Category Archives: hero

A day for remembrance

Today, I’m refraining from posting my typical drivel and instead will leave you with this image of veterans from the War Between the States. The practice we know today as Memorial Day (the remembrance part, not the obscene excuse for 25 percent off bedsheets part) started in 1868 as Decoration Day, ordered by the commander of the Grand Army of the Republic, the veterans’ organization for Union Civil War veterans, for the purpose of decorating the graves of the nation’s veterans both of that war and those that preceded it.

Over time, it has merged with Confederate Memorial Day (which started in 1866) to become the tradition we know today.

American Civil War veterans being shown modern rifles and machine guns on Veteran’s Day at the Minnesota State Fair circa, 1940’s. The veteran holding the rifle with the bayonet affixed was Henry Mack, an African American Civil War veteran who lived to be 108 years old before passing away in 1945 Hattip http://www.freedomhistory.com/henrymack.php

American Civil War veterans, all with GAR badges, being shown modern M1 rifles and Browning machine guns on Veteran’s Day at the Minnesota State Fair circa, 1940’s. The veteran holding the rifle with the bayonet affixed was Henry Mack, an African-American Civil War veteran who lived to be 108 years old before passing away in 1945. Click to big up. More on Mack’s fascinating story here.

4 Confederate Veterans of the American Civil War, the man on the left can be seen wearing the southern version of the Medal of Honor, the Southern Cross of Honor, ca. 1922. Source: Denmark-based creative Mads Madsen, aka Zuzah, http://zuzahin.tumblr.com/

4 Confederate Veterans of the American Civil War, the man on the left can be seen wearing the southern version of the Medal of Honor, the Southern Cross of Honor, ca. 1922. Source: Denmark-based creative Mads Madsen, aka Zuzah, http://zuzahin.tumblr.com/

Please use any extra time you normally spent reading this blog that you now have to spare and put it towards the reverent respect of all those who have served our great country and paid a price we can’t begin to repay.

Combat Gallery Sunday: The Martial Art of Tom Lea

Much as once a week I like to take time off to cover warships (Wednesdays), on Sunday, I like to cover military art and the painters, illustrators, sculptors, and the like that produced them. As always, remember to click to embiggen.

Combat Gallery Sunday: The Martial Art of Tom Lea

With this edition coming on Memorial Day weekend, I felt it best to highlight one of the most somber artists to ever cover a military subject. Further, this incredibly skilled painter did so not from photographs or through dry research, but from his own first-hand experience garnered at sea both frozen and aflame and on the bloody sand.

Thomas Calloway “Tom” Lea, III was born in El Paso, Texas on 11 July 1907. Growing up in that rough and tumble border town during the era of Poncho Villa, he had to have an armed escort to school over remarks his father, the mayor, made during that time. Leaving home in the 1920s, Lea studied at the Art Institute of Chicago and under noted muralists (remember this later).

In the 1930s, he got his first steady work as a WPA artist, painting murals in federal buildings across the state as well as in such far off places as Washington D.C., New Mexico, Illinois, and Missouri.

Mural on North Wall, West Texas Room, 1936. Oil on canvas, 7 X 13 feet. Hall of State, Dallas

Mural on North Wall, West Texas Room, 1936. Oil on canvas, 7 X 13 feet. Hall of State, Dallas

In 1941, LIFE Magazine asked him to sketch troopers of the El Paso-based 8th Cavalry Regiment (1CAV DIV), which he did and in turn evolved into other requests to supply images of aviators and cannoncockers at nearby bases.

Corporal Butler, 8th Cavalry and his mount, 1941, by Tom Lea. It shows the striker of Maj. Gen. Innis P. Swift's aide, who was a friend of Lea's family.   Swift, http://en.wikipedia.org/wiki/Innis_P._Swift later went on to command I Corps in the Pacific. A colorful character who rode with Pershing chasing Villa in 1916, Swift ordered the depicted horse soldier to ride from Fort Bliss direct to Lea's house so that he could be sketched.

Corporal Butler, 8th Cavalry and his mount, 1941, by Tom Lea. It shows the striker of Maj. Gen. Innis P. Swift‘s aide, who was a friend of Lea’s family. Swift later went on to command I Corps in the Pacific. A colorful character who rode with Pershing chasing Villa in 1916, Swift ordered the depicted horse soldier to ride from Fort Bliss direct to Lea’s house so that he could be sketched while standing dismounted in his studio. Image via the Lea Institute.

By the fall, he was afloat on a U.S. Navy destroyer bobbing along the Atlantic Ocean on the very active Neutrality Patrol in which the man from West Texas saw the world from the heaving decks of Uncle’s tincans.

A Time and a Place, Argentina Bay, Newfoundland, 1941. This ship, the tender USS Prairie with three destroyers moored with her, was his first view of the fleet. Published in LIFE in May 1942, he captioned it "Like a fierce mother with three children sits the big supply ship, blinking a message to the newcomers with her high starboard light ..." Oil on canvas, 25 x 40 Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia

A Time and a Place, Argentina Bay, Newfoundland, 1941. This ship, the tender USS Prairie (AD-15) with three destroyers moored with her, was his first view of the fleet. Published in LIFE in May 1942, he captioned it “Like a fierce mother with three children sits the big supply ship, blinking a message to the newcomers with her high starboard light …” Oil on canvas, 25 x 40 Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia

Tossing the cans, by Tom Lea, depicting the firing of a K gun depth charge thrower

Tossing the cans, by Tom Lea, depicting the firing of a Y gun depth charge thrower

Next, he shipped out on one of the “original 8” carriers of the U.S. Navy, USS Hornet (CV-8) for a 66-day run across the Pacific. There, in fierce service off Guadalcanal in late summer 1942, he spent more than two months on a front line carrier in the thick of the war and sketched as he found.

USS Hornet by Tom Lea

USS Hornet by Tom Lea

navy plane captian

He observed the sinking of the Wasp on Sept. 15, 1942

He observed the sinking of the Wasp on Sept. 15, 1942.

Carrier ace Silver Somers, by Tom Lea

Carrier ace Silver Somers, by Tom Lea

in blue gleam of a battle light tom lea an american dies in battle tom lea a bomb explodes below deck tom lea

On 21 October, he left the Hornet, pulling away on a fleet oiler that would land him back at Pearl Harbor. The cleared sketches would appear in LIFE in March and April 1943, sadly, after the carrier had been sunk. You see, the ship in which Lea had spent those hectic two months was sent to the bottom, sunk in the Battle of the Santa Cruz Islands, 26 October 1942– just five days after he left.

