Category Archives: hero

Combat Gallery Sunday: The Martial Art of Joseph Hirsch

Much as once a week I like to take time off to cover warships (Wednesdays), on Sunday, I like to cover military art and the painters, illustrators, sculptors and the like that produce them.

Combat Gallery Sunday: The Martial Art of Joseph Hirsch

Philadelphia-born Joseph Hirsch began serious art study in 1927 while just a teenager at the Philadelphia Museum. Traveling extensively in the late 1920s and 30s, he emerged as a serious painter in the Social Realism School, studying both in France and under both Henry Hensche in Provincetown and George Luks. When the Depression hit everyone, Hirsch, then a young man in his SC, signed up with the Public Works of Art Project and then the WPA during the New Deal and worked both easel painting and murals. During this period he traveled the country making murals at union halls on both coasts, as well as the Amalgamated Clothing Workers Building and several Philadelphia public buildings including the Municipal Court, which today remains as the home of the Family Court:

Joseph Hirsch mural, Philly City Courtroom C, Family Court Photo: Plan Philly.com

Joseph Hirsch mural, Philly City Courtroom C, Family Court Photo: Plan Philly.com

He was well received. In 1934, when Joseph Hirsch was only 23, he won the coveted Walter Lippincott Award then went on to grab the First Prize at the New York World’s Fair (1939), and two back to back Guggenheim Foundation Fellowships. Interestingly across his 50-year career, he worked in inks, pencils, watercolors, oils, etchings and other forms, mastering all he touched.

"Man With Sprite" by Joseph Hirsch

“Man With Sprite” by Joseph Hirsch

"Lunch Hour" 1942. Joseph Hirsch, 1910-1981. Lithograph. Printed by George Miller. Distributed by Associated American Artists. LC-USZC4-6718 © Mrs. Genevieve Hirsch. (25) Joseph Hirsch's father, a noted Philadelphia surgeon, posed for the sleeping figure in Lunch Hour, which the artist then transformed into a sensitive portrait of an African American youth. In 1944, the Library of Congress awarded this print the Second Purchase Prize, formerly known as the Pennell Prize.

“Lunch Hour” 1942. Joseph Hirsch, 1910-1981. Lithograph. Printed by George Miller. Distributed by Associated American Artists. LC-USZC4-6718 © Mrs. Genevieve Hirsch. (25) Joseph Hirsch’s father, a noted Philadelphia surgeon, posed for the sleeping figure in Lunch Hour, which the artist then transformed into a sensitive portrait of an African American youth. In 1944, the Library of Congress awarded this print the Second Purchase Prize, formerly known as the Pennell Prize.

"Till We Meet Again." Early war bonds poster done by Hirsch before his war correspondent hitch.

“Till We Meet Again.” Early war bonds poster done by Hirsch before his war correspondent hitch.

When WWII came, he signed up to be a pictorial war correspondent for the U.S. Navy. He worked with noted military artist and LSOZI Combat Gallery Alumni Georges Schreiber at Pensacola Naval Air Station in 1943, documenting the cradle of Naval Aviation.

“Pilot in Blackface.” Joseph Hirsch. The Navy pilot, if unprotected from icy blasts while on cold-weather patrol, might suffer serious frostbite. To prevent facial freezing and maintain efficiency of aircrews, wind masks are provided. Aerial observation and scouting requires sharp observation, and sometimes it is necessary for the airman to open ports or push aside the cockpit enclosure for unimpeded vision. Joseph Hirsch. US Navy Art Collection.

“Pilot in Blackface.” Joseph Hirsch. The Navy pilot, if unprotected from icy blasts while on cold-weather patrol, might suffer serious frostbite. To prevent facial freezing and maintain efficiency of aircrews, wind masks are provided. Aerial observation and scouting requires sharp observation, and sometimes it is necessary for the airman to open ports or push aside the cockpit enclosure for unimpeded vision. Joseph Hirsch. US Navy Art Collection.

"Making the Buoy" Joseph Hirsch oil on canvas, circa, 1943. Gift of Abbott Laboratories. 88-159-EX. Back from hours in the air on patrol, a flight of four-engine patrol bombers settle to the water and maneuver up to the beaching buoys preparatory to beaching. To weary, hungry pilots and crew, the signals of the beaching crew are a welcome sight. After making their planes fast to the buoys, handling wheels and lines will be attached to the plane's hull and it will be towed up to the ramp. The beaching crew, clad in swimming trunks, waits until time to wade down the ramp to attach beaching gear.US Navy Art Collection

“Making the Buoy” Joseph Hirsch oil on canvas, circa, 1943. Gift of Abbott Laboratories. 88-159-EX. Back from hours in the air on patrol, a flight of four-engine patrol bombers settle to the water and maneuver up to the beaching buoys preparatory to beaching. To weary, hungry pilots and crew, the signals of the beaching crew are a welcome sight. After making their planes fast to the buoys, handling wheels and lines will be attached to the plane’s hull and it will be towed up to the ramp. The beaching crew, clad in swimming trunks, waits until time to wade down the ramp to attach beaching gear.US Navy Art Collection

"Back From Patrol" Joseph Hirsch. Watercolor, circa, 1943. Gift of Abbott Laboratories 88-159-FH.  A Navy PBM, the Martin Mariner, rides with idle engines off its ramp waiting to be hauled out. Already the beaching crew, clad in summer suits, is wading out to attach lines and beaching gear. An officer of the bomber crew has climbed through a hatch and stands on the starboard wing roof to observe operations. US Navy Art Collection.

“Back From Patrol” Joseph Hirsch. Watercolor, circa, 1943. Gift of Abbott Laboratories 88-159-FH. A Navy PBM, the Martin Mariner, rides with idle engines off its ramp waiting to be hauled out. Already the beaching crew, clad in summer suits, is wading out to attach lines and beaching gear. An officer of the bomber crew has climbed through a hatch and stands on the starboard wing roof to observe operations. US Navy Art Collection.

Following this stateside work, he went overseas and saw the elephant. During this period, Hirsch made about 75 paintings and drawings between 1943 and 1944 in the South Pacific at the direction of Adm. Ross McIntyre, Surgeon General of the Navy, to document the efforts of Navy medicine, then was loaned to the Army to cover firsthand the GI’s medical efforts in Africa, and Italy.

Nurse in Newfoundland by Joseph Hirsch Newfoundland, World War II

Nurse in Newfoundland by Joseph Hirsch Newfoundland, World War II, via U.S. Army Center of Military History

Of his war experience, he later said :

It was hard and unforgettable and lonely and sometimes frustrating running into the real McCoy. You know, talking with — I saw soldiers in more hospitals — I had been in many hospitals in Philadelphia as my father was a doctor. The three trips I went on had to do with naval air training at Pensacola, Florida; then naval medicine in the Pacific; and army medicine in Italy and North Africa. I was of course moved most by the two medical assignments because I saw wounded kids. It was a very good experience. And the drawings that I did — I did about twenty-five pictures on each assignment, most of them done from sketches made on the spot. I didn’t have any camera with me. Not having a camera simplified everything because there was no censorship.

The majority of the work was done immediately upon my return. I’d go out for a couple of months and come back and spend another three or four months doing perhaps a dozen paintings and as many drawings both for the aviation series and the naval medicine and the Army medical. The Navy had never had any shore-based installations before World War II and they were very proud of whatever they had. I also visited a hospital ship. I suppose the most vivid experiences were down in Guadalcanal with the Marine Corps. I watched a hospital set up from landing until it was in operative condition in less than three hours from landing on the beach and set up in eight tents the entire thing with portable X-ray — everything within the space of three hours. It was a rehearsal landing with L.S.T.’s and dispersed units so that any aerial attack would not destroy the hospital. They were dispersed under the palm trees. This was on one of the beaches at Guadalcanal. To see the kind of organized spirit of cooperation was — I don’t know what the Navy’s Medical Corps is like now but at that time during the war to see a lot of wonderful improvisation made for material for good sketching and painting and drawing.

