Monthly Archives: October 2014

Your Marlin 30.30 as a home defense carbine?

With all the emphasis today on modern long guns in home defense roles, it’s easy to get confused about what is an ideal rifle for these types of scenarios. Well the thing is, you may already have a hard-hitting short-action rifle already in the back of your gun case that can fit the bill just fine.
Any time you encounter the prospect of using a firearm inside a home, you have to worry about two things: over penetration and functionality. Any cartridge fired inside an enclosed space can and will penetrate interior walls made of paneling or drywall. Even a .22LR can penetrate seven sheets of drywall, which is food for thought.

With this in mind, its hard to define “Too Much,” as far as use of a firearm inside the home although “Too Little” is clearly defined by possibly ending up dead at the hands of an assailant. If you ask yourself, “will a .30-30 penetrate interior walls?” the answer is yes.

marlin
Read the rest in my column at Marlin Forum

Any interest in a Star?

Ever seen a classic war movie and noticed that the 1911 looked a little odd? Well that’s because it was a Star 9mm firing blanks rather than the real deal. The Spanish gunmaker of Bonifacio Echeverria, SA in Eibar, better known as Star, carved a niche out of the European firearms market by selling a redesign of Browning’s 1911 chambered in 9mm.

Star Model B 9mm

These ‘Star 9mm’s’ have been around since the 1920s in several different models and even saw military service in World War 2 with the Germans (long story). They are heavy all-steel guns designed for an era when men were men and plastic was still called Bakelite. This made them durable and soft-recoiling. Hollywood liked them because they looked like a .45 but could use popular and easy to find 9mm blank reports. Magnum PI– Star 9mm, Jules from Pulp Fiction— Star 9mm. Col. Potter from MASH— Star 9mm.

star 9mm vincent pulp fiction

So I squeed a little when I saw that J&G has them for $299  (and they are C&R eligible!)

Woot

Combat Gallery Sunday: The martial art of Charles Pears, RI, ROI, RSMA

Charles Pears working on an oil painting of 'R.M.S. Orcades'

Charles Pears working on an oil painting of ‘R.M.S. Orcades’

Born in the quiet market town of Pontefract, Yorkshire was an Englishman by the name of Charles Pears on 9 Sept. 1873. A professional illustrator from the time he was 17, Charles did his duty in the Royal Marines as an officer in World War I, although in his 40s at the time. He also served as an official war artist through the Second World War, by then in his later 60s, but still on the list of the Royal Naval Reserve. A thorough Englishman, he made his living by drawing and painting amazing and captivating travel images for the Empire Marketing Board, and British Railway as well as in periodicals like Punch and Yellow Book. Between 1902-1933, with a break for his wartime service, he illustrated more than 50 books ranging from A Christmas Carol to The Great War.

Whenever possible, it seems he tried to work warships into his commercial illustrations.

"Gibraltar" by Charles Pears, for the Empire Marketing Board, 1930. Note that its a travel poster-- but he still was able to work in a plethora of Royal Navy ships on the horizon.

“Gibraltar” by Charles Pears, for the Empire Marketing Board, 1930. Note that its a travel poster– but he still was able to work in a plethora of Royal Navy ships on the horizon.

Again, its a travel poster-- but you see the naval aspect clearly.

Again, its a travel poster– but you see the naval aspect clearly.

Charles Pears paid the bills through illustrating.

Charles Pears paid the bills through illustrating.

"New Fast Turbine Steamers" GWR poster, 1923-1947. Poster produced for the Great Western Railway (GWR) to promote the new turbine steamers St Julien and St Helier which operated on services between Weymouth and the Channel Islands. Artwork by Charles Pears, a marine painter in oil who was an Official Naval Artist during the World Wars. He worked as a poster artist for rail companies and other clients and was also a book illustrator. Dimensions: 1050 mm x 1300 mm.

“New Fast Turbine Steamers” GWR poster, 1923-1947. Poster produced for the Great Western Railway (GWR) to promote the new turbine steamers St Julien and St Helier which operated on services between Weymouth and the Channel Islands. Artwork by Charles Pears, a marine painter in oil who was an Official Naval Artist during the World Wars. He worked as a poster artist for rail companies and other clients and was also a book illustrator. Dimensions: 1050 mm x 1300 mm.