As told by Lex

Back at Pearl Harbor, Lea showed Admiral Nimitz some of his drawings. One of them was the one above. Underneath the drawing, he inscribed a quotation from Deuteronomy: “Moreover the Lord thy God shall send the hornet among them, until they that are left, and hide themselves from thee, be destroyed.”

Admiral Nimitz looked at the drawing for a long time, then turned his head to Lea, and said: “Something has happened to the Hornet.”

That was how Lea found out that the aircraft carrier he had been on, together with his friends, perished.

This he immortalized in a painting ran by LIFE of how he pictured the ship going out– fighting.

“An aircraft carrier is by her very nature a very peculiar warship, for she belongs not wholly to the sea nor sufficiently to the sky.” “Without heavy deck guns or stout armor, she is physically the most vulnerable of warships, carrying within her the seeds of her own destruction. Whenever she goes to sea she is loaded with bombs, shells and high-octane gasoline, all concealed behind her thin steel plates. ” “Such a ship was the Hornet. She feared bombs, but also know that probably only torpedoes would sink her.” “There is no way to describe how terrible a torpedo seems as it heads for a carrier. It leaves a strange wake, a rather thin, white, bubbly line like fluid ice, cold as the death is presages. Against the ship’s side, it explodes with an appalling concussion and a wild flash of pink flame. Within the ship, there is a terrible wrenching. Decks and bulkheads are twisted like tissue paper, and all things not secured by iron bolts are smashed.” “The Hornet died under a moonlit sky on a shining tropical sea. She had been hit by two waves of Jap planes, the first in the morning, the second in the afternoon… Then came the last order: ‘Abandon ship.’ The men went over the side on knotted lines, down to life rafts, to floating debris, or simply to the water.” “Behind them their ship died a smoking death.” “The great carrier was not alone. She had destroyers and cruisers with her, and they aided in the work of hauling the Hornet’s crew from the sea. In a few hours, it was all over. Those whose fate it was to live were alive, and those who had to die were dead.” “A tropical sunset colored the hulk of the carrier and the stars came out faintly. After dark she went down.” -LIFE Magazine, “HORNET’S LAST DAY: Tom Lea paints death of a great carrier”

“An aircraft carrier is by her very nature a very peculiar warship, for she belongs not wholly to the sea nor sufficiently to the sky.” “Without heavy deck guns or stout armor, she is physically the most vulnerable of warships, carrying within her the seeds of her own destruction. Whenever she goes to sea she is loaded with bombs, shells and high-octane gasoline, all concealed behind her thin steel plates. ”
“Such a ship was the Hornet. She feared bombs, but also know that probably only torpedoes would sink her.”
“There is no way to describe how terrible a torpedo seems as it heads for a carrier. It leaves a strange wake, a rather thin, white, bubbly line like fluid ice, cold as the death is presages. Against the ship’s side, it explodes with an appalling concussion and a wild flash of pink flame. Within the ship, there is a terrible wrenching. Decks and bulkheads are twisted like tissue paper, and all things not secured by iron bolts are smashed.”
“The Hornet died under a moonlit sky on a shining tropical sea. She had been hit by two waves of Jap planes, the first in the morning, the second in the afternoon… Then came the last order: ‘Abandon ship.’ The men went over the side on knotted lines, down to life rafts, to floating debris, or simply to the water.”
“Behind them their ship died a smoking death.”
“The great carrier was not alone. She had destroyers and cruisers with her, and they aided in the work of hauling the Hornet’s crew from the sea. In a few hours, it was all over. Those whose fate it was to live were alive, and those who had to die were dead.”
“A tropical sunset colored the hulk of the carrier and the stars came out faintly. After dark she went down.”
-LIFE Magazine, “HORNET’S LAST DAY: Tom Lea paints death of a great carrier”

 

Next, fate found him landing with the 7th Marines at the green hell that was Peleliu. The 11 paintings he produced from that front line horror are some of the most haunting military art of all time and should be viewed by any politician who claims there is no alternative to starting a war.

"GOING IN - FIRST WAVE" "For an hour we plowed toward the beach, the sun above us coming down through the overcast like a silver burning ball....Over the gunwale of the craft abreast of us I saw a Marine, his face painted for the jungle, his eyes set for the beach, his mouth set for murder, his big hands quiet now in the last moments before the tough tendons drew up to kill." Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

“GOING IN – FIRST WAVE” “For an hour we plowed toward the beach, the sun above us coming down through the overcast like a silver burning ball….Over the gunwale of the craft abreast of us I saw a Marine, his face painted for the jungle, his eyes set for the beach, his mouth set for murder, his big hands quiet now in the last moments before the tough tendons drew up to kill.” Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

"2000 YARD STARE" "Down from Bloody Ridge Too Late. He's Finished - Washed Up - Gone" "As we passed sick bay, still in the shell hole, it was crowded with wounded, and somehow hushed in the evening light. I noticed a tattered Marine standing quietly by a corpsman, staring stiffly at nothing. His mind had crumbled in battle, his jaw hung, and his eyes were like two black empty holes in his head. Down by the beach again, we walked silently as we passed the long line of dead Marines under the tarpaulins. He left the States 31 months ago. He was wounded in his first campaign. He has had tropical diseases. He half-sleeps at night and gouges Japs out of holes all day. Two-thirds of his company has been killed or wounded. He will return to attack this morning. How much can a human being endure?”  Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

“2000 YARD STARE” “Down from Bloody Ridge Too Late. He’s Finished – Washed Up – Gone”
“As we passed sick bay, still in the shell hole, it was crowded with wounded, and somehow hushed in the evening light. I noticed a tattered Marine standing quietly by a corpsman, staring stiffly at nothing. His mind had crumbled in battle, his jaw hung, and his eyes were like two black empty holes in his head. Down by the beach again, we walked silently as we passed the long line of dead Marines under the tarpaulins. He left the States 31 months ago. He was wounded in his first campaign. He has had tropical diseases. He half-sleeps at night and gouges Japs out of holes all day. Two-thirds of his company has been killed or wounded. He will return to attack this morning. How much can a human being endure?” Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