"Mercy Ship" Joseph Hirsch. Caption: Navy Hospital Ship USS Solace. The Navy's hospital ships operate under the laws laid down by the Geneva Convention, being unarmed, fully illuminated at night, and painted white. US Navy Art Collection

“Mercy Ship” Joseph Hirsch. Caption: Navy Hospital Ship USS Solace. The Navy’s hospital ships operate under the laws laid down by the Geneva Convention, being unarmed, fully illuminated at night, and painted white. US Navy Art Collection

"Latest Mode” Joseph Hirsch. Watercolor and tempera drawing, circa 1943 Gift of Abbott Laboratories 88-159-EZ Caption: These ambulatory wounded, all Marine raiders, wait on the lowered platform of an LST as it approaches Lunga Beach at Guadalcanal. The green tags indicate the specific injuries and the front line treatment administered. This particular group is returning from Rendova. US Navy Art Collection

“Latest Mode” Joseph Hirsch. Watercolor and tempera drawing, circa 1943 Gift of Abbott Laboratories 88-159-EZ Caption: These ambulatory wounded, all Marine raiders, wait on the lowered platform of an LST as it approaches Lunga Beach at Guadalcanal. The green tags indicate the specific injuries and the front line treatment administered. This particular group is returning from Rendova. US Navy Art Collection

"Night Shift" Italy 1944. Of this painting Hirsch said, "A lot of the things which look medically wonderful on paper, so far as supplies can, didn't cover all the exigencies of actual combat. For example, there is no way in which our Medical Department Supply Service can see to it that a wounded boy on a stretcher is carried down a horribly precipitous rock-not even dirt-at night time." US Army Collection.

“Night Shift” Italy 1944. Of this painting Hirsch said, “A lot of the things which look medically wonderful on paper, so far as supplies can, didn’t cover all the exigencies of actual combat. For example, there is no way in which our Medical Department Supply Service can see to it that a wounded boy on a stretcher is carried down a horribly precipitous rock-not even dirt-at night time.” US Army Collection.

"High Visability Wrap," Joseph Hirsch. A wounded soldier in Italy 1944. US Army Collection.

“High Visibility Wrap,” Joseph Hirsch. A wounded soldier in Italy 1944. US Army Collection.

"Company in the Parlor" Joseph Hirsch, Italy 1944

“Company in the Parlor” Joseph Hirsch, depicting a battalion aide station in a ruined home, Italy 1944

'So What" Joseph Hirsch. A medic drinks from his M1 helmet, Italy 1944. Baltimore Museum of Art

‘So What” Joseph Hirsch. A medic drinks from his M1 helmet, Italy 1944. Baltimore Museum of Art

"Safe" Joseph Hirsch. Showing A Medical Corpsman comforting two orphans. Cassino, Italy, 1944

“Safe” Joseph Hirsch. Showing A Medical Corpsman comforting two orphans. Cassino, Italy, 1944

What he saw in war reinforced his feelings on the horror of conflict. In 1979, he protested to a magazine that had used one of his wartime hospital paintings to illustrate an article justifying the use of the atomic bomb.

After the war, he returned to Europe to study on a Fulbright Fellowship, and then returned to Government service by producing art for the Bureau of Reclamation in the 1960s and 70s.

“Construction at Soldier Creek” by Joseph Hirsch. Watercolor, 10 1/2" x 13 1/2" For the USBR.Showing Construction activities at Soldier Creek Dam, Bonneville Unit, Central Utah Project, Utah. http://www.usbr.gov

“Construction at Soldier Creek” by Joseph Hirsch. Watercolor, 10 1/2″ x 13 1/2″ For the USBR.Showing Construction activities at Soldier Creek Dam, Bonneville Unit, Central Utah Project, Utah. http://www.usbr.gov

Hirsch passed away of cancer at his home in Manhattan in 1981 at age 71.

According to the US Navy’s Historical Command, there are no less than 32 works of Joseph Hirsch in the Navy Art Collection and all of them are online.

Works of Joseph Hirsch are also in the permanent collections of these institutions:

Museum of Fine Art, Boston, MA
Butler Institute of Fine Art, Youngstown OH
Corcoran Gallery, Washington DC
Dallas Museum of Fine Arts, Dallas TX
Library of Congress, Washington DC
Metropolitan Museum of Art, New York
Museum of Modern Art, New York
Philadelphia Museum of Art, Philadelphia PA
Truman Library, Independence MO
Whitney Museum of American Art, New York
The Army Center of Military History, Washington DC

An oral history interview with the artist recorded in 1970 is online at the Archives of American Art

Thank you for your work, sir.

 

Last ditch rally for the Ranger

An aerial portside view of the US Navy (USN) Forrestal Class Aircraft Carrier USS RANGER (CV 61), with her Sailors manning the rails and aircraft of the Carrier Air Wing 2 (CVW-2) on her deck, as she is nudged into position by harbor tugs NIANTIC (YTB-781), NEODESHA (YTB-815), and WAXAHACHIE (YTB 814), at the pier on her arrival at Pearl Harbor Naval Base in Pearl Harbor, Hawaii (HI). USN Photo

An aerial portside view of the US Navy (USN) Forrestal Class Aircraft Carrier USS RANGER (CV 61), with her Sailors manning the rails and aircraft of the Carrier Air Wing 2 (CVW-2) on her deck, as she is nudged into position by harbor tugs NIANTIC (YTB-781), NEODESHA (YTB-815), and WAXAHACHIE (YTB 814), at the pier on her arrival at Pearl Harbor Naval Base in Pearl Harbor, Hawaii (HI). USN Photo

According to news reports, the sale of the USS Ranger (CV61) to a scrapper for a penny after sitting on donation hold for year may not be the final chapter in the ship’s tale.

“Right now, we just want a stay of execution,” Michael B. Shanahan, project manager for the Long Beach rescue effort, who says they have $14 milly in donations for their war chest to keep the Ranger from being razor blades. “This is our last chance to stop the loss of an irreplaceable cultural and historic asset.”

Combat Gallery Sunday : The Martial Art of Anton Otto Fischer

Much as once a week I like to take time off to cover warships (Wednesdays), on Sunday, I like to cover military art and the painters, illustrators, sculptors and the like that produce them. -Christopher Eger

Combat Gallery Sunday : The Martial Art of Anton Otto Fischer

Remembered by many in the art community as being just a “Saturday Evening Post illustrator” there were few maritime artists in modern memory that captured the sea and what it was like to sail upon it in ships of wood and steel than Anton Otto Fischer.

Born February, 1882 in Regensburg, then in the Imperial German Empire, Anton was orphaned at an early age and ran away, like many enterprising young men could at the cusp of the 20th Century and fled to sea. Signing on to a German merchantman as a cabin boy/apprentice sailor at the tender age of 15, he saved his money and bought out his contract once the ship was in a U.S. port, but then promptly signed on to an American ship and remained at sea through his earlt adult life. Those years under sail and steam, shoveling coal and patching canvas, were to serve as inspiration for coming decades.

By 25, the young man was in Paris, reinventing himself by studying at the Academie Julian, an art school that specialized in educating young students established by Rodolphe Julian. The Julian school taught many Americans and often competed for the the Prix de Rome. Fischer worked in oils on canvas and hit his stride.

In 1909 Fischer was back in the U.S., where he started selling illustrations for a number of popular variety magazines such as the Saturday Evening Post, the Country Gentleman, Life, Popular Magazine, and others.

Saturday Evening Post cover by Fischer. In all he did over 400 illustrations for the magazine

Saturday Evening Post cover by Fischer. In all he did over 400 illustrations for the magazine

Saloon Shootout by Anton Otto Fischer, 1919. Note the surprised expression on the Tomato's face...priceless

Saloon Shootout by Anton Otto Fischer, 1919. Note the surprised expression on the Tomato’s face…priceless

The Grand Army of the Republic vs the American Expeditionary Force by Anton Otto Fischer. The GAR was the veterans organzation of the Union Civil War vets, and is apparently isnt too happy with the WWI doughboy from the 42nd Rainbow Division of Maj.Gen McArthur.

The Grand Army of the Republic vs the American Expeditionary Force by Anton Otto Fischer. The GAR was the veterans organization of the Union Civil War vets, and is apparently isn’t too happy with the WWI dough boy from the 42nd Rainbow Division of Maj.Gen MacArthur.

Anton-Otto-Fischer-Other-Life-Magazine-Covers-Montage

Viewing an Illustration, 1919. Such detail...

