Tag Archives: martial artist

Combat Gallery Sunday: The Martial Art of Paul Sample

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of Paul Sample

Paul Sample was born in Lousiville, Kentucky, 14 September 1896. Enrolling at Dartmouth College in New Hampshire in 1916 to pursue art, he put his education on hold when the U.S. rushed into the Great War in 1917, serving in the Naval Reserve.

Once the war was over, he returned to Dartmouth, graduating in the class of 1920. After a stint with tuberculosis, Sample studied drawing and painting from artist Jonas Lie, then, using his Veteran’s Bonus, studied in New York and at the Otis Art Institute in Los Angeles. By 1926 at age 30, he was on the faculty at USC.

By 1934, he was one of the most influential artists in the country, adept at Social Realism and American Regionalist painting styles with his work shown at the Met and appearing in Fortune, Esquire, Country Gentlemen, and American Artist.

Maple Sugaring, Paul Sample

In 1936, his old alma mater at Dartmouth made him an artist in residence– becoming their longest serving, making it through 1962.

In 1941 he was elected academician by the National Academy of Design.

When WWII came, the former Navy man served as a Life Correspondent attached to the sea service, embarking on the carrier USS Ranger (CV-4) and heavy cruiser USS Portland (CA-33) among others, covering the war in both the Atlantic and Pacific in watercolors that capture the feeling of the moment.

Fighter disaster on USS Ranger (CV 4), which depicts the crash of an F4F-4 “Wildcat” fighter on board USS Ranger on 25 August 1942 after an off center landing attempt. Artwork by Paul Sample. Photo # NH 89617-KN (Color)

Fighter disaster on USS Ranger (CV 4), which depicts the crash of an F4F-4 “Wildcat” fighter on board USS Ranger on 25 August 1942 after an off-center landing attempt. Artwork by Paul Sample. Photo # NH 89617-KN (Color). It should be noted that Ranger sailed to support the Torch Landings just days after this incident, where her aircraft were influencial in silencing the French.

Ship's band, USS RANGER (CV-4) Caption: Artist: Paul Sample, 1942. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89619-KN

Ship’s band, USS RANGER (CV-4) Caption: Artist: Paul Sample, 1942. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89619-KN

Seaplane base, Naval Air Station, Norfolk, Virginia Caption: Artist: Paul Sample, 1942. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89615-KN

Seaplane base, Naval Air Station, Norfolk, Virginia Caption: Artist: Paul Sample, 1942. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89615-KN

Field carrier landings, Naval Air Station, Norfolk, Virginia Caption: Artist: Paul Sample, 1942. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89616-KN

Field carrier landings, Naval Air Station, Norfolk, Virginia Caption: Artist: Paul Sample, 1942. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89616-KN. Note the distinctive gear of the F4F Wildcat.

"Chinese overside, submarine base, Pearl Harbor"Caption: Artist: Paul Sample, 1943. 28"x 44". Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89621-KN

“Chinese overside, submarine base, Pearl Harbor” Caption: Artist: Paul Sample, 1943. 28″x 44″. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89621-KN

Crew's quarters aboard a Pacific submarine Caption: Artist: Paul Sample, 1943. 17"x 24". Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89620-KN

Crew’s quarters aboard a Pacific submarine Caption: Artist: Paul Sample, 1943. 17″x 24″. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89620-KN. Note the crew sleeping on the torpedos. The foot front and to the left is great as is the “Shipwreck” GI Joe character.

Skipper on the bridge, Pacific submarine Caption: Artist: Paul Sample, 1943. 24"x 30". Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89622-KN

Skipper on the bridge, Pacific submarine Caption: Artist: Paul Sample, 1943. 24″x 30″. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89622-KN

Red beach, Leyte, Pacific Caption: Artist: Paul Sample, 1944. 14"x 38". Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89623-KN

Red beach, Leyte, Pacific Caption: Artist: Paul Sample, 1944. 14″x 38″. Description: Time-Life Collection Courtesy of Chief of Military History Catalog #: NH 89623-KN

After the war, Sample did mural work, painted the Saturn rocket launch for NASA in 1964.

He died in 1974, after working in his Vermont studio that morning, age 80.

Works by Sample may be found at the Arkell Museum, Addison Gallery of American Art at Phillips Academy, Art Institute of Chicago, Brooklyn Museum of Art, Currier Gallery of Art, Hood Museum of Art, Metropolitan Museum of Art, Smithsonian American Art Museum, Springfield Museum of Art in Utah, and the D’Amour Museum of Fine Art.