"THE BLOCKHOUSE" "There were dead Japs on the ground were they had been hit. We walked carefully up the side of this trail littered with Jap pushcarts, smashed ammunition boxes, rusty wire, old clothes, and tattered gear. Booby traps kept us from handling any of it. Looking up at the head of the trail, I could see the big Jap blockhouse that commanded the height. The thing was now a great, jagged lump of concrete, smoking." Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

“THE BLOCKHOUSE” “There were dead Japs on the ground were they had been hit. We walked carefully up the side of this trail littered with Jap pushcarts, smashed ammunition boxes, rusty wire, old clothes, and tattered gear. Booby traps kept us from handling any of it. Looking up at the head of the trail, I could see the big Jap blockhouse that commanded the height. The thing was now a great, jagged lump of concrete, smoking.” Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

The Peleliu Invasion by Tom Lea

The Peleliu Invasion by Tom Lea

"THIS IS SAD SACK CALLING CHARLIE BLUE" "We found the battalion commander [Lt Col Edward H. Hurst, CO, 3/7]. By him sat his radioman, trying to make contact with company commands. There was an infinitely tired and plaintive patience in the radioman's voice as he called code names, repeating time and time again, 'This is Sad Sack calling Charlie Blue. This is Sad Sack calling Charlie Blue.' “Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

“THIS IS SAD SACK CALLING CHARLIE BLUE” “We found the battalion commander [Lt Col Edward H. Hurst, CO, 3/7]. By him sat his radioman, trying to make contact with company commands. There was an infinitely tired and plaintive patience in the radioman’s voice as he called code names, repeating time and time again, ‘This is Sad Sack calling Charlie Blue. This is Sad Sack calling Charlie Blue.’ “Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

"SUNDOWN AT PELELIU" "Sick Bay in a Shellhole. The Padre Read, 'I am the resurrection and the Light' " "The padre stood by with two canteens and a Bible, helping. He was deeply moved by the patient suffering and death. He looked very lonely, very close to God, as he bent over the shattered men so far from home. Corpsmen put a poncho, a shirt, a rag, anything handy, over the grey faces of the dead and carried them to a line on the beach to await the digging of graves." Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

“SUNDOWN AT PELELIU” “Sick Bay in a Shellhole. The Padre Read, ‘I am the resurrection and the Light’ “The padre stood by with two canteens and a Bible, helping. He was deeply moved by the patient suffering and death. He looked very lonely, very close to God, as he bent over the shattered men so far from home. Corpsmen put a poncho, a shirt, a rag, anything handy, over the grey faces of the dead and carried them to a line on the beach to await the digging of graves.” Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

"COUNTER-ATTACK" “I do not know what time it was when the counterattack came. I heard, in pauses between bursts of fire, the high-pitched; screaming yells of the Japs as they charged, somewhere out ahead. The firing would grow to crescendo, drowning out the yells, then the sound would fall dying like the recession of a wave. Looking up, I saw the earth, the splintered trees, the men on their bellies all edged against the sky by the light of the star shells like moonlight from a moon dying of jaundice. The phone rang. A battalion CO reported the Jap's infiltration and the beginning of the counter attack. He asked what reserves were available and was told there were none. Small arms fire ahead of us became a continuous rattle. Abruptly three star shells burst in the sky. As soon as they died floating down, others flared to take their place. Then the howitzers just behind us opened up, hurling their charges over our heads, shaking the ground with their blasts." Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

“COUNTER-ATTACK” “I do not know what time it was when the counterattack came. I heard, in pauses between bursts of fire, the high-pitched; screaming yells of the Japs as they charged, somewhere out ahead. The firing would grow to crescendo, drowning out the yells, then the sound would fall dying like the recession of a wave. Looking up, I saw the earth, the splintered trees, the men on their bellies all edged against the sky by the light of the star shells like moonlight from a moon dying of jaundice. The phone rang. A battalion CO reported the Jap’s infiltration and the beginning of the counter attack. He asked what reserves were available and was told there were none. Small arms fire ahead of us became a continuous rattle. Abruptly three star shells burst in the sky. As soon as they died floating down, others flared to take their place. Then the howitzers just behind us opened up, hurling their charges over our heads, shaking the ground with their blasts.” Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

"THE PRICE" "Lying in terror looking longingly up the slope to better cover, I saw a wounded man near me, staggering in the direction of the LVTs. His face was half-bloody pulp and the mangled shreds of what was left of an arm hung down like a stick, as he bent over in the stumbling, shock-crazy walk. The half of his face that was still human had the most terrifying look of abject patiences I have ever seen. He fell behind me, in a red puddle on the white sand." Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

“THE PRICE” “Lying in terror looking longingly up the slope to better cover, I saw a wounded man near me, staggering in the direction of the LVTs. His face was half-bloody pulp and the mangled shreds of what was left of an arm hung down like a stick, as he bent over in the stumbling, shock-crazy walk. The half of his face that was still human had the most terrifying look of abject patiences I have ever seen. He fell behind me, in a red puddle on the white sand.” Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

"We saw a Jap running along an inner ring of the reef, from the stony eastern point of the peninsula below us. Our patrol cut down on him and shot very badly, for he did not fall until he had run 100 yards along the coral. Another Jap popped out running and the marines had sharpened their sites. The Jap ran less than 20 steps when a volley cut him in two and his disjointed body splattered into the surf." Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

“We saw a Jap running along an inner ring of the reef, from the stony eastern point of the peninsula below us. Our patrol cut down on him and shot very badly, for he did not fall until he had run 100 yards along the coral. Another Jap popped out running and the marines had sharpened their sites. The Jap ran less than 20 steps when a volley cut him in two and his disjointed body splattered into the surf.” Life Collection of Art WWII, U.S. Army Center of Military History, Fort Belvoir, Virginia.

Base sketch for the above, from the UTSA Libraries Special Collections.

Base sketch for the above, from the UTSA Libraries Special Collections.

From the El Paso Times:

After taking his paintings to Life headquarters in New York, Tom heard what happened: The paintings were lined up so the managing editor Daniel Longwell could review them. Longwell entered, looked, and said: “Print every damn one of them in color, and I never want to see them again.”

It was also his last wartime assignment.

After the war he remained active and produced art for books and novels, while trying his hand as an author and historian.

Marrakech Tom Lea 1947

Marrakech Tom Lea 1947

Muster at Bore 60  1973 tom lea

Muster at Bore 60 1973 tom lea

And There He Was by Tom Lea

And There He Was by Tom Lea

Tom Lea following his last wartime tour as a LIFE artist correspondent - landing on the island of Peleliu with the 1st battalion 7th Marines. On the easel is The Price, 1944.