Viewing an Illustration, 1919. Such detail…

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SEP cover

SEP cover

Besides becoming a regular at the Post, he worked art for ad copy for steel firms, locomotive manufacturers, and illustrated a number of popular classics of the time to include Moby Dick, 20,000 Leauges Under the Sea and Treasure Island. From 1910-39 he had produced literally thousands of illustrations.

John Paul Jone's Bonhomme Richard vs HMS Serapis, 23 September 1779. Artwork of Anton Otto. Fischer. From the US Navy Art Collection

John Paul Jone’s Bonhomme Richard vs HMS Serapis, 23 September 1779. Artwork of Anton Otto. Fischer. From the US Navy Art Collection

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Anton Otto Fischer - The Perils of Pauay-Phillipine Islands-

Anton Otto Fischer – The Perils of Pauay-Phillipine Islands-

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Twenty Thousand Leagues Under the Sea - art by Anton Otto Fischer4

Twenty Thousand Leagues Under the Sea – art by Anton Otto Fischer4

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Twenty Thousand Leagues Under the Sea - art by Anton Otto Fischer4

Twenty Thousand Leagues Under the Sea – art by Anton Otto Fischer4

Seaplane down at sea

Seaplane down at sea

Twenty Thousand Leagues Under the Sea - art by Anton Otto Fischer4

Twenty Thousand Leagues Under the Sea – art by Anton Otto Fischer4

Twenty Thousand Leagues Under the Sea - art by Anton Otto Fischer4

Twenty Thousand Leagues Under the Sea – art by Anton Otto Fischer4

But it was always the sea that called Fischer. His naval and maritime art, which he produced in great volumes during World War I to assist in the general patriotic propaganda push, was well received and by the time a Second World War had come, the men in charge of the warships had as boys already grown up with a love of the fleet through Fischer’s paintings.

According to an expose in the Post written in 2009, by the time WWII started, the sea services considered Fischer a national treasure.

U.S. Navy Commander Lincoln Lothrop had once written to the artist: “My two lads, one of whom is now a twenty-two-year-old lieutenant in the Navy … used to cut out your pictures and pin them on the walls of their rooms. … You are responsible for recruiting many a seagoing lad.” They must have been brave lads, for Fischer’s paintings not only depicted the majestic beauty of the oceans, but the terrors they held as well.

Fischer was invited to lunch one day by none other than Vice Admiral Russell Waesche, Commandant of the Coast Guard for the purpose of recruiting. The January 9, 1943, Post describes it thus: “Did the admiral know that he was an anti-New Dealer? The admiral didn’t know—or care. But did the admiral know that he was born in Germany? Oh, yes, the admiral knew that, all right; his record had been checked.

“That record included, among other things, the fact that young Fischer had come to America as a deck hand on a German vessel, that he sacrificed two months’ pay to obtain his freedom, and then sailed on American ships for three years.”

By late that same afternoon, Fischer was sworn in as a lieutenant commander in the Coast Guard. “His duties? Putting on canvas some of the heroic deeds of our Merchant Mariners and Coast Guardsmen—the least-publicized men, perhaps, in all of our armed forces.”

Thus commissioned into the Coast Guard at age 60, Fischer shipped out on the 327-foot Treasury-class cutter USCGC Campbell (WPG-32) and covered the war at sea for Uncle classified as a JO (Journalist.)

Fischer, a LCDR in his 60s, and at war.

Fischer, a LCDR in his 60s, and at war.

While on a convoy escort in the North Atlantic, the ships wardroom was giving “Papa Anton” a party on the occasion of his 61st birthday when a U-boat surfaced, and all hell broke lose.

On that night, 21 February 1943, Campbell was escorting the 48-ship Convoy ON-166 when the convoy was surrounded by a U-Boat “wolf pack”. U-92 and U-753 torpedoed and sank the NT Nielsen Alonso. Dispatched to assist, Campbell rescued fifty survivors and then turned to attack U-753, damaging it so badly that it had to withdraw.

Throughout the 21st and 22nd, Campbell attacked several U-Boats inflicting damage and driving off the subs. Later on the 22nd, U-606, having sustained heavy damage, surfaced in the midst of the convoy attempting a surface attack. Campbell struck the sub a glancing blow that gashed Campbell‘s hull in the engine room below the waterline, but continued to attack, dropping two depth charges which exploded and lifted the sub out of the water. The crew brought all guns to bear on the subs, fighting on until water in the engine room shorted out all electricity. As the ship lost power and the searchlights illuminating the sub went out, the U-Boat commander ordered the sub abandoned. Campbell ceased fire and lowered boats to rescue the sub’s survivors. Campbell, disabled in the attack, was towed to port nine days later, repaired and returned to escort duty.

The story appeared, with extensive illustrations by Fischer, in the July 1943 issue of LIFE

Burning Tanker of the North Atlantic, Feb 1943. Fischer saw this first hand from the Campbell.

Burning Tanker of the North Atlantic, Feb 1943. Fischer saw this first hand from the Campbell. Note the signature (as with all these, big them up to see better)

Captain At Sea, Anton Otto Fischer. Click to big up to appreciate the skipper's joy and misery.

Captain At Sea, Anton Otto Fischer. Click to big up to appreciate the skipper’s joy and misery.

Atlantic Carrier Escort Group

Coast Guard Cutter Campbell by Fischer.

Coast Guard Cutter Campbell by Fischer.

Formosa Patrol by Anton Otto Fischer. British sloop getting some post-WWII action

Formosa Patrol by Anton Otto Fischer. British sloop getting some post-WWII action

"Fight to the Last oil"on canvas by Anton Otto Fisher, Coast Guard Artist, USCG collection

“Fight to the Last oil”on canvas by Anton Otto Fisher, Coast Guard Artist, USCG collection

He was the artist laureate for the Coast Guard during the war and dutifully, each painting done while on the list of commissioned officers bears the carefully signed script “LCDR Anton Otto Fischer, USCGR” to denote his wartime service.

Chase of the CONSTITUTION, July 1812 Painting by Anton Otto Fischer, depicting the boats of U.S. Frigate CONSTITUTION towing her in a calm, while she was being pursued by a squadron of British warships, 18 July 1812. NHHC Photo NH 85542-KN - See more at: http://www.navyhistory.org/2012/05/new-video-series-on-the-war-of-1812/#sthash.4bezdSre.dpuf

Chase of the CONSTITUTION, July 1812 Painting by Anton Otto Fischer, depicting the boats of U.S. Frigate CONSTITUTION towing her in a calm, while she was being pursued by a squadron of British warships, 18 July 1812. NHHC Photo NH 85542-KN

Clipper Ship at Sea. Oil on canvas, circa 1950. One of FIscher's last works, done in his late 60s. By then he was just painting what he wanted and you can see an old man's thoughts of a young man's sailing years at the turn of the Century.

Clipper Ship at Sea. Oil on canvas, circa 1950. One of FIscher’s last works, done in his late 60s. By then he was just painting what he wanted and you can see an old man’s thoughts of a young man’s sailing years at the turn of the Century.

"Crew of the Revenue Cutter Bear ferrying stranded whalemen," By Anton Otto Fischer. From the USCG Collection

“Crew of the Revenue Cutter Bear ferrying stranded whalemen,” By Anton Otto Fischer. From the USCG Collection

Mustered out in 1945, he returned to civilian life but continued working until 1956. He passed away quietly in 1962 at age 80. His works are modern classics and many of them hang in prominent galleries and in private collection.

However, they are also in the possession of the U.S.Navy Museum, the U.S. Army collection, and that of the U.S. Coast Guard. In fact, no less than four are hanging at the USCG Academy, where new Coast Guard officers are minted.

He likely would have liked idea that the most.

Tanks and pups

Private Bruce Rutherford and Puppies, Okinawa, 1 June 1945.

(Click to big up)

(Click to big up)

The caption on this photograph reads “Housing Problem-On hand to greet their master when he returned from the front lines on Okinawa were these puppies, Nansi, Shoto, Sake, Zero, Banzai, and Okinawa. They present a housing problem to Marine tankman Private Bruce Rutherford, of Bristol, Tenn.” From the Photograph Collection (COLL/3948), Marine Corps Archives & Special Collections
OFFICIAL USMC PHOTOGRAPH.