Thank you for your work, sir.

Combat Gallery Sunday: The Martial Art of James Consor

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of James Consor

James Consor graduated with a bachelor’s of fine arts in illustration from Syracuse University. Upon graduation, he moved to New York City and entered the advertising business. His spare time was spent drawing and painting with an eventual emphasis on maritime subjects. Since 1998, he has had many one-man shows of marine art and exhibited in several galleries including Mystic Seaport Museum in Connecticut.

The artist has been sent on two artist deployments by the Coast Guard.

In 2008, he was deployed aboard the Cutter Diligence from which he observed migrant and illegal drug interdictions off Florida’s West Coast.

In 2011, he was once again sent to Florida, this time to Jacksonville to observe Helicopter Interdiction Tactical Squadron training exercises.

Ready, Aim, Fire by James Consor During training exercises, the gunner's mate aboard a helicopter sights his rifle on a boat suspected of carrying illegal drugs. He is a member of the Helicopter Interdiction Tactical Squadron (HITRON) from Jacksonville, Fla. HITRON members undergo rigorous training to support counter-narcotics and homeland security missions. HITRON crews are often embarked on cutters patrolling the Drug Transit Zone, a six million square mile area, including the Caribbean, Gulf of Mexico and Eastern Pacific.

Ready, Aim, Fire by James Consor
During training exercises, the gunner’s mate aboard a helicopter sights his rifle on a boat suspected of carrying illegal drugs. He is a member of the Helicopter Interdiction Tactical Squadron (HITRON) from Jacksonville, Fla. HITRON members undergo rigorous training to support counter-narcotics and homeland security missions. HITRON crews are often embarked on cutters patrolling the Drug Transit Zone, a six million square mile area, including the Caribbean, Gulf of Mexico and Eastern Pacific.

The Chase, by James Consor Members of the Helicopter Interdiction Tactical Squadron (HITRON) from Jacksonville, Fla., conduct training exercises aboard an HH-65 helicopter. Here, crew members simulate an interdiction of a motor boat suspected of carrying illegal drugs. HITRON forward deploys armed helicopters to high threat drug trafficking and high risk security areas. HITRON crews are often embarked on cutters patrolling the Drug Transit Zone, a six million square mile area, including the Caribbean, Gulf of Mexico and Eastern Pacific

The Chase, by James Consor
Members of the Helicopter Interdiction Tactical Squadron (HITRON) from Jacksonville, Fla., conduct training exercises aboard an HH-65 helicopter. Here, crew members simulate an interdiction of a motor boat suspected of carrying illegal drugs. HITRON forward deploys armed helicopters to high threat drug trafficking and high-risk security areas. HITRON crews are often embarked on cutters patrolling the Drug Transit Zone, a six million square mile area, including the Caribbean, Gulf of Mexico and Eastern Pacific

In this work from the U.S. Coast Guard Art Program 2014 Collection, "Above the Seneca," ID# 201404, the USCGC Seneca (WMEC 906) patrols in the Straits of Florida. Homeported in Boston, the Seneca's missions range from protecting and enforcing laws for living marine resources to deploying in support of joint agency intercepts of drug smugglers in the Caribbean Sea. U.S. Coast Guard Art Program work by James Consor.

In this work from the U.S. Coast Guard Art Program 2014 Collection, “Above the Seneca,” ID# 201404, the USCGC Seneca (WMEC 906) patrols in the Straits of Florida. Homeported in Boston, the Seneca’s missions range from protecting and enforcing laws for living marine resources to deploying in support of joint agency intercepts of drug smugglers in the Caribbean Sea. U.S. Coast Guard Art Program work by James Consor.

A member of the Society of Illustrators for over 40 years, he has also been active in the Air Force Art Program at the Society of Illustrators since the 1980’s and the US Coast Guard Art Program (COGAP) for about 10 years. The rest of his painting is devoted to the sailboats.

Weathermark by James Consor, via Mystic Seaport.org

Weathermark by James Consor, via Mystic Seaport.org

You can see more of his work here.

Thank you for your work, sir.

Combat Gallery Sunday: The Martial Art of Franz Schmidt

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of Franz Schmidt

Franz Schmidt was a German postcard artist probably best known for his series of city cards published from 1910-14 showing buildings and sites around his hometown of Nuremberg.

Nassauer Haus Nurnberg Germany, Franz Schmidt 1910.