Tom Lea following his last wartime tour as a LIFE artist correspondent – landing on the island of Peleliu with the 1st battalion 7th Marines. On the easel is The Price, 1944.

Much as he was born in El Paso and lived most of his life there, he also passed away there in 2001 at age 93. He is buried in the city next to his wife, whose portrait reportedly took him the longest of all paintings to complete.

tom-lea

Today, his trail of murals are celebrated across the Lone Star State while the Tom Lea Institute is located in El Paso  which produces the annual Tom Lea Month celebration in the city.

His work is on public display a numerous U.S. Army museums and bases, the Smithsonian, the White House, as well as galleries and museums across the Southwest.

Thank you for your work, sir.

Warship Wednesday May 20, 2015: The destroyer with the heart of a battleship

Here at LSOZI, we are going to take off every Wednesday for a look at the old steam/diesel navies of the 1859-1946 time period and will profile a different ship each week. These ships have a life, a tale all of their own, which sometimes takes them to the strangest places. – Christopher Eger

Warship Wednesday May 20, 2015 The destroyer with the heart of a battleship

The Destroyer That Took on a Battleship by Peter DeForest. Click to bigup.

The Destroyer That Took on a Battleship by Peter DeForest. Click to bigup.

Here we see the U.S. Navy Benson-class destroyer USS Laffey (DD-459) going mano-a-mano with IJN Hiei, a Kongo-class battleship that has a slight weight advantage over her.

With war on the horizon in the mid-1930s as tensions with Nazi Germany and Imperial Japan were on the rise, the U.S. Navy realized that the old WWI-era four-stack destroyers, while still serviceable, just weren’t modern enough for what was likely to come in the far-flung South Pacific and windswept North Atlantic. This resulted in a series of no less than 10 classes of modern fast destroyers designed and built from 1932-43, which would form the backbone of the fleet in the first half of WWII, amounting to an impressive 169 surface combatants.

Each successive class, like today’s multi-flight Burke-class Aegis destroyers, were really just improvements on the prior, with better engines, sensors, and armament suites experimented with, which resulted in increasingly larger but better tin cans.

These ships included:

  • 8 1350-ton, 341-foot Farragut-class
  • 8 180-ton, 381-foot Porter-class
  • 18 1725-ton, 341-foot Mahan-class
  • 4 2219-ton, 341-foot Gridley-class
  • 8 2325-ton, 341-foot Bagley-class
  • 5 2130-ton, 381-foot Somers-class
  • 10 2350-ton, 340 foot Benham-class
  • 12 2465-ton, 348-foot Sims-class,

And– the last fully prewar design– the 30 vessel 2515-ton 348 foot oal Benson-class (followed by the 66 near-sisters of the only slightly different but mechanically identical Gleaves-class).

Class leader USS Benson DD-421. Note the five 5-innch mounts

Class leader USS Benson DD-421. Note the five 5-innch mounts and masterfully mounted fire control system above the bridge

The Benson/Gleaves class destroyers, capable of an impressive 37.5-knots on their quadruple superheated boilers driving twin turbines, were the top of the line in Allied destroyer design when the U.S. entered the war. Ten 21-inch torpedo tubes, in twin 5-tube deck mountings, were capable of sinking a capital ship if they got close enough. A pair of depth charge racks over the stern could drop it like its hot on enemy subs. But it was their guns that told the story.

Mark 30 single mounts on Gleaves-class USS Arron Ward DD-483 in May 1942 Note 5" (12.7 cm) propellant canisters on the left and Mark 37 FCS with "FD" Radar U.S. Naval Historical Center Photograph # 19-N-30722

Mark 30 single mounts on Gleaves-class USS Arron Ward DD-483 in May 1942 Note 5″ (12.7 cm) propellant canisters on the left and Mark 37 FCS with “FD” Radar U.S. Naval Historical Center Photograph # 19-N-30722

Their five (later reduced to four) Mark 12 5″/38 caliber deck guns, in enclosed Mk 30 mounts were the finest Dual Purpose gun of World War II. Coupled with the Mk 37 FCS, they could hit a high-flying enemy aircraft at altitudes of up to 37,000 feet while their 53-pound shell was effective on surface targets and in naval gunfire support to some 17,000 yards and capable of penetrating up to 5-inches of armor plate at close range (more on this later). Further, they could be fired fast– at up to 22-rounds per minute per tube, which means that a Benson-class destroyer carrying the standard 320 rounds per mount could empty her magazines in just over 15 minutes of maximum sustained fire.

The hero of our story USS Laffey, was named after one Irish-born (County Galway) Bartlett Laffey who, as a 23-year-old seaman attached to the sternwheel gunboat USS Marmoa in 1864 along the Yazoo River, went ashore with a 12-pound howitzer to support a group of trapped force of the 11th Illinois Infantry, and 8th Louisiana Colored Infantry (yes, that’s the real regimental name). At great personal risk, Laffey remained at his gun and helped save the day, earning the MOH for his service. DD-459 would be the first ship named for this naval hero, but not the last.

The man...

The man…

USS Laffey was laid down at Bethlehem Shipbuilding Corporation, San Francisco 31 Jan 1941 and her hull never touched any water other than the Pacific. Commissioned 31 March 1942, just fifteen weeks after Pearl Harbor, she rushed through her shakedown and soon was off to war.

USS Laffey (DD-459) steams alongside another U.S. Navy ship, while at sea in the south Pacific on 4 September 1942. Official U.S. Navy Photograph, from the collections of the Naval Historical Center. One of the few images of Laffey, as she was too busy killing Japanese admirals to have her picture taken.

USS Laffey (DD-459) steams alongside another U.S. Navy ship, while at sea in the south Pacific on 4 September 1942. Official U.S. Navy Photograph, from the collections of the Naval Historical Center. One of the few images of Laffey, as she was too busy killing Japanese admirals to have her picture taken.

Just days after the image above was taken, she was rescuing the stricken crew from the USS Wasp (CV-8), her first brutal introduction to the war.

Less than a month later, at the Battle of Cape Esperance, she came face to face with the heavy cruiser IJN Aoba (9,000 tons), flagship of Japanese Cruiser Division 6 (CruDiv6) and part of the high speed nocturnal “Tokyo Express” reinforcing Guadalcanal. In that harrying night action Laffey got close enough to rake that much-larger ship successfully with her 5-inch guns, hammering her numerous times, and killing Admiral Aritomo Gotō. While Aoba did not sink, she suffered enough battle damage that she was sent back to Japan for five months of repairs.