Rutherford was likely a member of the 1st Marine Tank Battalion, which saw horrible losses on the assault on Okinawa. Beginning on 1 April 1945, the battalion was actively engaged in wresting control of the island fortress from the Japanese. The ferocity of the fighting is witnessed by the fact that the unit suffered 28 tanks destroyed and 163 damaged. When you consider these were M4A2s and the Japanese had little effective armor, you can see the problem– and why Rutherford wanted to keep that beautiful Thompson M1 submachine gun as clean as possible.

Iceland on the scene

When I was about 11, I devoured Tom Clancey’s Red Storm Rising. As I had previously red Sir John Hackett’s August 1984 , I was familiar with what to expect. If you haven’t read RSR, a good bit of it takes place in the NATO battleground country of Iceland, the only alliance member who had no armed forces and since then, I have had at least a passing interest in that nation’s defense. You see the Danes were responsible for the island defense up until WWII when the Allies occupied it and, by 1949, that legacy occupation became a NATO operation until the U.S. pulled out of Keflavik in 2006.

However, just because Iceland doesn’t officially have a military, doesn’t mean they don’t have rough viking-type guys out running about in uniform for the greater good.

Last night a 239-foot long 40 year old livestock carrier by the name of Ezadeen, sailing under a flag of convenience (Sierra Leone) lost power off the South East Coast of Italy while her crew beat feet. However, instead of cattle, the Ezadeen was packed with over 400 illegal migrants, mainly Syrian refugees, hoping to get to Europe by any means necessary.

Ezadeen under tow my Icelandic Coast Guard in the Med

Ezadeen under tow my Icelandic Coast Guard in the Med

The rescuer? The Icelandic Coast Guard ( Landhelgisgæsla Íslands) gunboat Tyr, who, in conjunction with the Italian Coast Guard, lowered a crew by helicopter to help get the ship under control and then took it under tow to the nearest port where immigrations and customs officials were waiting.

The Icelanders weren’t just passing through the Med on an extra long patrol, they, since December, have been part of an expeditionary force of EU member nations under the aegis of that organizations Frontex Border Security Agency called Operation Triton to put up a picket fence 30 miles southeast of Italy’s furthest coast consisting of two fixed wing surveillance aircraft, three patrol vessels, as well as seven teams of guest officers for debriefing/intelligence gathering and screening/identification purposes. The task: to stop illegal immigration by human traffickers from North Africa (the failed nation of Libya) and the Middle East (Syrian refugees).

The Icelanders have rescued four ships in the past month and have done yeoman service.

The 200-member coast guard, active since even before the island’s independence from Denmark in 1944, has long been the country’s sole military force. Equipped with just three offshore patrol vessels, one DHC-8 patrol aircraft, and a few helicopters, the ICG has consistently punched out of its weight class.During the Cold War, their ships constantly pulled up Soviet hydrophones and listening gear while trailing large Warsaw Pact ‘trawlers’ that conveniently passed very near NATO shore bases.

Speaking of trawlers…

In the 1960s and 70s, the plucky Icelanders fought the British Navy, then arguably the third largest in the world, to a virtual standstill over cod (The Cod Wars!)

You see, foreign trawlers were in Iceland’s waters scooping up all the fish which led to the Coast Guard deploying net cutting devices which severed the trawls of some 82 invasive vessels– most of them British, who sent in warships to stop the Icelandic gunboats.

RN Frigate HMS Scylla rams ICG guboat Odinn. (Credit-Ian-Newton)

RN Frigate HMS Scylla rams ICG guboat Odinn. (Credit-Ian-Newton) The size difference between the 208-foot/925-ton Icelandic ship and the 371-foot/3,300-ton Brit is amazing.

Armed with 1898-era Hotckiss 57mm popguns using fifty year old ammunition, the Icelanders instead chose to ram the Royal Navy frigates sent to protect British cod fishermen in disputed waters.

Icelandic patrol boat Tyr circles round for a run at HMS Scylla

Icelandic patrol boat Tyr circles round for a run at HMS Scylla

In the end the Brits withdrew, leaving the ICG as the dominant cod champions in the EEZ around the island.

In non-fish related combat, since the 1950s the organization has provided peacekeepers that have roamed from Palestine to the Congo under the UN while contributing small contingents of land-based specialists to Iraq and Afghanistan as part of the Global War on Terrorism and ISAF missions while others went to Kosovo under NATO.

They are masters of fooling with old sea mines, having to defuse thousands of them that have bobbed up in Icelandic waters since WWII.

As for the Tyr herself, she is a rather interesting little ship. Named after the one-armed Norse god of war and law(he lost his other hand to the giant wolf Fenrir), she was built in 1975 by Aarhus Flydedok, Denmark, is 1200-tons in displacement and 233-feet overall.

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Even though a little ship, she has a helicopter deck and hangar, and both surface search radar and hull-mounted sonar. Armament: a 40mm/70 Bofors dating back to WWII, and small arms.

You have to admit, that looks like fun, and the GMGs can double as firefighters on their day off

You have to admit, that looks like fun, and the GMGs can double as firefighters on their day off

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She is coming up on her 40th birthday with no plans to replace her or her even older sistership Aegir as of yet. As it was, during the Cod Wars she tangled with several British ships, even surviving a ramming by the Rothesay-class frigate HMS Falmouth (twice) while she herself was credited with tagging HMS Scyilla and HMS Juno among others. All of these she has long outlived.

And it seems at least, that 400 Syrian refugees are grateful for Tyr‘s firm hand this week.

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The Christmas Truce 2014

On the occasion of the centennial of the first Christmas Truce, the event where British and German soldiers of the King and Kaiser put down their arms and joined in football games and general merry making in No Man’s Land on Dec.25 1914, German and UK troops assigned to ISAF in Afghanistan met once again in team combat for a rematch.

troops world war i christmas truce soccer commemoration kabul

No word on the final score.

It should prove interesting to see the context of the next game in 2114.

british and german troops world war i christmas truce soccer commemoration kabul banner

Warship Wednesday Dec. 31, 2014 the Mystery of the St Anne, Flying Dutchman of the Arctic

Here at LSOZI, we are going to take off every Wednesday for a look at the old steam/diesel navies of the 1859-1946 time period and will profile a different ship each week. These ships have a life, a tale all of their own, which sometimes takes them to the strangest places. – Christopher Eger

Warship Wednesday Dec. 31, 2014 the Mystery of the St Anne, Flying Dutchman of the Arctic

Saint Anne by Eugene Voishvillo

Saint Anne by Eugene Voishvillo

Here we see the Russian 145-foot arctic survey ship Svyataya Anna (formerly HMS Newport) as she pokes through the far north, the last of her class of Royal Navy Philomel-class gunvessel. Have you seen her?

She has been on a milk carton for the past 100-years.

In the 1860s, the Royal Navy needed a class of fairly fast but economical naval vessels that could run around coastal waters waving the flag in far-off colonial ports. The answer to this problem was the Philomel-class of ‘steam schooners’.

The steam yacht Jeannette, formerly HMS Pandora, HMS Newport's sistership at Le Havre, France, in 1878, prior to her departure for San Francisco, CA. She is flying the US Yacht Ensign and would become the USS Jeanette.

The steam yacht Jeannette, formerly HMS Pandora, HMS Newport’s sistership at Le Havre, France, in 1878, prior to her departure for San Francisco, CA. She is flying the US Yacht Ensign and would become the USS Jeanette.

These shallow-draught (13-foot at full load) schooner-rigged ships with an auxiliary 2-cyl. horizontal single-expansion steam engine to push a screw when in doldrums were capable of crossing the globe while their 145-ft. oal allowed them to enter even the smallest of colonial backwater harbors. Even though they had wooden hulls, they were triple oak planking sheathed with copper, which made them exceptionally strong.

Armed with a 68-pdr muzzle-loading smooth-bore gun (later upgraded to an impressive 110-pounder 7-inch breechloader) as well as a pair each of 20 and 24-pounders, their 60-man crew could make an impression on wayward natives, chase down maritime outlaws, and in times of war capture enemy merchant ships when found.