Poster produced for the Great Western Railway (GWR) promoting rail travel to Paignton, South Devon. The poster shows a bathing belle waving a towel on the beach, with the promenade stretching out behind her and sunbathers  enjoying themselves on the beach. Artwork by Charles Pears,

Poster produced for the Great Western Railway (GWR) promoting rail travel to Paignton, South Devon. The poster shows a bathing belle waving a towel on the beach, with the promenade stretching out behind her and sunbathers enjoying themselves on the beach. Artwork by Charles Pears,

However it is is maritime art in oils that Pear excelled in. He lived in the age of the mighty dreadnought and as such, captured some of the best battleship painting ever to grace a canvas.

"HMS Queen Elizabeth" by Charles Pears. he Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

“HMS Queen Elizabeth” by Charles Pears. he Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

"Transport by Sea: Supplying the Navy 1917" by Charles Pears 1873-1958 Presented by the Ministry of Information 1918 http://www.tate.org.uk/art/work/P03061

“Transport by Sea: Supplying the Navy 1917” by Charles Pears 1873-1958 Presented by the Ministry of Information 1918

Charles Pears "HMS Courageous in drydock"

Charles Pears “HMS Courageous in drydock”

"Battleship HMS Howe in Suez Canal"by Charles Pears

“Battleship HMS Howe in Suez Canal”by Charles Pears. Click to very much biggup

"Jervis Bay action" by Charles Pears

“Jervis Bay action” by Charles Pears

"The Bombing of The British Chancellor in Falmouth Docks, 1940" by Charles Pears

“The Bombing of The British Chancellor in Falmouth Docks, 1940” by Charles Pears

"British sub K22 in drydock at Rosyth, Winter" by Charles Pears. The Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

“British sub K22 in drydock at Rosyth, Winter” by Charles Pears. The Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

"Streaming the para-vanes" by Charles Pears. The Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

“Streaming the para-vanes” by Charles Pears. The Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

"HMS Ullswater torpedoed. " by Charles Pears. The Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

“HMS Ullswater torpedoed. ” by Charles Pears. The Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

A motor launch recovering a torpedo. The Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

A motor launch recovering a torpedo. The Royal Society of Marine Artists; Supplied by The Public Catalogue Foundation

Pears - Hard Lying

Pears – Hard Lying

"A Boarding Party of Royal Naval Reserve Men Going Aboard a Prize under Searchlight" by Charles Pears

“A Boarding Party of Royal Naval Reserve Men Going Aboard a Prize under Searchlight” by Charles Pears

During WWII he painted “MV San Demetrio gets home” which was turned into a Post Office Savings Bank stamp.

"San Demetrio gets home" By Charles Pears. Collection of the IWM

“San Demetrio gets home” By Charles Pears. Collection of the IWM

His original artwork presently part of the collection of the National Maritime Museum, Imperial War Museum, and others. In all an amazing 83 of his works are held on public display in the UK.

Charles Pears, member of the Royal Society of Marine Artists, Royal Institute of Painters in Watercolor, Royal Institute of Oil Painters and the first elected President of the Society of Marine Artists, died in 1958 at age 84 in Cornwall, but his art is timeless. Many of the ships he captured are immortalized no where else and it is through his scholarship that generations who will never know the experience of a true leviathan ship of war, may gaze upon his art and remember.

Thank you for your work, sir.

Boys in blue and bathroom Glock mishaps

In recent weeks, a number of security and law enforcement officers have had problems making business in the water closet that ended with an embarrassing situation with their Glocks. This brings to mind, just what is your plan for when ‘code brown’ comes about while carrying?

srt glock
Read the rest in my column at Glock Forum

 