The heavily damaged Japanese cruiser Aoba off Buin, Bougainville on October 13, 1942 after the Battle of Cape Esperance. Photographed from the Japanese cruiser Chokai.

The heavily damaged Japanese cruiser Aoba off Buin, Bougainville on October 13, 1942 after the Battle of Cape Esperance. Photographed from the Japanese cruiser Chokai.

On Nov. 11 Laffey helped cover the U.S. Army’s 182nd Infantry regiment’s landings on Guadalcanal and her guns helped splash a force of 32 Japanese planes sent to plaster the soldiers on the beach.

No rest for the weary, Laffey, just seven-months old, next found herself as part of Rear Adm. Daniel “Uncle Dan” Judson Callaghan’s Task Group 67.4 for what became known as the Naval Battle of Guadalcanal on Friday the 13th November 1942.

This force of five cruisers and eight destroyers moved to stop Vice Admiral Hiroaki Abe’s much stronger force of 2 battleships, 1 cruiser, and 11 destroyers from running in between Savo Island and Guadalcanal in “the Slot” through what is (now) known as Iron Bottom Sound. Abe was a skilled surface warfare expert, having spent 26 years afloat in cruisers and battleships, and he had size on his side. Further, the IJN was adept at night fighting, having severely licked the Navy in several sharp surface warfare engagements in the area during the graveyard shift.

With no moon and a dark sky, the U.S. fleet used radar to close to within point-blank range until the Japanese fired off starshells and lit up their spotlights and the 1 a.m. battle was on– with the two fleets intermingling their battle line like a barroom brawl.

Laffey and her fellow destroyers and cruisers hammered the Fubuki-class destroyer Akatsuki (who soon sank with a loss of 197 crew) and then found themselves face to face with the 37,000-ton Kongō-class battleship Hiei (Abe’s flagship) while fellow tin cans Sterett (DD-407) and O’Bannon (DD-450) joined the fray.

While it would seem an uneven match, the Laffey got so close to the battlewagon (10 feet according to some reports) that the Japanese behemoth could not depress her guns low enough to get a hit on the plucky destroyer less than a 10th her size. However, this did not stop Laffey from pounding the Jap leviathan with 5-inch shells while her .50 caliber gunners, in close enough to make a difference, peppered everything that moved.

Laffey‘s crew paid close attention to the bridge of the flagship and almost claimed another admiral– severely wounding Abe and killing his chief of staff, Captain Suzuki Masakane.

Friday Nov. 13th, 1942, "Hiei vs. Honey Badgers" Click to big up

Friday Nov. 13th, 1942, “Hiei vs. Honey Badgers” Click to big up

However, the destroyer soon found herself surrounded by Hiei, the battleship Kirishima, and two Japanese destroyers. With over 80,000 tons of the Emperor’s warships pounding away with ordnance that included 14-inch shells and Long Lance torpedoes, it was over fast. Her magazines exploded as she was being abandoned and she suffered 59 officers and men killed and 116 wounded, over half her crew.

As reported in the video and book “The Lost Fleet of Guadalcanal,” Laffey is today upright at a depth of nearly a half-mile off Guadalcanal and largely intact from the bow to amidships, but her after third has disappeared. Both forward 5-inch guns are trained out to port, and her amidships superstructure is holed by a 14-inch projectile from a Japanese battleship.

In a battle that lasted just 40-minutes, both sides had taken a brutal beating and although the U.S. fleet was ravaged, only two American ships were still capable of fighting, and Adm. Callaghan had been killed on the bridge of his flagship, Abe broke contact and fled. Besides Laffey, her Benson/Gleaves sisters USS Barton (DD-599) and USS Monssen (DD-436) also rested on Iron Bottom Sound when dawn came while badly damaged sister USS Aaron Ward (DD-483), who had stood toe to toe with Kirishima, was limping but still firing at the Japanese as they withdrew.

As for the damaged Hiei, she sank while under tow on the evening on 14 November after taking her final hits from Army B-17s and Navy Avengers. Partly due to an attempt to help screen Hiei, Kirishima was caught the next day by the modern fast battleships USS South Dakota (BB-57) and USS Washington (BB-56) who beat the ever-loving shit out of her until by 15 November she was parked on Iron Bottom Sound as well.

Japanese battleship Kirishima takes hit after hit from Washington (BB-56). Click to big up

Japanese battleship Kirishima takes hit after hit from Washington (BB-56). Click to big up

The events of 13-15 November sealed the turning point in the waters off Guadalcanal and ended the Tokoyo Express. Further, it bought time for the new Essex-class carriers and legions of follow-on surface warfare ships to join the fleet as the Japanese licked their wounds and regrouped.

Admiral Abe, returning to Japan injured from Laffey‘s shells and whipped in a humiliating defeat by what Yamamoto considered a smaller force, was cashiered and died a broken man after the War– so we can count that as a combat effective kill for the destroyer as well.

Laffey in the end earned the Presidential Unit Citation

“For outstanding performance during action against enemy Japanese forces in the Southwest Pacific area, 15 September to 13 November 1942. Braving hostile file to rescue survivors in submarine-infested waters, the LAFFEY, after fighting effectively in the Battle of Cape Esperance, successfully repelled an aerial torpedo attack, and although badly crippled and set afire, inflicted severe damage on Japanese naval units off Savo Island. Eventually succumbing to her wounds after the enemy had fled in defeat, she left behind her an illustrious example of heroic fighting spirit.” For the President, James Forrestal, Secretary of the Navy.

She was soon to have her name recycled by an Allen M. Sumner-class destroyer, DD-724, who went on to make something of a name for herself as well in Naval history and is preserved at Patriots Point, Mount Pleasant, South Carolina.

USS Laffey, DD-724 as a museum ship today

USS Laffey, DD-724 as a museum ship today

The Benson and Gleaves classes gave extensively in WWII, with 16 lost during the war– five in the Guadalcanal campaign alone. After the war, they were mothballed with some reactivated for Korea. In the 50s a number were given to overseas allies to serve for another decade or so, but by the late 1970s, all of these hardy veterans were razorblades.

U.S.Navy Benson class Destroyers U.S.S Laffey  and U.S.S Woodworth. Dragon model box art.