Best yet, since they were just armed and well-built merchantmen themselves, they could be constructed at private yards rather than tying up the navy’s larger dockyards. Class leaders Ranger and Espoir were ordered on April Fools Day 1857 and within the next four years some 26 of these hardy little craft were in the works at no less than 9 yards (8 private and one military) around the UK.

One of these, ordered 17 September 1860 from H. M. Dockyard Pembroke in Wales, was HMS Newport. Put on hold for an extensive period as the Royal Navy redirected its efforts to large men-of-war during a period of tension between both the Tsar and the United States and the UK during the Civil War, she wasn’t completed until April 1868.

Like the rest of her class, of which just 20 ultimately saw service, Newport spent her time under the red ensign in colonial service. While her sisterships saw Hong Kong, Australia and the West Indies, Newport was destined for African and Mediterranean service where she was under the helm of Cdr. George Nares (later Vice Admiral Sir George, a famed arctic explorer and surveyor who would later be a part of the Challenger expedition).

While under Nares’s watch, Newport became the first ship to cross through the French-built Suez Canal in November 1869, much to the chagrin of the French who had that coveted honor supposedly in the bag. It would not be the Newport‘s last brush with an arctic explorer by far.

Yacht Blencathra (formerly HMS Newport)

Yacht Blencathra (formerly HMS Newport)

Technology passed the Philomel-class in the 1870s as steel-hulled ships proved faster and less high-maintenance. This led to their rapid replacement in Her Majesty’s Navy and by 1882 all but HMS Nimble, which was herself to be relegated to RNR training duties at Hull until being paid off in 1906, were pulled from the line and sold. Newport was disarmed, pulled from the Naval List in May 1881 at age 13, and sold to British arctic explorer Sir Allen Young who had used Newport‘s sistership HMS Pandora in the 1870s to search for the lost Franklin expedition.

He had sold that ship to another would-be explorer, James Gordon Bennett, Jr. who would enter her into U.S. Naval service as the USS Jeannette, who would famously be lost at sea above Siberia in June 1881, crushed by drifting ice floes. Even triple oak sheathed in copper cannot stand up to millions of tons of ice.

Fresh out of boats and enamored with the Philomel-class design, Sir Allen picked up the now-surplus Newport and renamed her Pandora II (that sounds lucky). He lobbied hard for a British Antarctic Expedition, of which he would be the leader and Newport/Pandora II would be the flagship of, but that proved not to pan out and by 1890 Sir Allen sold his would-be polar survey ship to one F W Leyborne-Popham who (wait for it) wanted to take her to explore the far Arctic north of Siberia. It seems that in the last part of the 19th century, polar exploration was the ‘in’ thing to do.

Renamed the Blencathra, Leyborne-Popham took his third-hand ship as far as the mouth of the wild Yenisey River in Northern Siberia where he became involved in commerce to help support the new Trans-Siberian railway project before selling the ship to another Englishman, Major Andrew Coats, who in turn (this is going to shock you) used it for polar exploration, meteorological research and a good bit of commercial seal hunting in the Arctic ranging from Spitsbergen to Novaya Zemlya, the frozen Siberian island chain. Somewhere around this time her elderly Civil War-era engine had been replaced by a 41hp low-power plant.

HMS Newport as Svyataya Anna in St Petersburg, 1912

HMS Newport as Svyataya Anna in the Neva River,St Petersburg, 1912

It was then, at age of 43, that the old gunboat Newport/Pandora II/Blencathra found herself bought by an enterprising Imperial Russian Naval Officer, Senior Lt. Georgy Lvovich Brusilov in 1912. If the name sounds familiar, our story’s newest polar explorer was the nephew of the same General Alexei Alekseevich Brusilov (1853-1926) who later led the offensive in 1916 that very nearly knocked Austria out of World War One.

Endeavoring to make his own name in the history books, the younger Brusilov was competing for fame with no less than two other Russian polar expeditions outfitting at the same time,that of Vladimir Rusanov in his ship “Hercules,” and Lt. Georgy Sedov in his ship the “St Foka,” — both of which would end in abject failure in the frozen hell of the Arctic and their leader’s death. Rusanov tried to reach the far North and survey for coal deposits along the way, while Sedov was meaning to dog sled to the North Pole and Brusilov wanted to sail the Northwest Passage from St. Petersburg to Vladivostok.

With so many expeditions vying for fame (and funding), Brusilov had to make do with his elderly schooner and find a crew outside the normal naval channels for the great First Russian Northern Sea Route Expedition.

Brusilov, 28, had been to the Arctic before aboard the Navy’s icebreakers Taymyr and Vaygach so he at least had some knowledge of what he was up against. Wisely, he chose an experienced polar navigator, 31-year old Valerian Albanov for his crew. A classmate of Brusilov’s, Albanov had paid his own way through the Naval Academy by tutoring and selling model ships and the two were of vastly different backgrounds.

Georgy Brusilov and Valerian Albanov (left to right)

Georgy Brusilov and Valerian Albanov (left to right) Dont let the mustaches fool you, these men were two different sides of the same coin

The bulk of the two-dozen members of the expedition were mainly seal hunters as Brusilov counted on selling a hold full of seal pelts and walrus tusks in Vladivostok to cover the cost of the expedition, which had been fronted by friends and relatives. The crew was rounded out by  a few random St. Petersburg adventurers, a couple of professional mariners to do the heavy lifting, and, when no doctor could be conned, one 22-year-old female nurse, Yerminia Zhdanko. She was a society lady, the daughter of Port Arthur hero and then-head of the Imperial Hydrographic Bureau Gen. Ermin Zhdanko.

Yerminia Zhdanko, Saint Anna in background

Yerminia Zhdanko, Saint Anna in background. The ultimate fate of both ladies shown has been subject of much speculation in the past 100-years.

With time spent refitting his new ship, named Svyataya Anna (after the 14th Century Russian Saint Anna of Kashin) and assembling his supplies, Brusilov wasn’t ready to leave St. Petersburg until August– just weeks before the advent of winter.

Pro-tip: this is not the best time of year to try the Northwest Passage!

Soon, the Newport/Pandora II/Blencathra/Svyahtaya Anna was starting to bump into hard Arctic ice floes in the Kara Sea and by October 28, 1912 was locked in off the west coast of the Yamal Peninsula in Siberia. Brusilov had expected as much and laid in a huge stock of canned canned fish and meats enough to last through 1915 if needed. It was.

Arctic expedition George Brusilov on the schooner Saint Anna

Arctic expedition George Brusilov on the schooner Saint Anna

All of 1913 came and went with the St. Anne locked in the ice but unfortunately, the ship was never released. Instead of remaining close to the Siberian coast, it drifted north-northwest, back towards the Atlantic rather than the Pacific. As it did so, the boat past north of 83 degrees latitude and left shore far behind.

By 1914, shit got really out of hand on board.

While the crew still had a ton of canned food, supplemented by seals and bears, they had long ago ran out of fruits and vegetables, which left them scurvy-ridden and in a generally poor attitude about life. Soon Brusilov and many of the crew were so weakened they were bedridden. Fuel grew sparse and the schooner became an icy tomb in which her crew lived off frozen butter and hardtack biscuits in spaces kept warm by burning seal blubber. The bulkheads of the ship’s interior became encased in ice and temperatures in the vessel hovered just a few degrees over freezing, requiring everyone to remain fully clothed at all times, huddled over what meager flame they could find.

Long kept busy by taking met data and soundings through holes cut in the ice compared to celestial readings, monotony turned to rebellion.

This led to a largely peaceful mutiny in which the captain relieved Albanov of his post (which, according to Albanov’s later account, was mutual). Following this the unemployed navigator, taking a copy of the ship’s log book, correspondence from the crew, 500 pounds of biscuits, a shotgun and a few Remington rifles for bear protection, gathered 13 mariners who felt the same way, and left the St. Anne on April 10, 1914 walking on foot for Siberia which he reckoned was a few hundred miles or so to the south.

Pushing homemade kayaks sewn from sailcloth over the ice and alternating snowshoeing and skiing, the group dropped like flies in the inhospitable climate. Whittled down to just Albanov and a single sailor, 24-year old Alexander Konrad, they reached land at an old abandoned camp established by explorer Frederick George Jackson at Cape Flora, Franz Josef Land on July 9. There, the two remained alive on supplies left, coincidentally by the Sedov expedition who had passed there earlier. By stroke of luck, it was the St Foka, sans Sedov himself who was long since dead, who found the two survivors of the St. Anne on July 20.