Thats an impressive M-1 you got there…

13 year old philipino guerilla Adone Santiago with 7 confirmed kills 1945

(Filed by James Hutchesnon with the 35th Division on Luzon., Aug 5 1945)  Adone Santiago is probably the only soldier in the Philippines who ever cried because he couldn’t go hunting Japanese in the mountains. He cried like the small boy he is. Private Santiago of the Philippine Commonwealth army is only 13 years old. He looks like a toy soldier in the flesh. The concussion of a mortar blast might blow- all 65 pounds of him away. But little Adone’s military prowess is a thing to command respect. The Filipino major commanding his unit says Adone’s comrades have confirmed his claim to having killed seven Japs one during two years as a guerrilla and six since the guerrilla units have been absorbed into the army organization. Adone looks more like a mascot than a member of the team. He is equipped with regular uniform, slightly oversize. G. I. clothing wasn’t made for 13 year olds. His steel helmet hangs around his head like an oversize sun bonnet. His combat boots, which are half again his size, just about reach to his knees or where his knees should be. All you can do is guess where his knees are in the drooping folds of those breeches. Private Adone has a deep-rooted hatred of the Japanese. In faltering monosyllabic English, he tells how Japanese killed both his mother and father in their Manila home early in the war. An only child, Adone said he was playing under the house when Japanese soldiers entered. “I see through floor.” he related, gesticulating and big, boyish eyes rolling. “Japs try take my mother. My father fight them. Japs bayonet my father, my mother.” Adone says he later hiked with two older boys to Bataan and tagged along with guerrillas, living in the open. Now he is in a Filipino unit attached to the battalion of Lt. Col. Robert W. King of Terre Haute, Ind., and wants to continue an army career. “I like to go patrols after Japs.” he said. A carbine is his weapon.”

Of Christopher Lee, Zeppelins, and Serial.

cool-Christopher-Lee-great-actor-artist

You may not known this about me, but I’m named after a Hammer Films icon. Yup, Christopher Lee Eger, after the Sir Christopher Frank Carandini Lee, CBE, CStJ. You know? Count Dooku, Saruman, The Man with the Golden Gun. Well before all that he volunteered for the Finns in the 1939 Winter War, then served in the RAF in World War II doing intellegence work. Years later he said of this, “I was attached to the SAS from time to time but we are forbidden – former, present, or future – to discuss any specific operations. Let’s just say I was in Special Forces and leave it at that.”

Truly a pimp.

Well, Lee came to fame in the 1960s and 70s when I was born as Count Dracula in a number of films from the famous Hammer Film studio in the UK. My mom was so enamored with him that I picked up his first and last as my first and middle and I was Dracula several times as a kid of Halloween.

Hammer was a great company. One of the films they attempted to make but never did was Zeppelin vs. Pterodactyls in 1971. All that is left from that attempt is the poster:

zepplin

I would have seen it. They should have cast Lee as the Zeppelin commander and my mom would have seen it too. Bet it would be a classic today.

Oh, they “borrowed” the concept from a serial made in the 1930s by the way. Enjoy!

Zeppelin vs. Pterodactyls (1936)

Vintage Trombone-Action Marlin pop guns

Back around the turn of the century, slide-action rifles were all the rage. You see this was before the age of the reliable semi-auto and many makers had jumped on the pump gun bandwagon. No less a company than J. Marlin’s firearms factory was no exception, turning out no less than a half dozen models before World War Two.

In the 1900s, if you wanted a fast handling rifle, you went pump action. With no reliable semi-automatics on the market, bolt-actions reserved for military use, and lever actions seen by many to be a holdover from the “Old West” the slide or pump-action rifle was cutting edge for the time. Companies from Remington to Winchester were fast on the slide gun concept, marketing both plinking guns for sideshow shooting galleries and small game hunters, and versions in larger calibers to put meat on the table and vanquish predators on both two and four legs.

In a move to give the public what they wanted, Marlin started work on pump-action rifles around 1905. The company made pump-action shotguns for almost 90 years, beginning a decade before that date, so they had the basics of the technology down pat. In all they made eight models of these takedown capable guns before the Great Depression shut the line down on these guns, which were often referred to in ads of the day as “Trombone Action.”

27 s in 32 20

Read the rest in my column at Marlin Forum

Haupt’s torpedo for quickly wrecking wooden bridges.

Back in the Civil War, what we know today as land and naval mines and demolition charges were all lumped into the same title of : Torpedo.

While these infernal devices were most commonly used by the troop-poor South, the Union also got into the act. One of their generals, B.Gen Herman Haupt (USMA Class of 1835), was also a respected professor of mathematics and engineering who came up with one of the better ones, designed to destroy railroad and foot bridges as required.