U.S.Navy Benson class Destroyers U.S.S Laffey and U.S.S Woodworth. Dragon model box art. Click to big up

Still, Laffey has been remembered in maritime art and in at least two scale models from Dragon as well as through a veteran’s association that honors both ships of the same name as well as the Irish-American bluejacket who earned his MOH by blood and deed.
Specs:

(Note, this is a late WWII Benson class with 4, 5-inch guns, Lafffey was completed with 5) click to big up

(Note, this is a late WWII Benson class with 4, 5-inch guns, click to big up

Displacement: 1620 tons (2515 tons full load)
Length: 341 ft. (103.9 m) waterline, 348 ft. 2 in (106.12 m) overall
Beam: 36 ft. 1 in (11.00 m)
Draft: 11 ft. 9 in (3.58 m) (normal),17 ft. 9 in (5.41 m) (full load)
Propulsion: Four Babcock & Wilcox boilers, General Electric SR geared turbines; two shafts;
50000 shp (37 MW)
Speed: 37.5 knots (69.5 km/h)
33 knots (61.1 km/h) full load
Range: 6,000 nautical miles (11,000 km) at 15 kt, (11,000 km at 28 km/h)
Complement: 208 (276 war)
Armament:

4× 5 in (127 mm) DP guns, Mk 30 single mounts
6 × 0.50 in. (12.7 mm) guns, single mounts
10 × 21 in (53 cm) torpedo tubes,
2 × depth charge tracks
If you liked this column, please consider joining the International Naval Research Organization (INRO), Publishers of Warship International

They are possibly one of the best sources of naval study, images, and fellowship you can find http://www.warship.org/

The International Naval Research Organization is a non-profit corporation dedicated to the encouragement of the study of naval vessels and their histories, principally in the era of iron and steel warships (about 1860 to date). Its purpose is to provide information and a means of contact for those interested in warships.

Nearing their 50th Anniversary, Warship International, the written tome of the INRO has published hundreds of articles, most of which are unique in their sweep and subject.

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The secret submarine blockade-runners of the PI

When World War II came to the Philippines on Dec. 8, 1941, the U.S./Philippine forces under Gen. MacArthur (land and air) and the Navy’s Asiatic Fleet under ADM Thomas C. Hart seemed mighty enough for regional defense. Hart’s fleet, however, was a paper tiger, consisting of a couple dozen seaplanes, two cruisers, 13 destroyers, and a number of gunboats and auxiliaries.

What Hart did have was 29 submarines–, which would have been deadly effective had their torpedoes actually run straight at the correct depths and detonated on impact.

As McArthur’s land and air forces were overwhelmed and pushed back, Hart was directed to fall back with the fleet to the comparatively safer waters of Australia and the Dutch East Indies. With the Japanese largely controlling the sea lanes around Luzon and the skies above it, it was suicide to maintain surface ships in those waters.

Yet, with MacArthur’s troops cut off, Hart endeavored to attempt a force of blockade-runners to bring in vital food, ammunition, and medicine to the PI. While huge cash bounties offered to civilian sailors brought a few desperate souls to attempt the voyage in small freighters and coasters, these attempts inevitably either ended with mutinous mariners turning around short of the islands or with burnt-out hulks adrift and riddled with Japanese shrapnel.

But what about those 29 submarines?

Well, a lot of these were small, cramped old boats including a half-dozen aging S-boats, slow 800-ton submersibles that dated to the First World War and were arguably obsolete even then. However, there were also a number of large and comparatively modern fleet boats of the Sargo, Salmon, and Porpoise classes. These went some 2,000 tons and could range up to 10,000 nautical miles on their economical diesels.

USS_Seawolf; http://www.navsource.org/archives/08/08197.htm Port side view of the Seawolf (SS-197) underway off the Mare Island Navy Yard, California, 7 March 1943. Official U.S. Navy Photograph, from the collections of the Naval Historical Center. US Navy photo # NH 99549.

USS_Seawolf;  Portside view of the Seawolf (SS-197) underway off the Mare Island Navy Yard, California, 7 March 1943. Official U.S. Navy Photograph, from the collections of the Naval Historical Center. US Navy photo # NH 99549.

It was with this in mind that the Asiatic Fleet’s subs started to run the Japanese gauntlet from Australia and Java into the Philippine archipelago. Over a 45-day period, at least nine made it all the way to Manila and the last U.S. stronghold in Luzon at the “Rock” of Corregidor.

Carrying antimalarial drugs, small arms and anti-aircraft ammunition, diesel for the island fortresses generators, and tons of all-important food, they unloaded these under cover of night and then evacuated the Philippines national treasury, 185 key personnel, codes, and vital records that could not fall into Japanese hands. On both the entry and exit they had to evade destroyer and aerial patrols, weave through minefields and navigate using primitive tools and often inaccurate charts, typically just surfacing at night.

Here is a brief rundown of those missions:

USS Seawolf (SS-197) a Sargo-class submarine, left Australia with 40 tons of ammo that consisted of 700 boxes of 50-caliber machine-gun bullets and 72 3-inch anti-aircraft shells. Arriving at Corregidor on January 17, she left with a cargo of submarine spare parts along with 25 Navy and Army evacuees.

USS Trout (SS-202) a Tambor-class submarine barely in service a year before the war started, left Pearl for Manila with 3500 rounds of 3″ AAA ammunition for the Army gunners and unloaded them in Manila in early February. She then took on 20 tons of gold bars and silver pesos (all the paper money in the islands had already been burned), securities, mail, and United States Department of State dispatches, which she brought back to Pearl.

USS Trout (SS-202) unloads gold to USS Detroit (CL-8), March 1942 Photo #: 80-G-45971 USS Trout (SS-202) At Pearl Harbor in early March 1942, unloading gold bars which she had evacuated from Corregidor. Official U.S. Navy Photograph, now in the collections of the National Archives.

USS Trout (SS-202) unloads gold to USS Detroit (CL-8), March 1942 Photo #: 80-G-45971 USS Trout (SS-202) At Pearl Harbor in early March 1942, unloading gold bars which she had evacuated from Corregidor. Official U.S. Navy Photograph, now in the collections of the National Archives.

USS Sargo (SS-188), head of her class, offloaded her torpedoes (keeping only the war shots in her tubes) and took on 1 million rounds of .30 caliber ammunition which she landed in Polloc Harbor on Valentine’s Day 1942. On her return trip, she evacuated 24 B-17 specialists from Clark Field.