Nassauer Haus Nurnberg Germany, Franz Schmidt 1910.

However, when the Great War popped off, Schmidt was commissioned to produce a series of “fighting man” style postcards for Trautmann & von Seggern of Hamburg (T&S) showing German troops in action in 1914-15.

While I cannot find much information on Schmidt’s background or how he obtained the study for the martial series (i.e. whether he used models, traveled to the front, relied on newspaper imagery) they are very well done and mostly correct, even if they are clearly propaganda. Each shows a good example of early war uniforms including piping, brass buttons and covered Pickelhaube and Czapka.

The below come from The Rare Book Collection at the University of North Carolina at Chapel Hill’s Wilson Library has a massive collection of WWI postcards (nearly 10,000!)

Battle of St. Quentin. German soldiers on horseback, carrying swords, are riding toward English and Scottish infantry.

Battle of St. Quentin. German soldiers on horseback, carrying swords, are riding toward English and Scottish infantry.

Color image on a postcard showing a German infantryman holding his rifle, standing in the woods.

Color image on a postcard showing a German infantryman holding his rifle, standing in the woods.

Color image on a postcard showing a German Marine on a beach, carrying a rifle over his shoulder.

Color image on a postcard showing a German Marine on a beach, carrying a rifle over his shoulder.

German 77mm field artillery defend from French cavalry in battle near the Aisne

German 77mm field artillery defend from French cavalry in battle near the Aisne

German gunner at a gun park. He is standing in front of cannons, holding an artillery short sword

German gunner at a gun park. He is standing in front of cannons, holding an artillery short sword

German troops attacking Indian troops at Ypres, in West Flanders. Througout the war the Germans made a big deal of the fact that both France and Britain utilized colonial troops who the German media characterized as savages-- while they played up their own native Askari troops in Africa.

German troops attacking Indian troops at Ypres, in West Flanders. Throughout the war the Germans made a big deal of the fact that both France and Britain utilized colonial troops who the German media often characterized as savages– while they played up their own native Askari troops in Africa.

German soldiers fighting French soldiers at Neufchâteau

German soldiers fighting French soldiers at Neufchâteau

Hussar standing with his horse in a city that has been bombed. In his hand is a lit cigar

Hussar standing with his horse in a city that has been bombed. In his hand is a lit cigar.

Landstrum soldier at a railway station. There is snow on the ground, and a train sits on a track in the background.

Landstrum soldier at a railway station. There is snow on the ground, and a train sits on a track in the background.

Postcard showing a member of the German uhlan cavalry on horseback with lance.

Postcard showing a member of the German uhlan cavalry on horseback with lance.

Schmidt’s cards from time to time pop up online on eBay and others, typically at low ($5-$10) prices.

Thank you for your work, sir.

Combat Gallery Sunday: The Martial Art of Don Troiani

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of Don Troiani

If you like military art at all, Don Troiani needs no introduction.

Here is a painting he has been working on for the Saratoga National Park that he has chronicled on his social media page from pencil to finished work.

The scene depicts the attack of the 62nd Regiment of Foot on the Connecticut Militia and 3rd New Hampshire Regiment on a wooded slope during the Battle of Freeman’s Farm. Major Harnage of the 62nd is wounded in the left foreground.

Thank you for your work, sir.

Combat Gallery Sunday: The Martial Art of Alex Schomburg

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of Alex Schomburg

Born Alejandro Schomburg y Rosa in 1905 in Aguadilla, Puerto Rico– then just seven years removed from the Spanish Empire– the young man who would go on to be called the “Norman Rockwell of Comic books” moved to New York City in the early 1920s. After learning his trade, that of a commercial artist, while working with his three older brothers, he took on standalone work making lantern screen drawings, art, and illustrations for NYCs myriad of comics and pulps including Thrilling Wonder Stories and Flying Aces.