Haupt's torpedo for quickly wrecking wooden bridges. LOC image http://www.loc.gov/pictures/item/2006676180/

Haupt’s torpedo for quickly wrecking wooden bridges. LOC image Click to big up

I made the following report on how to destroy bridges and locomotive engines expeditiously:

From Civil War Documents.com  : General Haupt’s report on his device
Washington, D. C, November 1, 1862.

A simple and expeditious mode of destroying bridges, and rendering locomotive engines useless to an enemy, is often a desideratum. Cavalry may penetrate far into an enemy’s country, may reach bridges forming viaducts on important lines of communication, which, it may be desirable to break effectually; or, in retreat, the destruction of a bridge may be essential to the safety of an army, and yet time may not be sufficient to gather combustibles, or they may not be accessible, or the fire may be extinguished, or the damage may be so slight as to be easily repaired.

What is required is the means of certainly and effectually throwing down a bridge in a period of time not exceeding five minutes, and with apparatus so simple and portable that it can be carried in the pocket or a saddle-bag.

These requirements are fulfilled by a torpedo, which consists simply of a short bolt of seven-eighths inch iron, eight inches long, with head and nut—the head to be two inches in diameter, and about one inch thick. A washer of same size as the head must be placed under the nut at the other end, with a fuse-hole in it. Between the washer and the head is a tin cylinder one and three-quarters inches in diameter, open at both ends, which is filled with powder, and, when the washer and nut are put on, forms a case which encloses it.

In using this torpedo, a hole is bored in a timber; the torpedo (head downwards) is driven in by a stone or billet of wood, and the fuse ignited. The explosion blows the timber in pieces, and, if a main support, brings down the whole structure.

The time required is only that which is necessary to bore a hole with an auger. Ordinary cigar lighters, which burn without flame, and cannot be blown out, are best for igniting the fuse, which should be about two feet long.

For portability, the auger should be short, say thirteen inches, and the handle movable and of same length.

The proper place at which to insert the torpedo is of much consequence. Most of the Virginia bridges are Howe trusses without arches. In this kind of bridge, the destruction of the main braces at one end, and on only one side of a span, will be sufficient to bring down the whole structure. There are usually but two main braces in each panel, and two torpedoes will suffice to throw down a span. Two men can bore the two holes at the same time without interfering with each other.

Cartridges containing a fulminate would be more portable, but they are not always conveniently procurable, and their use is attended with risk of explosion.

It is only necessary to operate at one side and on one end of a bridge. If one side falls, the other side is pulled down with it.

If the structure contains an arch, two additional torpedoes will be required; but in this case it may be equally advantageous to operate upon the lower chord.

Experiments made at Alexandria proved that a timber placed in the position of a main brace, and similarly loaded, was shattered into many pieces, some of which were projected by the force of explosion more than a hundred feet.

To Render Locomotives Unfit for Service: The most expeditious mode is to fire a cannon ball through the boiler. This damage cannot be repaired without taking out all the flues.

The usual mode of disabling engines consists in burning the flues

by letting out the water and making a fire in the fire-box; but this is generally done so imperfectly that the enemy soon gets them in running order.

Cars are Readily Destroyed by Burning: On this subject no instructions are necessary. The destruction of more than four hundred cars by our own troops within the last six months proves that in the work of destroying such property perfection has been attained, and no room left for winning fresh laurels in this field.

The Superintendent of the Orange & Alexandria Military Railroad has instructions to furnish sample torpedoes to officers who may order them.

Address “J. H. Devereux, Superintendent of Orange & Alexandria Railroad, Alexandria, Va.”

H. HAUPT

Brigadier-General,
In Charge of United States Military Railroads

Navy Marksmanship Team struggling to pay the bills

Basic and advanced marksmanship has long been a part of the U.S. Navy going back to colonial times. Up until WWII, each ship carried enough spare crew (largely due to having to have big crews due to inefficient coal-fired steam boilers and labor intensive sails) to land a decent shore party of company to battalion size.  This was commonly done when needed and reached its zenith in 1914 when the Navy landed a huge force of bluejackets in Mexico,where they engaged in a few rather sharp land-actions.

U.S. Navy and Marine marksmanship team aboard the old battleship USS Florida 1900s.

U.S. Navy and Marine marksmanship team aboard the old battleship USS Florida 1900s.