Swordfish (SS-193), entering Pearl Harbor prior to WW II. USN photo by Tai Sing Loo, courtesy of Scott Koen & ussnewyork.com.

Swordfish (SS-193), entering Pearl Harbor prior to WW II. USN photo by Tai Sing Loo, courtesy of Scott Koen & ussnewyork.com.

USS Swordfish (SS-193), this Sargo-class sub took the Submarine Asiatic Command Staff at Manila and headed for Soerabaja, Java, at the end of December, the last submarine to evacuate the Philippines with the fleet. She then returned to the islands with supplies and evacuated the President of the Philippines, his family, and select high-ranking officers as well as some Navy codebreakers in late February. She was on her way back with 40 tons of food crammed into every space when Manila fell and was ordered to abort.

USS Permit (SS-178), a Porpoise-class submarine, in December, embarked members of Hart’s staff at Mariveles Harbor and brought them to Java. On a blockade run return trip, she surfaced off Corregidor on the night of 15–16 March, took on board 40 officers and enlisted men (including 36 precious code breakers from the vital cryptanalysts and traffic analysts intelligence station, CAST), and landed her cargo of ammunition. She endured a 22-hour depth-charge attack from three Japanese destroyers on her way back.

USS Seadragon (SS-194), a Sargo, on the night of 4/5 Feb in Manila Bay offloaded her cargo of vital radio gear and spare parts, as well as a portion of 34 tons of rations and almost 12,000 gallons of petroleum, then settled on the harbor floor during the day, then surfaced the next night and took aboard 25 high-value passengers including 17 CAST members, as well as 3,000 pounds of crypto gear to include a vital “Purple” machine capable of deciphering the Japanese diplomatic code and made her getaway.

USS Sailfish (formerly the lost submarine USS Squalus) (SS-192), another Sargo-class boat, landed 1,856 rounds of 3-inch anti-aircraft ammunition while taking a moment out to pump four torpedoes into the 6,440-ton Japanese aircraft ferry Kamogawa Maru, who she mistook for the carrier Kaga.

USS Snapper (SS-185), a Salmon-class boat, brought 46 tons of food and 29,000 gallons of diesel oil into Corregidor on April 4, evacuated 27 personnel, and weaved her way back through the blockade, the last successful cargo landed on the besieged fort.

USS Spearfish (SS-190) another Sargo-class boat, unable to reach Corregidor proper to offload anything, surfaced in Mariveles Bay on May 3, just two days before the Rock fell. She took on the last Americans evacuated from that doomed fortress: 25 personnel, including 12 Army nurses. She was the last U.S. ship out of the Bay.

As an honorable mention, USS Searaven (SS-196), a Sargo-class boat, left Fremantle in Australia on 2 April with 1,500 rounds of 3-inch antiaircraft ammunition but was also diverted and failed to deliver any of the shells to Corregidor.

For more detail on this chapter in U.S. military history, try the U.S. Naval Historical Center and the U.S. Army Center for Military History.

Happy 109th Mr. Overton

Today is the birthday of the country’s oldest living WWII vet, Richard Arvine Overton (born May 11, 1906). A veteran of the 188th Aviation Engineer Battalion, U.S. Army, he volunteered for duty and served in the Pacific Theathre of Operations from Pearl Harbor to Iwo Jima and Okinawa.

My friend Ben Phillipi over at Guns.com caught up with Richard in Austin and asked him about his firearms, and what he wanted for his birthday.

Thank you for your service, sir.

The Greatest Generation

ve day

William R. Wilson (right) and brother Cpl. Jack Wilson (left) standing by a German 88 mm gun at Verdun, France on VE Day] via LOC

Update: above caption was from the LOC, as sharp-eyed Roger noted, its actually a “captured French Model 1930 AA gun on a 1917 wheeled mounting. The 3 rings on the barrel denote Allied aircraft shot down by this effective weapon.”

Vintage machine gun saved from the torch and put on display

LaSalle County Sheriff Tom Templeton and Jane Sullivan-DePaoli pose with the Japanese Type 99 light machine gun recovered by her father from a pillbox on Iwo Jima. (Photo: Livingston County War Museum)

LaSalle County Sheriff Tom Templeton and Jane Sullivan-DePaoli pose with the Japanese Type 99 light machine gun recovered by her father from a pillbox on Iwo Jima. (Photo: Livingston County War Museum)

An Illinois military museum has managed to save a historic machine gun, captured by an area Marine during World War II– but only after a local sheriff rescued it from the ATF first.

The Livingston County War Museum in Pontiac last week placed their newly-acquired Type 99 light machine gun on public display, surrounded by photos and memorabilia that once belonged to the man who brought it home from Iwo Jima.

That Marine, John Sullivan, helped silence the weapon in 1945– attested by the damage visible on the bipod and carrying handle of the 23-pound 7.7mm machine gun. And its a pretty interesting tale of how the gun got from the sands of Iwo to the museum.

Read the rest in my column at Guns.com

Happy Freedom Day

Image credit: NASA/MSFC. REF: LOD 61C-884 (MIX FILE). Click to big up.

Image credit: NASA/MSFC. REF: LOD 61C-884 (MIX FILE). Click to big up.

54 years ago today: May 5, 1961 – CDR (later RADM) Alan Bartlett “Al” Shepard, Jr. became the second person and the first American in space on this date, lifting off from Cape Canaveral during the Freedom 7 mission aboard a Mercury Redstone rocket.

Shortly before the launch, Shepard said to himself: “Don’t fuck up, Shepard…”

The rocket was based on the earlier Redstone rocket developed by German rocket expert Wernher von Braun’s team before they transferred from the Army to NASA in 1960. Work continued on the rocket and the first two Mercury-Redstones were assembled onsite at the Marshall Center with many of the components fabricated at Marshall. The Chrysler Corporation assembled an additional six vehicles.

The suborbital flight lasted only 15 minutes and traveled a downrange distance of 263.1 nautical miles (303 statute). Shepard splashed down safely into the Atlantic near the Bahamas and was airlifted to an awaiting aircraft carrier, USS Lake Champlain (CV-39), where a a Sikorsky HUS-1 Seahorse (after 1962 UH-34E) of Marine squadron HMM-262 recovered the Naval aviator and astronaut–arriving overhead within two minutes after splashdown.

Image credit: US Navy. Click to big up

Image credit: US Navy. Click to big up

Sadly, “The Champ” was sold for scrapping April 1972, and RADM Shepard passed on July 21, 1998– thankfully before he saw the end of manned U.S. spaceflight.