With war in Europe in 1939, sci-fi tech guru Hugo Gernsback, something of the Arthur C. Clarke of his day, enlisted the budding Schomburg for a series of covers of his tech mag Radio Craft and Popular Electronics covering emerging military electronics.

radio-craft-popular-electronics-incorporating-short-wave-bda60690-07cf-4b92-b0a5-7e742370bc43 yrc2_002 alex-schomburg-radio-craft-fighter-plane fielxcqf_280916141353lola e59b1a42-ffd9-4ab7-b868-8ec3cf5bef1a_570

He also worked with Liberty puzzles to make a series of combat tableaus.

liberty-puzzles-by-alex-schomburg liberty-puzzles-by-alex-schomburg-2 liberty-puzzles-by-alex-schomburg-3 liberty-puzzles-by-alex-schomburg-4

Schomburg also illustrated a number of war pulps.

alex-schomburg-machine-gun-in-hand-ensign-casey-dangled-less-than-a-hundred-feet-above-the-stern-of-the-u-boat-pby alex-schomburg-air-war-1942

Then, with war firmly gripping U.S., Schomberg took some more “dynamic” work for Timely Comics which largely consisted of American heros slam dunking dirty “japs” and Nazis with a little assistance from their super powers. You see, in that age, there was no need for super villains, and Berlin and Tokyo produced them in real life.

This included Capt.America long before he became a Marvel icon, as well Sub-Mariner, Ka-Zar the Great, The Angel, Black Terror, the Fighting Yank, the Green Hornet and the Human Torch– in just a decade producing something like 600 comic covers alone.

While no doubt cracking reading for its day, they come off rather like propaganda with a skosh of racism when looked at some 70 years later.

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While not an official “war artist” you better believe that most teenage Coasties, Bluejackets, Devil Dogs and Joes had a copy of one of his comics in his sea bag or ruck at one time or another during WWII. The things they carried, indeed.

As Paul Tobin noted:

There’s so much to look at in a Schomburg cover… a compendium of vignettes all worked into one overall scene by The Man Who Made Perspective His Bitch. Seriously… each cover is about the wonkiest perspective possible, often with one character’s upper body in the foreground, and then their lower body in the far distant background, and yet it all works… it all comes together to form a cohesive whole. And that’s why he’s number one. Because he cheated. He was so good he didn’t need to play by the rules.

Eschewing comics, he moved into more sci-fi cover novel cover art which kept him busy the rest of his life and a Hugo award nomination.

fantastic-story-1955-winter-600x807 flying-saucer-landing-fantastic-universe-magazine-cover-july-1954-600x794 41828355-trouble_on_titan-600x876 fantastic-story-september-1953-600x808

He died in Beaverton, Oregon on April 7, 1998 and there are extensive galleries of his work online at Paul Tobin’s page (who lists him as the No. 1 cover artist in the U.S.) Pulp Covers and Alex Schomberg.com.

Thank you for your work, sir.

Combat Gallery Sunday: The Martial Art of James Arthur Pownall

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of James Arthur Pownall

Not much is known of James Arthur Pownall, coming from the landed gentry and born in to a family of cotton merchants. Pownall apparently eschewed work in the cotton concern to take up painting full time.

Soon afterward, starting around 1882, his work chronicling British and Indian military units began to circulate and continued to do so until the early 1930s.

A Mounted Sowar in Drab Full Dress, Guides Cavalry, James Arthur Pownall, 1902, National Army Museum. The Corps of Guides was raised in 1846/1847 by Lieutenant (later Lieutenant-General Sir) Harry Lumsden (1821–1896). In 1886, as part of the later nineteenth-century reform of the Indian Army, the Guides were transferred from the control of the Governor of the Punjab to that of the Commander-in-Chief. The cavalry regiment was later numbered 10th in the 1922 reorganization of the Indian Army.

A Mounted Sowar in Drab Full Dress, Guides Cavalry, James Arthur Pownall, 1902, National Army Museum.  Note the Martini rifle while the rest of the empire was going Lee-Metford. The Corps of Guides was raised in 1846/1847 by Lieutenant (later Lieutenant-General Sir) Harry Lumsden (1821–1896). In 1886, as part of the later nineteenth-century reform of the Indian Army, the Guides were transferred from the control of the Governor of the Punjab to that of the Commander-in-Chief. The cavalry regiment was later numbered 10th in the 1922 reorganization of the Indian Army.

Bringing Up the Guns, James Arthur Pownall, 1898,Atkinson Art Gallery Collection

Bringing Up the Guns, James Arthur Pownall, 1898,Atkinson Art Gallery Collection

Indian Corps of Drums,1918, James Arthur Pownall, Cheshire Military Museum

Indian Corps of Drums,1918, James Arthur Pownall, Cheshire Military Museum

Mounted Lancer, James Arthur Pownall, 1918, Cheshire Military Museum

Mounted Lancer, James Arthur Pownall, 1918, Cheshire Military Museum

On exhibit extensively in the UK, a number of his pieces have also passed into private collections in recent years and has appeared in a number of books about the Indian Army (Soldiers of the Raj: The Indian Army 1600-1947, et. al)

Thank you for your work, sir.