As such, sailors had to be proficient in small arms marksmanship and competitions and shooting events were staged at the squadron and fleet level in which each ship would send a team to compete. This led in 1907 to the formation of the Navy Marksmanship Team (USNST)

Today the Navy still needs well-trained trigger pullers to serve in Naval Special Warfare units, ship’s VBSS teams, riverine forces and base defense units. However, marksmanship training and competition is not funded these days by NAVSEA.

From Navy Times:

Once upon a time, a NAVSEA truck would show up at fleet matches loaded with 80 pistols and rifles and all the ammo they needed, but no longer…The Navy’s best marksmen foot the bill — amounting to thousands of dollars a year — for the lodging, transportation, fees, guns and ammo needed to represent the service at top competitions. And the cuts are making it hard to keep going, let alone recruit the next generation’s sharpshooters.

This while the US Army Marksmanship Training Unit travels the county and shows up at hundreds of events per year, fielding Olympic quality shooters.

Would it really cost that much to support two dozen Navy marksmen? Yes, DoD budgets are never what the brass really want, but not funding a program that can only lead to increased interest in both the shooting sports and the military seems foolhardy.

Warship Wednesday October 15, 2014: The Devil Dog of the Seven Seas

Here at LSOZI, we are going to take out every Wednesday for a look at the old steam/diesel navies of the 1859-1946 time period, and will profile a different ship each week. –Christopher Eger

Warship Wednesday, October 15, 2014: The Devil Dog of the Seven Seas

Here we see the Independence-class light aircraft carrier USS Belleau Wood (CVL-24), dark and in her war paint, near Hunters Point in 1945. She was a hard-working ship that had a hard war. She was a ship built to meet a very specific need, and she met it well under no less than two flags.

In 1942, the Navy had its ass in a bind. Starting the war with just six large-deck fleet carriers, within the first six months of combat, the number was down to just four, and by the end of the year, just a single one of these (Enterprise) was still afloat and operational. While the first huge and ultra-modern 34,000-ton Essex-class carriers were building as fast as the riveters could rivet and the welders could chip slag, they would not be able to arrive in numbers until 1944. This put the Big Blue behind the Japanese 8-ball in naval warfare.

FDR, himself always a Navy man (he won a naval warfare essay contest while a teenager and slept with Mahan’s The Influence of Sea Power upon History on his nightstand before being appointed Asst. Scty of the Navy during World War One came up with the idea to convert a bunch of cruisers that were already partially complete at the New York Navy Yard over to flat-tops. Although the Navy balked, FDR was the commander and chief, so guess who won?

USS Cleveland CL-55 1942. The Navy wanted between 40-50 of these hardy little cruisers. They settled for much less, and nine of those became aircraft carriers while still under construction

USS Cleveland CL-55 1942. The Navy wanted between 40 and 50 of these hardy little cruisers. They settled for much less, and nine of those became aircraft carriers while still under construction

The 14,000-ton Cleveland-class light cruisers were designed after the gloves came off in 1940 and the U.S. no longer had to abide by the Washington and London Naval treaties of the 1920s and 30s. As such, these were very large cruisers, at just a hair over 600-feet long, and very fast (33-knots). Designed to carry a dozen 6-inch and a supplemental dozen 5-inch guns, they were also heavily armed.

In all, the Navy wanted something on the order of 40 of these warships to lead destroyer groups, escort convoys, scout ahead of battle groups, and screen carriers and battleships. Well, FDR carved nine whose hulls were nearing completion but did not have decks, guns, or superstructures installed yet.

A scale model of the Independence-class light carriers and the Cleveland-class light cruiser. Note the hulls.

A scale model of the Independence-class light carriers and the Cleveland-class light cruiser. Note the hulls.

It was not that hard a concept. Many of the first carriers were auxiliaries, cruisers, and battleships that had their topside removed and covered with a flattop. Langley, the first U.S. carrier, was a collier. Lexington and Saratoga, the country’s second and third carriers respectively, were originally laid down as battlecruisers.

The first of the class of FDR’s “cruiser carriers,” laid down originally as the cruiser Amsterdam but commissioned instead as the USS Independence, was commissioned on 14 Jan 1943 and rushed to the fleet. Over the next nine months, eight sisters would join her, roughly one every 45 days on average. The third of the class, originally laid down as the light cruiser New Haven (CL-76) just four months before Pearl Harbor, was stripped of that name and hull number and commissioned instead as the USS Belleau Wood (CV-24) on 31 March 1943.

