana on 8 June 1899, and landed him on the Quiberon Peninsula in Brittany on the night of 1 July in stormy weather, spending a total of 20 days underway from South America to metropolitan France, stopping for coal and provisions along the way.

Dressed in a blue suit and wearing a cork helmet, the cashiered former captain boarded the ship that would take him back to Europe.


During that time, though returning for another trial, Dreyfus was considered a prisoner and confined to his cabin save for three daily walks on Sfax‘s deck. At all times, he had an armed sentry within reach, keeping a careful eye. Officers and men were forbidden to speak to him, though he was messed from the officer’s wardroom.


As described by William Hardin’s Dreyfus: The Prisoner of Devil’s Island:

The prisoner spent his time reading and writing, though sometimes he looked long out of the port-hole, apparently plunged deep in though. His baggage consisted of two portmanteaus, containing linen books, several packages of chocolate, small biscuits and several bottles of toilet vinegar. He generally went to bed at seven, arose around midnight to smoke a cigarette, and got up regularly at five o’clock in the morning.


Dreyfus left Sfax and lost his retrial, though he was later acquitted in 1906. Rejoining active service, he was awarded the Legion of Honour for the royal green weenie and retired to the reserve list the next year as a major with full benefits. The Great War called him back to active duty, where the artillerist rose to the rank of Lieut. Colonel, notably serving in the artillery supply train at Verdun.

He died in 1935 and was given a full military funeral including a parade past the Bastille. At least two statues, holding his broken sword in salute, endure in his honor.


For more information on Dreyfus, the Musée d’art et d’histoire du judaïsme has some 3,000 documents on his case available online in French.

As for our cruiser, Sfax receded into history. Thoroughly obsolete, she was stricken in 1906 and scrapped soon after.

Specs:


Displacement: 4 561 GRT
Length 300 ft. (91.57 meters)
Beam 49 feet (15.04 meters)
Draught 25 feet (7.67 meters)
Propulsion     2 steam engines (12 cylindrical boilers), 6,500 hp, twin shafts
Range: 5,000nm on 980 tons of coal
Sailing rig: three-masted barque (1.988 m² or 2380 sq.yds. sail area), removed 1895
Speed 16.7 knots max
Complement: 486 officers, men and Marins with room for one “traitor”
Armor: Belt and bridge, 60 mm
Armament:
6 × 1 160 mm gun (cal.28-mod.1881) on upper deck level with two in embrasures forward and the others in sponsons amidships and aft. Updated to M1887 models in 1895.
10 × 1 139 mm gun (cal.30-mod.1881) on the main deck amidships between the sponsons
2 × 1 47 mm gun (DCA M1885)
10 × 1 37mm Hotchkiss guns
5 × 1 350mm torpedo tubes, one bow mounted, four on beam

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The Dream…

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Le rêve (The Dream), by Edouard Detaille, painted in 1888, depicts French soldiers asleep in their camp with the first rays of dawn on the horizon. These young conscripts of the Third Republic are seen during summer maneuvers, probably Champagne, at the time it painted. They dream of the glory of the Grand Armee of Napoleon, then of taking revenge for the French defeat in the Franco-Prussian war of 1870.

Detalille himself had served, as a young man, in the 8e Bataillon d’Infanterie Mobile, during that war and was attached to the staff of Gen, Auguste-Alexandre Ducrot, commander of the 2e Armee in defense of Paris. So you could say that the artist knew something of what he painted.

This was one of the most popular propaganda pieces of the interwar period between 1871-1914 in France and indirectly helped stir the pot on WWI.

It is currently at the Musée d’Orsay, Paris