Combat Gallery Sunday: The Martial Art of Emil Hünten

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of Emil Hünten

Emil Johannes Hünten was born the son of a German composer residing in Paris on 19 January 1827. Studing at the at the Ecole des Beaux Arts, then later in Antwerp and Dusseldorf, he was a painter who specialized in oils on canvas. Choosing to cover historical subjects, his work on Fredrick the Great and his battles drew attention.

Emil Hünten (1827 - 1902) 5 Emil Hünten (1827 - 1902) 7
This led to Hunten being attached to the Prussian Army in the 1864 war with Denmark, the 1866 conflict with Austria and, in his magnum opus period, the Franco-Prussian War in 1870-71.

Emil Hünten (1827 - 1902) 9 Emil Hünten (1827 - 1902)

Marshall Forwards

Marshall Forwards

Emil Hünten (1827 - 1902) 8 4c22c4553812

Prussian Hussar

Prussian Hussar

Raid on rail line. Note the dead Prussian sentry.

Raid on rail line. Note the dead Prussian sentry.

Wounded Lifeguard

Wounded Lifeguard

Prussian Army Crown Prince and Chief of Staff Helmuth Moltke (the elder) meet at Battle of Königgrätz. Note our lifeguard from above is making a cameo

Prussian Army Crown Prince and Chief of Staff Helmuth Moltke (the elder) meet at Battle of Königgrätz. Note our lifeguard from above is making a cameo

Prussian Army Crown Prince and Chief of Staff (Generalstabschef) Helmuth Moltke

Prussian Army Crown Prince and Chief of Staff (Generalstabschef) Helmuth Moltke

He became a member of the Berlin Academy, was well liked, garnered numerous awards, and created some of the most memorable portraits of the German Kaisers out there before his death in 1902.

Hunten’s paintings hang throughout Europe, mostly in Germany.

Thank you for your work, sir.

Combat Gallery Sunday: The Forward-looking Submarine Ops of Luis Philip Senarens

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Forward-looking submarine Ops of Luis Philip Senarens

Along with Tom Swift, Frank Reade Jr., and others, Jack Write was one of the host of fictitious “Edisonade” series of brilliant young inventors from the 1880s-1914 who graced the pre-Great War dime novels of the era. These were young men whose adventures were full of pluck and included the high tech forward thinking science of the era including radios, electric weapons, electrical land vehicles, steam powered robots, airships, rockets and submarines.

Speaking of which, Brooklynite Cuban-American Luis Philip Senarens, who was so busy that he wrote under a series of at least a half-dozen pseudonyms and has been described as both “the first prolific writer of science fiction” and “the American Jules Verne” crafted no less than 300 dime novels, inventing first Frank Reade Jr. and later Jack Wright. Most of these he wrote as “Noname.”

While written almost exclusively in the 1890s, they were republished several times through about 1920 and while Senarens himself was not the illustrator, the detailed descriptions he embedded in his work helped craft the images seen on the cover.

Many of these involved complex submarine operations long before they were practical including:

Jack Wright’s Submarine Catamaran (1891)
Jack Wright And His Electric Turtle (1891)
Jack Wright And His Submarine Yacht (1892)
Jack Wright And His Deep Sea Monitor (1892)
Jack Wright And His Ocean Sleuth-Hound (1892)
Jack Wright And His Dandy Of The Deep (1892)
Jack Wright And His Submarine Torpedo-Tug (1893)
Jack Wright And His Submarine Explorer (1894)
Jack Wright And His Submarine Warship (1894)
Jack Wright And His Submarine Destroyer (1894)
Jack Wright And His Electric Submarine Ranger (1895)

Jack Wright and his Dandy of the Deep  Jack Wright And His Ocean Sleuth-Hound (1892) Jack Wright and his Electric Turtle Dime Novel Pulp Magazine Jack Wright and His Deep Sea Monitor; or, Searching for a Ton of Gold, Pluck and Luck No. 139, January 30, 1901 mermaid “Jack Wright’s Submarine Catamarani; or, The Phamtom Ship of the Yellow Sea”, Pluck and Puck No. 998, July 18, 1917

Senarens also gave Reade his own U-boat from time to time, such as in this arctic submarine adventure from 1892 and in The Search for the Silver Whale.

frank_reade_weekly_19030828_n44 Frank Reade submarine

It should be realized while looking at this work that the U.S. Navy’s first modern commissioned submarine, the dynamite gun armed USS Holland, was not commissioned until 12 October 1900 while the Royal Navy’s first submarine, HMS Holland 1 (guess who the inventor was), was not accepted until the following year. Russia’s first working submersible, Delfin was adopted in 1903, and the German’s kerosene powered SM U-1 was not commissioned until 1906. It could be argued the submariners of these early craft may have had a copy of a Noname attributed submarine dime novel stashed among their sea bags.