Sponsored by the wife of the Commandant of the Marine Corps at her christening, the ship was named after the epic Battle of Belleau Wood in June 1918 during the First World War. This battle, steeped in Corps lore, was fought by the 5th and 6th Marine Regiments (and rumor has it, a few Army units too) in a thickly wooded area of Northern France.

The Battle of Belleau Wood

The Battle of Belleau Wood by Georges Scott.

It produced the time-honored catchphrases, “Come on, you sons of bitches, do you want to live forever?” from Gunnery Sergeant Dan Daly, and “Retreat? Hell, we just got here,” attributed to Capt. Lloyd Williams. It was in this pitched combat, where Marines fought so savagely that German troops opposing them referred to the sea soldiers as Teufelshunde (literally, “Devil Dog”), a name that has stuck for the past hundred years. After the war, the wooded area was renamed Bois de la Brigade de Marine in honor of the more than 1,000 Marines killed there in the summer of 1918.

With her name to live up to, and packed with 24 F6F Hellcats (of VF-24 “Fighting Renegades”) and 9 TBM Avengers (of VT-24 “Bobcats”), Belleau Wood arrived in the Pacific just three months after her commissioning and by September was dropping it like it was hot in raids on Tarawa, Wake Island, and the Gilberts, reminding the Japanese Navy that the Yanks were playing for keeps and all would soon be in order.

Underway 1943 Official U.S. Navy Photograph, from the collections of the Naval Historical Center (photo # NH 97269). From Navsource

Underway 1943 Official U.S. Navy Photograph, from the collections of the Naval Historical Center (photo # NH 97269). Note the center deck elevator. From Navsource

Assigned to the fast-moving Vice Admiral Marc Mitscher’s Task Force 58, she was the battered old USS Enterprise‘s wingman during the Roi-Namur Landings and remained with the group for the seizure of Kwajalein and Majuro Atoll, the Hailstone Raid on Truk, the occupation of Saipan and a number of other engagements.

Carrier Raids on the Marianas, February 1944. A Japanese bomber explodes as it crashes into the sea near USS Belleau Wood (CVL-24), during an attack on Task Group 58.2 off the Mariana Islands, 23 February 1944. Photographed from USS Essex (CV-9).Official U.S. Navy Photograph, now in the collections of the National Archives. (Photo # 80-G-218422). From Navsource

Carrier Raids on the Marianas, February 1944. A Japanese bomber explodes as it crashes into the sea near USS Belleau Wood (CVL-24), during an attack on Task Group 58.2 off the Mariana Islands, 23 February 1944. Photographed from USS Essex (CV-9). Official U.S. Navy Photograph, now in the collections of the National Archives. (Photo # 80-G-218422). From Navsource

In 1944, she found herself up to her radar masts in Japanese aircraft during the Battle of the Philippine Sea, where her air wing delivered the final torpedo to the Japanese Navy’s 25,000-ton aircraft carrier Hiyō, sending her to the bottom on 20 June 1944. The Japanese avenged the loss by sinking Belleau Wood’s sister ship USS Princeton (CV-23) at the Battle of Leyte Gulf just four months later.

On October 30, 1944, the same day that the USS Franklin survived her famous kamikaze attack, Belleau Wood almost succumbed to a hit from a Zeke kamikaze that killed no less than 92 of her crew and sent her to the shipyard for much-needed repair.

USS Belleau Wood (CVL-24) burning aft after she was hit by a Kamikaze, while operating off the Philippines on 30 October 1944. Flight deck crewmen are moving undamaged TBM torpedo planes away from the flames as others fight the fires. USS Franklin (CV-13), also hit during this Kamikaze attack, is afire in the distance. Official U.S. Navy Photograph, now in the collections of the National Archives. (Photo # 80-G-342020).FromNavsource.

USS Belleau Wood (CVL-24) burning aft after she was hit by a Kamikaze, while operating off the Philippines on 30 October 1944. Flight deck crewmen are moving undamaged TBM torpedo planes away from the flames as others fight the fires. USS Franklin (CV-13), also hit during this Kamikaze attack, is afire in the distance. Official U.S. Navy Photograph, now in the collections of the National Archives. (Photo # 80-G-342020).From Navsource.