Valerian Albanov and Alexander Conrad float to the schooner St. Fock in their schooner.

Valerian Albanov and Alexander Conrad float to the schooner St. Fock in their kayak.

Returning to Russia just as World War One was starting, Albanov turned over the logbooks from the St. Anne, which held valuable information on underwater topography, sea currents, ice drift, and meteorological data from the ship’s 18 months trapped in the ice and became something of a minor celebrity.

He wrote of his story of survival as did Konrad, the classic tale of which has been translated into several languages.

Original Russian version of Albanov's book as it appeared in 1916. The sketch was done by him

Original Russian version of Albanov’s book as it appeared in 1917. The sketch was done by him

Its English language version is “In the Land of White Death.”  Truly a bedtime story.

English version of Albanov's book

English version of Albanov’s book

Speaking of books, the story of Brusilov, and also incidentally of Sedov, was turned into a novel by Soviet author Veniamin Kaverin entitled The Two Captains which was one of the bestselling works of the 20th Century behind the Iron Curtain.

What happened to the St. Anne?

As for the St. Anne, rescue expeditions, including the first airplane flights over the Arctic region (by Polish-Russian naval aviator Jan Nagórski), were mounted to find the ship but they came to naught. After Albanov’s party left, Brusilov and some dozen sick men tended to by their female nurse remained aboard, with enough rations remaining to last for another 18 months, which bought them some time.

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In 1915, a lemonade bottle washed up near Cape Kuysky, not far from Arkhangelsk with a note from the ship signed by Brusilov in 1913 saying that he was feeling fine, which leads to the possibility that he just wanted the troublesome Albanov and his allies off the ship.

The former navigator was haunted by the fact that the St. Anne never appeared. Albanov journeyed to the Yensei area in 1919 and asked former arctic explorer Admiral Kolchack, then the White Army governor of the region, for help mounting a search for the St. Anne. However the Russian Civil War overtook both of these officers and neither lived to see 1920.

Konrad, the sailor who got away with Albanov, likewise remained in the Soviet merchant service and returned often to the Arctic several times before his death during World War II, likely with a weather eye out for the old schooner he walked away from.

In 1928 a story of a woman in Tallinn, Estonia of her long missing cousin, Yerminia Zhdanko coming for a visit from France with her ten-year old son in tow, after a marriage to Brusilov, made it to a local newspaper.

Likewise, a French novel, “In the Polar Ice,” edited by Rene Gouzee and attributed to being the diary of one Yvonne Sherpante , a woman who lived through a love-triangle on the schooner “Elvira” appeared on the market the same year. This of course draws some similarities to the tale of Zhdanko. Was  Yvonne Sherpante actually the still quite-alive Yerminia Zhdanko? Likely not but the story was surely modeled after hers.

All of which leads to the screwball theory that at least the Captain and the nurse escaped destruction and for whatever reason, shame maybe, kept a low profile and their story even lower as they aged. As the elder Brusilov was ill-liked among White Russian émigré circles in France due to his support of the Reds in the Civil War, this is almost believable.

But wait, there’s more!

In 1937 Soviet explorer VI Akkuratov, who coincidentally knew Konrad, landed on Rudolf Island and found a ladies patent leather shoe marked “Supplier of the Imperial Household: St. Petersburg” on it. Since the St. Anne’s nurse was the only known lady of Tsarist society to have ever passed near that icebox, it has been speculated that maybe Yerminia Zhdanko left the ship later with another group or Brusilov was convinced to eventually follow in Albanov’s footsteps. This could have left the unmanned ship to wander at sea alone in the Arctic.

Conceivably, it could have been there for years or even decades before being spit out into the Atlantic as a ghost ship.

This is not so farfetched.

On June 18, 1884, verified wreckage from St. Anne‘s sister USS Jeannette (including clothing with crewmember’s names) was found on an ice floe near Julianehåb (now Qaqortoq) near the southern tip of Greenland although she broke up near the Bearing Strait three years before.

In 1938 the Soviet icebreaker Sedov (yes, named after that Sedov– small world) became locked in the sea ice near the New Siberian Islands and remained there, adrift in the floe for 812 days, until she was broken out by a rescue party between Spitsbergen and Greenland. Had she not been extricated from the ice then, she may have remained there much longer.

Nansen’s Fram followed a similar course when it was icebound 1893-96.

Nansen's planned drift, via Wiki.

Nansen’s planned drift, via Wiki.

This suggests that the ice of the Arctic Ocean was in constant westward motion from the Siberian coast to the North American coast and as such would have eventually pushed St Anne into the Atlantic at some point, likely near Iceland or Spitsbergen, probably sometime around 1918.

In the 1988 Soviet seascape artist and writer Nikolai Cherkashin while visiting the Hanseatic bar in the port city of Stralsund, East Germany, came across a battered old ship’s wheel and a worn Russian icon of the little known Saint Anna of Kashin. Asking about it, he was told an amazing tale.

“The owner of the cellar told that the steering wheel and the icon was found by his father, who immediately after the Second World War, was fishing in the North Sea,” wrote Cherkashin. “In the autumn of 1946, his trawler in dense fog almost ran into an abandoned schooner. Examining this schooner, fishermen found her, a lot of canned meat, and other foodstuffs, which he handled himself and his father took the helm from the schooner and icon.”

On the wheel was a badly worn inscription that could be read in English script “..andor..” which, of course, could be part of,  “Pandora II.”

Its (wildly) conceivable that St Anne, abandoned by her crew, could have washed up along some forgotten glacial ice near Greenland around 1918– which in turn broke free decades later. She could then have drifted as far as the North Sea to be salvaged by a German fisherman before she sank. Stranger things have happened.

Most recently, in 2010, an expedition to Franz Josef Land by the Russian Wildlife Discovery Club found a male skeleton and some 20 artifacts that includes a set of sunglasses made from rum bottle bottoms, early pre-WWI era 208-grain 7.62x54R cartridges and shell casings, a canvas belt, sailor’s knife, dairy, whistle and brass pocket watch along the route that Albanov took.

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It is believed that the body is either sailor Vladimir Gubanov, helmsman Peter Maximov, sailor Paul Humbles, or ship’s steward Jan Regald, the four of the mariners who perished in that area, separated from Abanov. However, it could very well be from a follow-on group that tried to do the same. DNA tests are pending and should prove interesting while further expeditions are planned.

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“Today we got our last brick of tobacco; the matches ran out long ago,” reads the diary dated May 1913, adding that crew members hunted polar bear to supplement canned supplies.

Its unknown if there is a monument to St Anna in Russia.

The logs from the St Anna, as well as the original diaries of both Konrad and Albanov, are in the collection of the Arctic and Antarctic Museum of St. Petersburg.

A monument to the original HMS Pandora, Newport/St.Anne’s sistership lost as the USS Jeanette is, however, on the grounds of the US Naval Academy.

A number of geographic and landmarks and seabed features in the Arctic region have been named in honor of the St. Anne, Brusilov, Albanov, and Zhdanko.

Their final story, and the ship’s resting place, may never be known.

Specs:

1009466-i_010
Displacement: 570 tons
Length: 145 ft. (44.2 m) oa, 127 ft. 10.25 in (39.0 m) pp
Beam: 25 ft. 4 in (7.7 m)
Depth of hold: 13 ft. (3.96 m)
Installed power: 325 ihp (242 kW)
Propulsion:
Laird Brothers single 2-cyl. Horizontal single-expansion steam engine
Single screw
Auxiliary Schooner sailing rig, later Brigantine rig
Speed: 9.25 knots (17 km/h)
Complement: 60 as a naval vessel
Armament (As built)
1 × 68-pdr muzzle-loading smoothbore gun (replaced with 7-inch gun 1871)
2 × 24-pdr howitzers
2 × 20-pdr breech-loading guns
After 1881:
Smallarms

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Well used Lewis gun

5246920428_5ba03ddb22_o

Click to bigup

 

61-65-A MACHINE GUN CAL 30, US, LEWIS
Accession: 61-65-A
Machine Gun, Cal 30, US, Lewis, Relic (note cooling jacket, magazine pan and butt-stock gone)
Machine gun is from the USS Peary DD-226. The Peary was a Clemson-class Destroyer sunk on the 19th of February 1942 after a Japanese air attack. Peary lost 80 men in the attack and the ship is now located in Darwin Bay Australia.