However HMM-262, now re designated VMM-262 due to their use of MV-22 tilt-rotor Ospreys, is hard at work, deploying to Nepal, where they will be plucking up earthquake survivors and delivering supplies to isolated areas.

Bravo Zulu both then and now.

Combat Gallery Sunday : The (Secret) Martial art of Edward L. Cooper

Much as once a week I like to take time off to cover warships (Wednesdays), on Sunday, I like to cover military art and the painters, illustrators, sculptors, and the like that produced them.

Combat Gallery Sunday : The (Secret) Martial art of Edward L. Cooper

During the darkest days of the Cold War, from about the Cuban Missile Crisis until the Berlin Wall came down, the Defense Intelligence Agency was the go-to analytical group of the U.S. Intelligence Community that specialized in the nuts and bolts of a coming war. They came up with the specs and databases on foreign weapons and deployments. For instance, how many Backfire bombers the Soviet 22nd Air Regiment had and what was the range of the cruise missiles they likely carried.

The thing was, most available imagery of these systems was rather like pictures of bigfoot and UFOs as they were either captured by operatives with very small pocket cameras or at great distances from the deck of a moving ship or submarine. To really capture the imagination of the admirals, generals and privy lawmakers/cabinet members who needed to know, the DIA commissioned extremely well vetted in-house artists to take what was known about these weapons and turn them into a depiction of what (they believed at the time) looked like.

In these thirty years, highly skilled but shadowy artists such as Ronald C. Wittmann, Richard J. Terry and Brian W. McMullin, produced amazing art of things most westerners had very little if any idea of. Over 1,000 paintings all told. These would be used in both classified and unclassified (annual editions of Soviet Military Power and later the Military and Security Developments Involving the People’s Republic of China) produced by the Pentagon and distributed to those in Congress and elsewhere.

39835111

One of the more prolific and multi-talented of these was Edward L. Cooper.

Soviet Mobile Laser in Afghanistan by Edward L Cooper

Soviet Mobile Laser in Afghanistan by Edward L Cooper. Click to big up

Soviet Kiev class aircraft carrier in a floating drydowck

Soviet Kiev class aircraft carrier in a floating drydock. Cick to big up

SOVIET BLACKJACK LOADING AS-16 MISSILES - Edward L. Cooper, 1987.

SOVIET BLACKJACK LOADING AS-16 MISSILES – Edward L. Cooper, 1987. Click to big up

Soviet Mike class attack submarine. Courtesy of Soviet Military Power, 1984. Photo 64, page 61.

Soviet Mike class attack submarine. Courtesy of Soviet Military Power, 1984. Photo 64, page 61. big up

SOVIET 203-MM 2S7 SELF-PROPELLED GUN - Edward L. Cooper, 1987

SOVIET 203-MM 2S7 SELF-PROPELLED GUN – Edward L. Cooper, 1987 big up

SOVIET MI-24 HIND DELIVERING CHEMICAL SPRAY - Edward L. Cooper, 1986

SOVIET MI-24 HIND DELIVERING CHEMICAL SPRAY – Edward L. Cooper, 1986 big up

TYPHOON Replenishing in the Arctic cooper

TYPHOON Replenishing in the Arctic cooper. big up

SOVIET 280-MM MULTIPLE ROCKET LAUNCHER - Edward L. Cooper, 1988

SOVIET 280-MM MULTIPLE ROCKET LAUNCHER – Edward L. Cooper, 1988. big up

SOVIET GROUND-BASED LASER - Edward L. Cooper, 1986

SOVIET GROUND-BASED LASER – Edward L. Cooper, 1986. big up

DELTA Class SSBN Firing ballistic missile from the safety of the Arctic bastion, Edward L Cooper DIA 1985

DELTA Class SSBN Firing ballistic missile from the safety of the Arctic bastion, Edward L Cooper DIA 1985 big up

SOVIET BM-27 MULTIPLE ROCKET LAUNCHER - Edward L. Cooper, 1986

SOVIET BM-27 MULTIPLE ROCKET LAUNCHER – Edward L. Cooper, 1986. big up

Tu-22M_Backfire_loads_AS-16_Kickback

Tu-22M_Backfire_loads_AS-16_Kickback

YANKEE Class SSGN firing SS-NX-24 Cruise Missiles while submerged, Edward L Cooper DIA 1986

YANKEE Class SSGN firing SS-NX-24 Cruise Missiles while submerged, Edward L Cooper DIA 1986. Big up

ZSU anti-aircraft guns Edward L. Cooper, 1987

ZSU anti-aircraft guns Edward L. Cooper, 1987. Big up

SOVIET RAIL-MOBILE SS-24 MOD 1 INTERCONTINENTAL BALLISTIC MISSILE - Edward L. Cooper, 1988

SOVIET RAIL-MOBILE SS-24 MOD 1 INTERCONTINENTAL BALLISTIC MISSILE – Edward L. Cooper, 1988. big up

DELTA-III Class SSBN firing SS-N-18 missiles while submerged, Edward L Cooper DIA 1987

DELTA-III Class SSBN firing SS-N-18 missiles while submerged, Edward L Cooper DIA 1987

In 1996 the agency released a bunch of the artwork publicly and even sold a number as prints, but since then has taken down the galleries. But hey, the art is still out there in a number of places including Global Security, Wiki  the Federation of American Scientists and elsewhere.

According to FAS, “Edward Cooper is the only one of the original visual information specialists still employed at the Agency. He’s still working at the graphics office. He switched his drawing table with a computer. Cooper and some of his colleagues still keep on working in their free time even after retirement.”

Thank you for your work, sir.

Quinn’s M-1 is back home

When I was a kid I sat in the balcony of the old Ritz theater in downtown Pascagoula and tried to contain my abject horror as I watched a movie about a giant shark eating a tiny boat and everyone on it off of Amity, New York.

The reign of terror was ended by a few well-placed 30.06 caliber rounds from a surplus M-1 Garand formerly owned by a scary former bluejacket from the USS Indianapolis.

jaws rifle
Well, that rifle, serial number 1,808,895 was made at Springfield Armory in 1943– just in time for WWII and later Korean era service. The gun, owned by Mike Papac and Cinema Weaponry, is now on loan to the SPAR where it is on display of famous firearms used in film.

The movie in question?

You know the one…

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