Back in the war by 1945, Belleau Wood‘s new air wing shot down the very last enemy aircraft of the war, a Yokosuka D4Y3 “Judy” dive-bomber swatted out of the sky by Ensign Clarence Moore, an F6F-3 pilot of “The Flying Meat-Axe” VF-31.

By this time in the war, with opportunities to sink Japanese ships few and far between, most light carriers were switched to an air group that consisted of 34 x F6F fighters and 2 x F6F-3P recon aircraft, and one of the class (Independence) even operated a hybrid night fighter group late in the war.

Landing Signal Officer, Lieutenant (Junior Grade) Walter F. Wujcik, bringing in a plane on Belleau Wood , circa 1945.

Landing Signal Officer, Lieutenant (Junior Grade) Walter F. Wujcik, bringing in a plane on Belleau Wood, circa 1945.

Her airwing took place in the immense aviation armada over Tokyo harbor on Sept. 2, 1945, that blackened out the sky, and she helped bring U.S. troops home from overseas all through 1946. With the U.S. Navy flush with brand new Essex-class carriers, the days of the Independence class were numbered in a post-war environment. Soon, the eight remaining ships of the class were all in mothballs, with Belleau Wood, by then reclassified as a “light carrier” (CVL-24), being decommed 13 January 1947.

Class leader Independence was scuttled after being used as a target for the A-Bomb during Operation Crossroads in 1946, while a few (Monterrey, Bataan) were dusted off for Korea. However, most would be on the scrap heap by the early 1960s. A few, however, were loaned to friends.

USS Cabot, which served with Belleau Wood in TF58 during WWII and VF-31 also flew off of, was transferred to Spain while the Belleau Wood herself and sister ship Langley (CVL-27) were loaned to the French Navy as their fifth and sixth aircraft carriers, respectively.

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While the French renamed Langley as Lafayette (pennant R96) when they acquired her in 1951, they aptly kept the Belleau Wood’s name intact, only correcting the spelling to Bois Belleau. She was accepted into the French Navy with pennant number R97 on 5 September 1953 and commissioned 23 Dec of that year with Captain Louis Mornu in command.

Sailing for French Indochina she had an airwing made up of surplus USN F6F-5 Hellcat (of 11° Flotille) aboard (see our entry here on that little neatness) SB2C Helldivers (of 3° Flotille) and a pair of Piasecki HUP-2 SAR helicopters. These neat little twin rotary craft could carry a half dozen crew and passengers up to 300 miles.

Carrier Bois Belleau, formerly USS Belleau Wood (CVL-24), at Saigon. Early 50's. [800 x 560]

French Carrier Bois Belleau, formerly USS Belleau Wood (CVL-24), at Saigon. Early 50’s. Note the Corsairs on her deck

French Navy Grumman F6F-5 Hellcat launched from French carrier Lafayette off Indochina, 1956

Her planes dropped it like it was hot on Charlie during the first part of 1954 when the French withdrew, helping to evacuate some 6000 French troops and citizens in December that year.

aircraft carrier Belleau Wood in Haiphong Bay, 1954, while in French service. Note he impressive air wing aboard of at least a dozen F6Fs and Helldivers plus two HUP-2's forward

Aircraft carrier Belleau Wood in Haiphong Bay, 1954, while in French service. Note the impressive air wing aboard of at least a dozen F6Fs and Helldivers plus two HUP-2’s forward

However, she soon found herself in the Med doing the same thing for Algerian rebels with an airwing of late model F4U-7 Corsairs (the last 93 Corsairs ever built and considered the most advanced) of 14° Flotille off and on between 1955-59.

Suez Crisis: ALLIED SHIPS AT TOULON. 7 OCTOBER 1956, AERIAL PHOTOGRAPHS OF ALLIED SHIPS GATHERED AT TOULON. (A 33593) Bottom to top: the French aircraft carrier LAFAYETTE; RFA TIDERANGE; HMS EAGLE; the French cruiser GEORGES LEYGUES; the French aircraft carrier ARROMANCHES (ex-HMS COLOSSUS); and the French anti-aircraft cruiser COLBERT. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/205016371

During this period, she also participated in the Suez Crisis in 1956 and attended an International Naval Review in Hampton Roads in 1957.