Photo from the Collection of Curator Branch, Naval History and Heritage Command

Warship Wednesday Dec. 24, 2014, Remembering that Cold Winter in the Valley

Here at LSOZI, we will take off every Wednesday to look at the old steam/diesel navies of the 1859-1946 time period and profile a different ship each week. These ships have a life, a tale all of their own, which sometimes takes them to the strangest places. – Christopher Eger

Warship Wednesday, Dec. 24, 2014, Remembering that Cold Winter in the Valley

U.S. Navy - Official U.S. Navy photo USN 1043094 from the U.S. Navy Naval History and Heritage Command

U.S. Navy – Official U.S. Navy photo USN 1043094 from the U.S. Navy Naval History and Heritage Command

Here we see the “long-hulled” Essex-class anti-submarine aircraft carrier USS Valley Forge (CVS-45) as she appeared in 1959 as the centerpiece and flagship of U.S. Navy Task Group ALFA with Secretary of the Navy William B. Franke embarked. Ships include Valley Forge in the center, two submarines, and seven destroyers. Identifiable among the latter are USS Eaton (DDE-510) at left front, USS Beale (DDE-471) following Eaton, USS Waller (DDE-466) in the center foreground, and USS Conway (DDE-507) at right front. Aircraft overhead includes two four-plane formations of S2F “Trackers” and three HSS-1 “Seabat” helicopters from the Valley Forge air group, plus one shore-based P2V “Neptune.”

Valley Forge was one of 24 Essex-class fleet carriers started during World War II that were actually completed. Another eight sister-ships never were. We have covered the Essex class before, with the Mighty Oriskany last year, but hey, these were some great ships, and the “Happy Valley” is fitting for its namesake and today’s date.

As you remember from the history books and 3rd grade, Valley Forge (now a National Historical Park) is the site of the third winter encampment of the Continental Army during the American Revolutionary War, taking place from December 19, 1777, to June 19, 1778.

Valley Forge by miitary artist N.C. Wyeth

Valley Forge by military artist N.C. Wyeth

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While no battles were fought there, it was the turning point of the war as the unorganized and defeated Army that Washington led to camp that winter emerged as a hardened force, ready to do combat after being buoyed by news of an alliance with the French and turned into a mature outfit through the strict winter drills of German mercenary Baron von Steuben.

While the Essex-class carried the war from Guadalcanal to Tokyo and in large part helped win it, Valley Forge would come too late. Laid down fittingly at Philadelphia Naval Shipyard, near the location of her namesake, on 14 September 1943.

Also, in an ode to old-school patriotism, the Navy did not have to cough up a dime for her as War Bonds collected from the Eastern Pennsylvania area paid for the carrier. Further, Valley Forge received, according to reports, “the finest State Silver Service ever presented to the Navy.” The service was designed and made by Philadelphia silversmiths in 1904 and was originally placed aboard the old armored cruiser USS Pennsylvania by the Commonwealth. Carried by the battleship of the same name until it was transferred ashore for safekeeping in WWII (after all, the Pennsylvania BB-38 was almost lost at Pearl Harbor), it was entrusted to Valley Forge.

Work slowed on her after her July 1945 launch, and she wasn’t completed until 3 November 1946– some 14 months and one day after the end of World War II. Unlike other Essex boats, she would not be extensively modified in the 1950s to accommodate modern jet fighters, which rather made her a time capsule of WWII carrier technology.

View of the carrier's island, with members of the American Ordnance Association visiting on board, while the ship was operating near Long Beach, California, 27 April 1949. An F8F-2 "Bearcat" fighter is parked alongside the island.Note large SX radar antenna atop the tripod mast, and many onlookers standing on the island walkways. Photo #: 80-G-K-9904 (Color)

View of the carrier’s island, with members of the American Ordnance Association visiting on board, while the ship was operating near Long Beach, California, 27 April 1949. An F8F-2 “Bearcat” fighter is parked alongside the island. Note large SX radar antenna atop the tripod mast, and many onlookers standing on the island walkways. Photo #: 80-G-K-9904 (Color)

Nevertheless, Happy Valley didn’t let that get in her way. Afloat in Hong Kong when word the balloon went up at the 38th Parallel came down, she rushed to Korean waters.

On 3 July 1950, planes from her carrier air group conducted the first naval air strike of the war. Her 96-plane Air Group 5 was a hybrid of old and new aircraft that included the Grumman F9F-2 Panther jet fighter, Douglas Skyraiders, and the classic F4U Corsair, which was enjoying its swan song over Korea.

F4U approaching USS Valley Forge CV-45 Painted by Stan Stokes

F4U approaching USS Valley Forge CV-45 Painted by Stan Stokes

Valley Forge Fly-By by Ivan Berryman

Valley Forge Fly-By by Ivan Berryman

The first Soviet-made Yak-9 ever downed by U.S. planes was splashed that day by Lt (JG) Leo Plog as he flew is F9F-3 Panther of Fighter Squadron (VF) 51 from Valley Forge that day. In another first, Lt (JG) W. Boyd Muncie on 19 July 1950, became the first Naval Aviator to be shot down by North Korean anti-aircraft fire. He spent two and a half hours in the water before being returned to the carrier by helicopter, another first.

Valley Forge departs San Diego 6 Dec 1950

Valley Forge departs San Diego on 6 Dec 1950, headed back to Korea. Note that most of her WWII AAA guns have been stripped by this point.

During Korea, the brand-new ship earned no less than 8 battle-stars as her aircraft held the line at Pusan, generating more than 5,000 sorties in just five months in 1950, then returning in 1951 to generate another 2500, then returning time and time again to drop it like it was hot through 1953. She went on to be the scourge of the North Korean railway system, with her pilots severing the lines in over 5,346 places.

USS Valley Forge (CV-45) Crewmen use flight deck tractors with power brooms to sweep snow from the carrier's flight deck, during operations off Korea, circa early 1951.Plane parked in the foreground is a F4U-4 "Corsair" fighter. Those on the forward flight deck are an AD "Skyraider" attack plane and a HO3S helicopter. Photo #: 80-G-428267

USS Valley Forge (CV-45) Crewmen use flight deck tractors with power brooms to sweep snow from the carrier’s flight deck, during operations off Korea, circa early 1951. The plane parked in the foreground is an F4U-4 “Corsair” fighter. Those on the forward flight deck are an AD “Skyraider” attack plane and an HO3S helicopter. Photo #: 80-G-428267. Note the 5-inch mounts to the right of the image.

She covered the landings at Inchon, and the UN counter-offensive all the way to the Yalu and back, making daily visits when needed along Hungnam, Chungjin, Kojo, and the Chosin Reservoir. She was so busy, in fact, that just seven years after her commissioning, Commander C.V. Johnson made the carrier’s 50,000th landing when he touched his Skyraider down on her deck in May 1953.

USS Valley Forge (CVA-45) Approaches the Pedro Miguel Lock while transiting the Panama Canal, circa 18 August 1953. Her deckload includes several TBM, F4U and F2H aircraft and many automobiles Photo #: NH 96943

USS Valley Forge (CVA-45) Approaches the Pedro Miguel Lock while transiting the Panama Canal, circa 18 August 1953. Her deck load includes several TBM, F4U, and F2H aircraft and many automobiles Photo #: NH 96943

There she was converted in January 1954 into an anti-submarine warfare carrier (CVS-45) and tasked with carrying sub-buster planes as her Corsairs were being put out to pasture. This led to the Task Force picture at the beginning of this post.

Interestingly, during her operations as an ASW carrier in 1959, she had a large part of her flight deck destroyed by fierce waves in the Atlantic. This led her to have the affected area cut away and the forward port portion of the flight deck of the old USS Franklin (CVS-13) fitted in her place.