Other than the works of Swedish industrialist and arms dealer Thorsten Nordenfelt (who will be spoken about in a coming Warship Wednesday), Spain’s Peral, and the experimental French submarine Gymnote, which were afloat during Jack Wright’s heyday, there were few workable submersibles on the seas.

As for Senarens, he died in 1939 though his Reade and Wright adventures had peaked long before then.

Thank you for your work, sir.

Combat Gallery Sunday: The Martial Art of Jakub Rozalski

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of Jakub Rozalski

Jakub Rozalski is a Polish concept artist who works in modern (digital) mediums and his military themed art ranges from his very popular 1920s alternate universe Poland where steam/diesel mechs range the countryside populated by dire wolves, tame bears and Siberian tigers, to more modern visages.

“In my works I try to combine classical painting style & motifs with modern design & interesting concepts. For me, always the most important in my work is create unique atmosphere and tell some kind of story, show everyday situations in unusual environment. The biggest inspiration for me is the classic paintings of the late XIX and early XX century, history, everyday life, movies, games and books,” says the Krakow-based artist.

1920s Hussars. Note the classic "Winged Hussars" meets modern warfare http://www.badassoftheweek.com/hussars.html

1920s Hussars. Note the classic “Winged Hussars” meets modern warfare

1920, Mech Kosciuszko

1920, Mech Kosciuszko

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Robot Medic

Robot Medic

1920 Krakow.

1920 Krakow.

"Iron FIelds"

“Iron FIelds”

Besides his 1920 mecha universe, he also makes trips to the past, other periods of history, and the future, to bring his unique vision to play.

Evil Shogun

“Evil Shogun”

mutknight

What's not to like about a PPSh-wielding, tiger riding she-warrior of the Carpathians

What’s not to like about a PPSh-wielding, tiger riding she-warrior of the Carpathians

"Westerplatte" Note the Polish infantryman vs Nazi mechs and the SMS Schleswig-Holstein https://laststandonzombieisland.com/2015/01/21/warship-wednesday-january-21-2015-a-teutonic-heavy-in-two-world-wars/

“Westerplatte” Note the Polish infantryman vs Nazi mechs and the SMS Schleswig-Holstein, 1939

Spacefight, showing a very Merkava-like MBT

“Spacefight,” showing a very Merkava-like MBT, along with mechs and troopers.

His art is the basis for the Scythe strategy game and you can find numerous prints available as well as enjoy several online galleries of his work here and here.

Thank you for your work, sir.

Combat Gallery Sunday: The Martial Art of Chris Schweizer

Much as once a week I like to take time off to cover warships (Wednesdays), on Sundays (when I feel like working), I like to cover military art and the painters, illustrators, sculptors, photographers and the like that produced them.

Combat Gallery Sunday: The Martial Art of Chris Schweizer

A graduate of the Atlanta campus of the Savannah College of Art and Design, Chris Schweizer picked up his first Eisner Award nomination while still a student there for his first book, Crogan’s Vengeance. Since then he has expanded the Crogan line (during and after a stint as faculty at SCAD) with the latest putting Crogan in the French Foreign Legion in 1912 which is pretty salty for a graphic novel for age 9-12.

crogan

Besides his Crogan work, he is listed as the author or illustrator of another 40~ books in circulation including the very popular Creeps series.

Of interest is his Tumblr blog and Instagram account here he posts prolifically on everything from commission work to Star Wars universe stuff…

tumblr_nzqs9d1z441qfpi8no1_1280 tumblr_o1zi56knQD1qfpi8no5_540There, you will also find his Warrior Women Wednesday drawings, where he profiles a different female soldier, commander, pirate or chieftain each week. They are really well done and he puts a lot of research into them.

Onorata Rodiani Like most of these, she ended on a bummer, dying of TB in a cramped and unsanitary Alabama prison camp Lozen apache warrior FERNIG SISTERS maria bochkareva

Thank you for your work, sir.

chris schweitzer

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