French carrier Bois Belleau seen at the Hampton Roads International Naval Review in 1957

French F4U-7 Corsairs lined up on Bois Belleau "somewhere in the Mediterranean"

French F4U-7 Corsairs lined up on Bois Belleau “somewhere in the Mediterranean”

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The bumblebee recognition stripes of the F4U-7s of 14 Flottille were added for the joint UK-French intervention in the Suez in 1956, recalling the same type of markings used over D-Day in 1944.

Her last commander, Captain Pierre Hurbin, retired her colors on 12 September 1960, and she was returned to U.S. Navy custody in Philadelphia, replaced by the newly built carrier Clemenceau.

Langley/Lafayette picked up her squadron for another two years until Bois Belleau was likewise returned to her place of birth, replaced by the newly built aircraft carrier Foch.

Vought F4U 7 Corsair French Navy Flottille 15F17 on the La Fayette (ex-USS Langley) 1956.

The French aircraft carrier LAFAYETTE (R 96) former USS LANGLEY (CVL-27) at Mers el Kebir, Algeria, North Africa, 1962. Note the F4U-7 Corsairs aft, TBM Avenger amidships, and Piasecki H-21 Shawnee tandem rotor chopper forward.

14° Flotille then hung up their Corsairs in 1963 and transitioned to the F8E (FN) Crusader.

The aircraft carrier Bois Belleau during an excessive off the French Naval base at Oran-Mers-el-Kebir (14 June 1959).

The aircraft carrier Bois Belleau during an excessive off the French Naval base at Oran-Mers-el-Kebir with two HUP-2’s on deck and her crew manning the rails. (14 June 1959). Picture by Marine Nationale

For Belleau Wood, the U.S. Navy held on to her for a couple of weeks, then struck her name from the Navy List on 1 Oct, and sold her on 21 November 1960 for her value in scrap metal. She had earned a Presidential Unit Citation and 12 battle stars for her WWII service.

USSBelleauWoodCVL-24

The last of her class, Cabot, was returned to the U.S. by Spain in 1989. Shamefully, she sat in New Orleans for a decade in disrepair as one group after another squandered money donated to turn her into a museum ship. I visited her on the Mandeville docks there in 1998 (after letting myself in through a poorly locked gate), and fought back an urge to open up the seacocks and sink the poor old gal myself. In the end, that ship was finally scrapped in 2002, but her small island is preserved at the U.S. Naval Air and Space Museum in Pensacola, along with a working Mk3 40mm mount that the Spaniards did not remove.

Cabot's Island at the USNASM

Cabot’s Island at the USN-ASM

If Pensacola is too far of a drive, a closer memorial for the old USS Belleau Wood may be the ex-USS Little Rock (CL-92/CLG-4/CG-4). One of the ships of the Cleveland class that was actually completed as a cruiser, Little Rock, has been operated by the Buffalo and Erie County Naval & Military Park, Buffalo, New York, as a Museum Ship since 1977. She is the Belleau Wood‘s technical half-sister (at least from the 01 level down anyway)

On 23 September 1978, the U.S. Navy commissioned the Tarawa-class landing ship USS Belleau Wood (LHA-3) to honor the old light carrier (even though she was almost twice the size of her namesake!) in my hometown of Pascagoula. After a hard 27 years of service, that veteran was decommissioned and expended as a target in 2006. That ship’s coat of arms carried the twelve gold battle stars in a field of blue to honor her namesake’s accomplishments, while her island carried the Devil Dog insignia

USS Belleau Wood mascot as displayed on the island superstructure of LHA-3. Artwork by DM2 Artilles Faxas.

USS Belleau Wood mascot as displayed on the island superstructure of LHA-3. Artwork by DM2 Artilles Faxas.

Specs:

uss_cvl_24_belleau_wood-21067

Displacement: 11,000 long tons (11,000 t)
Length:     622 ft 6 in (189.74 m)
Beam:     109 ft 2 in (33.27 m)
Draft:     26 ft (7.9 m)
Speed:     31.6 kn (58.5 km/h; 36.4 mph)
Complement: 1,569 officers and men
Armament:     26 × Bofors 40 mm guns
Aircraft carried: 30-40

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