USS Valley Forge (CVS-45) underway in January 1959. Visible is the damage to the ship’s port forward flight deck, caused by heavy seas in the Atlantic. The damaged part was replaced with the identical part of the flight deck from the decommissioned aircraft carrier USS Franklin (CV-13)

USS Valley Forge (CVS-45) Arrives at Halifax, Nova Scotia, with crewmen in formation spelling out "HELLO HALIFAX" on her flight deck, 10 July 1959.Valley Forge, flying the flag of Rear Admiral John S. Thach and commanded by Captain William M. McCormick, was accompanied by the rest of Task Force ALFA, including seven destroyers and two submarines. Altogether, about 4000 U.S. Navy sailors were in Halifax for the six-day visit. At this point she has the deck of the Franklin installed. Photo #: NH 96939

USS Valley Forge (CVS-45) Arrives at Halifax, Nova Scotia, with crewmen in formation spelling out “HELLO HALIFAX” on her flight deck, 10 July 1959. Valley Forge, flying the flag of Rear Admiral John S. Thach (creator of the Thatch Weave) and commanded by Captain William M. McCormick, was accompanied by the rest of Task Force ALFA, including seven destroyers and two submarines. Altogether, about 4000 U.S. Navy sailors were in Halifax for the six-day visit. At this point she has the deck of the Franklin installed. Photo #: NH 96939 She still carries no less than eight 5-inch guns.

At about the same time, Valley Forge participated in the Balloon Wars, launching at least one GENETRIX spy balloon that carried a gondola of two 600-pound reconnaissance cameras. These were largely released from NATO ally land sites in Norway and Turkey, but a few of the 516 giant balloons came from the decks of naval ships such as the VF.

Ten-million cubic foot 400-foot high "Winzen" research balloon on the carrier's flight deck just prior to launching, during Operation "Skyhook,” Refly "B,” 30 January 1960. The balloon carried scientific devices to measure and record primary cosmic rays at 18-to-22 miles altitude. Photo #: NH 96948

Ten-million cubic foot 400-foot high “Winzen” research balloon on the carrier’s flight deck just before launching, during Operation “Skyhook,” Refly “B,” 30 January 1960. The balloon carried scientific devices to measure and record primary cosmic rays at 18-to-22 22-mile altitude. Photo #: NH 96948

Her life as a sub-buster was short-lived, however, and soon things started turning real green for Valley Forge. She was reclassified as LPH-8 on 1 July 1961 and made an amphibious landing helicopter carrier. In this capacity, she could carry up to a battalion of Marines as well as a force of some 30 choppers and put them all ashore using a concept known as vertical envelopment, which meant for the first time Uncle’s Devil Dogs could get where they needed to go without getting their feet wet.

Underway in the Pacific Ocean, circa 1962-63, prior to her "FRAM II" overhaul. She has fifteen UH-34 helicopters spotted in take-off positions on her flight deck. Photo #: NH 96946

Underway in the Pacific Ocean, circa 1962-63, before her “FRAM II” overhaul. She has fifteen UH-34 helicopters spotted in mass take-off positions on her flight deck. Photo #: NH 96946. Even with a jump like this, the collection of early choppers as seen here could just lift a company-sized force about 75 miles away.

1962 saw her landing Marines in Laos, and she stuck around for the next great conflict in the area, being involved in Vietnam continuously from 1965-69, winning another nine battle-stars that included Tet 68 and Tet 69.

The Happy Valley. Image from the USS Valley Forge Foundation

The Happy Valley. Image from the USS Valley Forge Foundation

She shuttled Marines back and forth from Okinawa to Vietnam, participated in Operations Blue Marlin, Dagger Thrust, Fortress Ridge, Harvest Moon, Badger Tooth, Badger Catch, Swift Saber, Defiant Measure, and Double Eagle as a floating base of operations from which her choppers ran men and material all along the coast as something of a fire brigade– rushing from one hot zone to another, putting out fires. She also served as a “Hero Haven” evacuation point, which allowed choppers from bases ashore that were too hot to bug out to her safer decks.

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As part of the drawdown from Vietnam, she left Southeast Asia, with her choppers and Marines disembarked, and arrived back in California in September 1969. With the new Iwo Jima-class purpose-built LPHs coming online that could do the same job she did for the Marines, and her flight deck frozen in 1946, keeping her from operating fast-moving jets, there really wasn’t a need for the old Valley Forge anymore.

31 August 1965. A U.S. Marine Corps McDonnell F-4B-11-MC Phantom II (BuNo 149453) of Marine Fighter Attack Squadron Three One Four (VMFA-314) “Black Knights” is loaded aboard the Essex-class amphibious assault ship USS Valley Forge (LPH-8, ex CV-45) at Naval Air Station North Island, California. This was for one of two round-trip voyages Valley Forge made to Okinawa, carrying Marines and aircraft before commencing a WestPac deployment in the South China Sea in the fall of 1965. U.S. Navy photo from Valley Forge’s 1965-’66 cruise book

She was never operational again, and on 15 January 1970, she was decommissioned and struck from the Navy List. Plans to keep her around as a museum on the West Coast fell through, but she did have a final shot at living on forever.

While on red lead row in Long Beach, she was leased to a Universal for two weeks in 1971 and her interiors were used for the wide shots of a sci-fi movie, Silent Running, starring a young Bruce Dern and a group of tiny robot drones (manned by little person actors) living out their lives on a lonely starship by the name of the (wait for it) Valley Forge.

The producers of that classic film later went on to challenge the Star Wars franchise copied several items from the earlier movie.

Regardless of who copied whom, the Maritime Administration sold the USS Valley Forge on 29 October 1971 to the Nicolai Joffre Corporation of Beverly Hills, California, for her value in scrap. She was only 25 years old but was born in one World War and fought through two terrible conflicts in her short but hard life. Rather like the Continental Army in the winter of 1777-78.

USSValleyForge

Her memory is kept alive by a very active reunion club, while a number of her sisterships to include the USS Lexington, Intrepid, Yorktown, and Hornet, are preserved as museum ships.

And that beautiful 1904 silver service? When Valley Forge was decommissioned, the Navy handed it back to the Keystone State for safekeeping once more, and they still have it, on display at the State Museum of Pennsylvania. The Museum is about 80 miles from Valley Forge, PA, but if you go there, bundle up.

It gets cold there this time of year.

Specs:

Displacement: As-built:
27,100 tons standard
Length: As-built:
888 feet (271 m) overall
Beam: As-built:
93 feet (28 m) waterline
Draft: As-built:
28 feet 7 inches (8.71 m) light
Propulsion: As designed:
8 × boilers
4 × Westinghouse geared steam turbines
4 × shafts
150,000 shp (110 MW)
Speed: 33 knots (61 km/h)
Complement: 3448 officers and enlisted
Armament: As-built:
4 × twin 5-inch (127 mm)/38 caliber guns
4 × single 5-inch (127 mm)/38 caliber guns
8 × quadruple Bofors 40 mm guns
46 × single Oerlikon 20 mm cannons
Armor: As-built:
4 inch (100 mm) belt
2.5 inch (60 mm) hangar deck
1.5-inch (40 mm) protective decks
1.5 inch (40 mm) conning tower
Aircraft carried: As-built:
90–100 aircraft

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Happy birthday Del Berg! Salute!

Turning 99 today is one Delmer Berg.

Among many accomplishments in life, Mr. Berg was a member of the Abraham Lincoln Brigade, an all-volunteer group that went to Spain during the Spanish Civil War to fight against the Hitler and Mussolini-backed forces of Gen. Franco. Among its members were Mississippi gadfly and soldier of fortune Bennett Doty, screenwriter Alvah Bessie (Objective Burma), composer Conlon Nancarrow, and novelist William Herrick. Both Hemingway and Orwell bounced into these hard-fighting anti-fascists in Spain during the war.

The Abraham Lincoln Brigade suffered over 30% casualties in the three years of war fighting the fascists in Spain. Berg was one of these, suffering wounds during a German air raid.

Berg, who had bought out his U.S. Army contract to go to Spain in 1937, rejoined the Army in 1939 after Franco’s victory, becoming a member of the 389th Anti-Aircraft Artillery (AW) Battalion and seeing service in the Pacific Theater of Operations in WWII. That unit saw a good bit of combat, including the invasion of Morotai.

Sadly, Mr. Berg is the last surviving Abraham Lincoln Brigade Volunteer.

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